China Doll (film)
Theatrical (lobby) poster
|Directed by||Frank Borzage|
|Produced by||Frank Borzage|
|Written by||Kitty Buhler
Thomas F. Kelly (story)
James Benson Nablo (story)
Li Hua Li
|Music by||Henry Vars|
|Cinematography||William H. Clothier|
|Edited by||Jack Murray|
|Distributed by||United Artists (US)|
China Doll (a.k.a. Time Is a Memory) is a 1958 romantic drama film set in the China Burma India Theater of World War II and starring Victor Mature and Li Hua Li. It represented a return to films for director Frank Borzage who had taken a 10-year hiatus before tackling this poignant, yet "offbeat" film.[N 1]
In 1943, Captain Cliff Brandon (Victor Mature) is a cargo aircraft pilot supplying the Allied troops fighting the Japanese in China. When he is not flying or training his new crew hard, he is usually drinking in the local bar.
One night, while stumbling home drunk, he encounters an old Chinese man who offers him a girl, his daughter Shu-Jen (Li Hua Li). Brandon pays him, but when he sees the young woman, he tells the old man to keep her. When he wakes up the next morning, he finds Shu-Jen there. After Father Cairns (Ward Bond), a longtime resident of China, expresses his disapproval, Brandon tries his best to get rid of her, assigning the task to Ellington, a young Chinese boy who speaks English well. Ellington tries to sell her into prostitution, but Father Cairns happens by and takes Shu-Jen back to Brandon.
The priest finds out that Shu-Jen's father was a farmer, but he lost his land to the Japanese invaders. Destitute, he sold his daughter's services for three months to feed the rest of his large family. Cairns tells Brandon that, if he were to send the girl back, the old man would return the desperately needed money. So, over Brandon's protests, the priest gets him to keep the girl; Brandon tells her that she is there only as a housekeeper. He makes Ellington his live-in interpreter.
Over time, however, love blooms, and Shu-Jen becomes pregnant. They get married in a traditional Chinese ceremony. After he is transferred to another base, she gives birth to their daughter. Later, they are reunited.
While Brandon is flying a mission, the base is attacked. The returning flight is ordered to divert to a different airfield, but Brandon disobeys and lands his aircraft. When he cannot locate his family, he orders his crew to leave with the survivors. Then he finds Shu-Jen and Ellington both dead, but his daughter is alive. He puts his dog tag around her neck, then mans an anti-aircraft gun and shoots down one or two enemy aircraft before he is killed.
In 1957, his former crewmates and their wives anxiously await the arrival in the United States of Brandon's daughter, found in an orphanage by Father Cairns, still with her father's dog tag.
As appearing in China Doll, (main roles and screen credits identified):
- Victor Mature as Capt. Cliff Brandon
- Li Hua Li as Shu-Jen
- Ward Bond as Father Cairns
- Bob Mathias as Capt. Phil Gates
- Johnny Desmond as Sgt. Steve Hill
- Stuart Whitman as Lt. Dan O'Neill, Navigator (as Stu Whitman)
- Elaine Devry as Alice Nichols (as Elaine Curtis)
- Ann McCrea as Mona Perkins
- Danny Chang as Ellington
- Denver Pyle as Col. Wiley, Brandon's commanding officer
- Don "Red" Barry as MSgt. Hal Foster
- Tige Andrews as Cpl. Carlo Menotti
- Steve Mitchell as Dave Reisner
- Ken Perry as Sgt. Ernie Fleming
- Ann Paige as Sally
- Gregg Barton as Airman
- Bill White, Jr. as Forsyth, Flying Tiger
China Doll had lingered on Borzage's desk from 1953 as an earlier story, The China Story. Starting out with the working title of Time Is a Memory, the film was the first co-production of Batjac Productions and Romina Productions; the next and last co-production was Escort West (1959), a western, also starring Victor Mature. Borzage had been a successful director throughout the 1920s and reached his peak in the late silent and early sound era with such noted films as Seventh Heaven (1927), Bad Girl (1931) and A Farewell to Arms (1932).[N 2] During the 1940s, his films were not as well received and after the film noir, Moonrise (1948), Borzage had stopped directing. China Doll marked his return to Hollywood, although he only completed one more film, The Big Fisherman (1959), while his last effort, L'Atlantide (1961), had to be finished by others due to his illness.
