Christiana Mariana von Ziegler

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Christiana Mariana von Ziegler

Christiana Mariana von Ziegler (28 June 1695 – 1 May 1760) was a German poet and writer. She is best known for the texts of nine cantatas, which Johann Sebastian Bach composed after Easter of 1725.[1]

Biography[edit]

Christiana Mariana Romanus was born in Leipzig, where her father served as mayor in 1701. She began her literary career after the death of her second husband, Captain von Ziegler in 1722. She returned to her home city, where despite difficult family circumstances - father had been imprisoned in the Königstein Fortress, where he spent the rest of his life - she lived in the family home, the Romanushaus, with her mother. The house became a literary and musical salon. Johann Christoph Gottsched encouraged her poetic activity. She became the first woman member of Gottsched's literary society, the Deutsche Gesellschaft.

In 1741 she married for the third time and her literary activity ceased.

She died in Frankfurt an der Oder.

Libretti[edit]

The Romanushaus, Brühl, Leipzig in 1704

Bach moved to Leipzig in 1723 to take up the post of Thomaskantor. In this role he set about composing a large number of cantatas for performance in the city's churches. There is some uncertainty about who was writing Bach's libretti in his first couple of years in Leipzig.[2] Whoever his librettist was, Bach appears to have been looking for a new librettist in 1724, and this may be when he met Ziegler.[3] The nine cantatas set by Bach are:

Ziegler published not only the texts set by Bach, but others not set by him which together make a complete cycle.[4] There has been speculation as to whether Bach considered extending the collaboration after the 1725 performances (when he turned to other librettists such as Picander). John Eliot Gardiner suggests that the relationship between the two may have been strained by Bach's habit of amending her texts to suit his purposes.[5] On the other hand, the collaboration appears to have been quite close (although in some cases Bach set Ziegler's words by adapting music he had composed earlier).[3]

Bibliography[edit]

  • Vermischte Schriften in gebundener und ungebunder Rede [Miscellaneous writings in verse and prose] (1739)

References[edit]

  1. ^ Christiane Mariane von Ziegler (Librettist) - Short Biography
  2. ^ Wolff, Christoph. The transition between the second and the third yearly cycle of Bach's Leipzig cantatas (1725) (PDF). pregardien.com. p. 2. Retrieved August 2014. 
  3. ^ a b c Gardiner, John Eliot (2006). "Cantatas for Whit Monday / Holy Trinity, Long Melford" (PDF). bach-cantatas.com. pp. 10–12. Retrieved October 2013. 
  4. ^ Versuche in gebundener und ungebundener Schreibart (Leipzig 1728)
  5. ^ Gardiner, John Eliot. Bach: Music in the Castle of Heaven.

Further reading[edit]

  • Bloomsbury Guide to Women's Literature
  • Katherine R. Goodman "Amazons and Apprentices. Women and the German Parnassus in the Early Enlightenment" Rochester, NY: Camden House, 1999. ISBN 1-57113-138-8.
  • Katherine R. Goodman, "From Salon to Kaffeekranz. Gender Wars and the Coffee Cantata in Bach's Leipzig" in Bach's Changing World. Voices in the Community. ed. Carol Baron. Rochester, N. Y." University of Rochester P., 2006. pp. 190-218. ISBN 1-58046-190-5
  • Katherine R. Goodman, "'Ich bin die deutsche Redlichkeit.' Christiane mariane von Ziegler's letters to Johann Ernst Philippi" Daphnis 29/1-2 (2000), pp. 307=354.

External links[edit]