|Born||October 17, 1945|
|Alma mater||Yonsei University|
|Revised Romanization||Ch'oe In Ho|
|McCune–Reischauer||Choe In Ho|
Choi In-ho (17 October 1945 – 25 September 2013) was a South Korean writer.
Born in Seoul, Choi Inho graduated from the Department of English Literature at Yonsei University and debuted as a writer in 1967 with “Patient Apprentice” (Gyeonseup hwanja) which was selected as one of the winners of the New Spring Literary Contest sponsored by The Chosun Ilbo.
Choi converted to Catholicism in the mid 1980s, but nonetheless managed to extend his narrative range to include Buddhism in Road Without Road. Choi has also taught at Yonsei and Catholic Universities. Choi was known as a prodigious drinker ("guzzler") and in 2014 his hand-prints were memorialized on the sidewalk of Yonsei-ro, where he frequently drank.
He died September 25, 2013, at age 68 (Korean age) after suffering from cancer.
Choi In-ho began writing in 1963 at age 17 and took to it naturally. This is clear in his own account of writing two stories, “The Boozer” (1970) and “A Stranger’s Room” (1971), which earned him a reputation as one of the most controversial novelists of the 1970s. According to Choi, “The Boozer” was completed in only two hours, while “A Stranger’s Room” was written overnight for the first issue of Literature and Intelligence.
A handful of his early stories gained notice when they won competitions sponsored by local papers (The Hanguk ilbo in 1963, the Chosun ilbo in 1966) and the Sasanggye Magazine (1968). His early stories (Including the widely anthologized in English, The Boozer which created general awareness of his career in 1970 – though written earlier) limned harsh and satirical landscapes of the results of consumerism. Choi focused on the people caught in the middle of rapidly industrializing Korea, presenting a satirical picture of burgeoning consumerism, and the resultant dehumanization.
In the mid-1970s Ch'oe generalized his focus to that of alienation and wrote Deep Blue Night, which told of the harsh and alienated 'road trip' of two Koreans in California. Deep Blue Night was translated into English by Bruce Fulton and his wife Ju-Chan Fulton for the Korea Literature Translation Institute and Jimoondang Publishing, and won the prestigious Yi Sang award in Korea in 1982.
Among his works, The Merchant of Joseon (Sangdo in Korean) and Emperor of The Sea (also known as Haeshin in Korean) were dramatized and aired by MBC and KBS in 2001 and 2004, respectively, which won popularity not only among Koreans but also viewers across the globe.
Choi’s Deep Blue Night was translated into English by Bruce Fulton and his wife Ju-Chan Fulton for the Korea Literature Translation Institute and Jimoondang Publishing, and won the prestigious Yi Sang Literary Award in Korea in 1982. Besides winning the Yi Sang Literary Award Choi has also been awarded the 1972 Hyundae Munhak Award.
Works in translation
- Deep Blue Night Jimoondang Press (May 31, 2008) ISBN 89-88095-62-6
- Tower of Ants Hollym International Corporation (December 31, 2004) ISBN 1-56591-202-0
- The Boozer In – Land of Exile ISBN 0-7656-1810-9
- Another Man's Room In – Modern Korean Fiction an Anthology ISBN 0-231-13512-2
- Koreanische Literatur Band 3 detail (한국문학 사화집 제3권 -전후 중단편선), Bouvier, translated by Ku Ki-Seong
- Schriftenreihe des Instituts für Koreanische Kultur. 1984/5 detail (<한>誌 (84.5월호) - 한국문학특집호), Institut für Koreanische Kultur
- Schriftenreihe des Instituts für Koreanische Kultur. 1984/7 detail (<한>誌 (84.7월호) - 한국문학특집호), Institut für Koreanische Kultur
- 他人の部屋 detail (타인의 방), コールサック (Coal Sack)社
- 夢遊桃源図 detail (몽유도원도), コールサック(Coal Sack)社
- Maski detail (가면무도회), Nobilitas
- Une nuit bleue et profonde (깊고 푸른 밤), Actes Sud
- "죄인호 " Author Database: Choi Inho, KLTI.
- Modern Korean Fiction An Anthology, p. 181
- KLTI. Korean Writers: The Novelists. Minumsa (2005) p. 35
- Kang, In-Sik (Jan 8, 2014). "Road upgrade aims to restore shine to Sinchon". Korea Joongang Daily (Social affairs: Joongang). Retrieved Jan 8, 2014.
- LIST Magazine, "A Stranger's Room" Vol.20 Summer 2013 (Page 59)
- Land of Exile, p. 102