Principal photography took place in 1958 with location shooting at Saugus, California. To faithfully recreate the Kunming Airfield, documentary footage from World War II was incorporated. Although aerial action in China Doll took a secondary role compared to the melodrama that predominated, the following aircraft were featured:
- Bell P-39 Airacobra fighters
- Consolidated B-24 Liberator bombers
- Curtiss P-40 Warhawk fighters
- Douglas C-47 Skytrain transports
- Grumman F6F Hellcat fighters
- Grumman TBF Avenger bombers
- Kawasaki Ki-61 fighter
- Mitsubishi Ki-21 medium bombers
- Mitsubishi Ki-51 light bomber
- Northrop A-17 bomber
- Republic P-47 Thunderbolt fighter
Considered a modest but interesting film, China Doll received favorable critical reviews. Variety noted the film had, "the warmth and humor of a romance between a burly air corps captain and a fragile oriental beauty." Howard Thompson, reviewer for The New York Times found it "(a) familiar war drama (that) has some winning aspects. ... Under Mr. Borzage's leisurely, gentle staging, the love story dominates the picture." 
More recent reviews have treated China Doll as one of Borzage's best and a fitting penultimate testament to his career. A lengthy review by Dan Callahan laid out the tropes of his earlier works were present: "China Doll is a delicate, spare, old man's movie, with quiet attention to character detail (even Ward Bond's priest is sensitive and thoughtful). There's a melancholy, pessimistic slant to the dialogue that isn't lingered over; the movements of the actors and the compositions are so stylized and presentational that it almost feels, at magical times, like a silent film. The ending is surprisingly violent, even brutal, but in a brief coda, Borzage observes the regeneration of beauty in the couple's child, even as he has shown the lover's bond and their kindness viciously wiped out by war."
- While Borzage was on a self-imposed semi-retirement, he never stopped working on film projects, including taking a role as an actor in Jeanne Eagels (1957).
- Borzage won the Academy Award for Directing for Seventh Heaven and Bad Girl.
- Although many reviewers commented on the dramatic deadly aerial attack, the hodgepodge of wartime stock footage mixed in with models depicting both the American and Japanese aircraft was jarring.
- Parish and Stanke 1980, p. 469.
- Thames, Stephanie. "Article: China Doll." Turner Classic Movies. Retrieved: 22 May 2012.
- "Credits: China Doll (1958)." IMDb. Retrieved: May 22, 2012.
- Dumont 2009, p. 346.
- Herzogenrath 2009, p. 282.
- Thompson, Howard. "Movie Review: China Doll (1958)." The New York Times, December 4, 1958.
- "China Doll." Variety, December 31, 1957.
- Callahan, Dan. "China Doll." Slant Magazine, May 11, 2007.
- Dumont, Hervé. Frank Borzage: The Life and Films of a Hollywood Romantic. Jefferson, North Carolina: McFarland, 2009, First edition 2006. ISBN 978-0-786440-986.
- Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000. ISBN 1-57488-263-5.
- Herzogenrath, Bernd. The Films of Edgar G. Ulmer. Lanham, Maryland: Scarecrow Press, 2009. ISBN 0-81086-700-1.
- Parish, James Robert and Don E. Stanke. The Swashbucklers. Highland City, Florida: Rainbow Books, 1980. ISBN 978-0-895080-066.
- China Doll at the Internet Movie Database
- China Doll at the TCM Movie Database
- China Doll at AllMovie