Cinema of Nigeria
|Cinema of Nigeria|
|Number of screens||100 (estimate, 2011)|
|• Per capita||0.1 per 100,000 (2011)|
|Main distributors||Blue Pictures 50.0%
Ossy Affason 10.0%
|Produced feature films (2009)|
|Number of admissions (2010)|
|Gross Box Office|
|Total||NG₦126 billion (US$800 million)|
|Part of a series on the|
The cinema of Nigeria, often referred to as Nollywood, is the Nigerian film industry which grew quickly in the 1990s and 2000s to become the second largest film industry in the world in number of annual film productions, placing it ahead of the United States and behind only Indian cinema.
The Nigerian film industry is worth NG₦853.9 billion (US$5.1 billion) as at 2014 and produces hundreds of home videos and films per annum. Nigerian cinema is Africa's largest movie industry in terms value and the number of movies produced per year. Although Nigerian films have been produced since the 1960s, the rise of affordable digital filming and editing technologies has stimulated the country's film and video industry.
The first Nigerian films were made by filmmakers such as Ola Balogun and Hubert Ogunde in the 1960s, but they were frustrated by the high cost of film production. However, television broadcasting in Nigeria began in the 1960s and received much government support in its early years. By the mid-1980s every state had its own broadcasting station. Law limited foreign television content so producers in Lagos began televising local popular theater productions. Many of these were circulated on video as well, and a small-scale informal video movie trade developed.
Nigerian film industry had always been making films on celluloid and the films were screened in cinema houses across Nigeria and later released on VHS for various homes. However, the release of the Straight-to-video movie Living in Bondage in 1992 by NEK Video Links owned by Kenneth Nnebue launched the Home video market in Nigeria. Nnebue had an excess number of imported video cassettes which he then used to shoot his first film on a Video Camera.
Nollywood exploded into a booming industry in the late '90s and pushed foreign media off the shelves. It is now an industry marketed all over Africa and the rest of the world. The use of English rather than the local languages expanded the market and aggressive marketing using posters, trailers, and television advertising also played a role in Nollywood's success.
First Nollywood films were produced using celluloid while Nollywood straight-to-video productions were produced with traditional analog video, such as Betacam SP, but today almost all Nollywood movies are produced using Digital cinematography technology. The Guardian has cited Nigeria's film industry as the third largest in the world in earnings and estimated the industry to bring in US$250 million per year. In April 2014, Nigeria's GDP rebasing was concluded and Nollywood was announced to be worth NG₦853.9 billion (US$5.1 billion) and Nigeria's economy was announced as the largest in Africa.
Nollywood's biggest competition in the Nigerian market is the Ghanaian film industry.However, many Ghanaian productions are copyrighted to Nollywood and distributed by Nigerian marketers due to Nigeria's bigger market. Nigerian filmmakers usually feature Ghanaian actors in Nollywood movies as well and that has led to the popularity of Ghanaian actors almost like their Nigerian counterparts. Van Vicker, a popular Ghanaian actor, has starred in many Nigerian movies. As a result of these collaborations, Western viewers often confused Ghanaian movies with Nollywood and count their sales as one; however, they are two independent industries that sometimes share the colloquial "Nollywood". In 2009, Unesco described Nollywood as being the second-biggest film industry in the world after Bollywood in output and called for greater support for second-largest employer in Nigeria. The Nigerian film industry is also Colloquially known as Nollywood, having been derived as a play on Hollywood in the same manner as Bollywood from Bombay, India.
Straight-to-video movies are shot on location all over Nigeria with hotels, homes, and offices often rented out by their owners and appearing in the credits. The most popular filming locations are the cities of Lagos, Enugu, Abuja and Asaba, Nigeria. However, distinct regional variations appear between the northern movies made primarily in the Hausa language, the western Yoruba movies, the Edo language movies shot in Benin City, the Igbo movies shot in the southeast and the Epie Movies shot in the south south. Many of the big producers have offices in Surulere, Lagos.
Cinematic films are usually shot in studios for most part. Other parts that maybe expensive to replicate in the studio are shot on locations. However, not all Production outfits who make films for the cinemas shoot in the studio, some still make use of locations throughout. Major Production Companies like Golden Effects studios, The Audrey Silver Company, Mainframe studios and few others shoot most part of their movies in the studio, especially the interior scenes. Recent Nollywood movies in which considerable part of the films were shot in the studio include: Ije: The journey, Phone Swap and The Meeting.
To improve the quality of Nigerian film productions, the country’s president, Goodluck Jonathan, pledged in 2010 to create a $200 million loan fund to help finance film projects.
With an eye to attracting an international mainstream audience, Nigerian filmmakers are increasingly turning to the West for actors like Isaiah Washington, and Thandie Newton. The same developments are taking place in co-productions with filmmakers from other African countries. The 'Princess of Africa,' Yvonne Chaka Chaka, starred in Foreign Demons, a film set in Nigeria as well as her native South Africa.
The primary distribution centres for straight-to-video movies are Idumota Market on Lagos Island, 51 Iweka Road in Onitsha in Anambra State, and 1/3 Pound Road Aba in Abia State. Currently, Nigerian films outsell Hollywood films in Nigeria and many other African countries. Straight-to-video producers turn out movies at an astonishing rate in a year and new titles are delivered to Nigerian shops and market stalls every week, where an average video sells 50,000 copies. A hit may sell several hundred thousand. VCDs sell for one to two dollars each, making them affordable for most Nigerians and providing astounding returns for the producers.
Most films are produced by independent companies, businessmen and Investors. However, the direct-to-video films in Nigeria are made mostly by (group of) individuals who usually have their personal digital cameras and they are shot at extremely low budgets. The average Home video costs between US$17,000 and US$23,000, is shot on video in just a week—selling up to 150,000–200,000 units nationwide in one day. With this type of return, more and more are getting into the direct-to-video business. According to Frank Ikegwuonu, author of Who's Who in Nollywood, about "1,200 films are produced in Nigeria annually." And more and more filmmakers are heading to Nigeria because of "competitive distribution system and a cheap workforce." Further, Nigerian films seem to be better received by the market when compared to foreign films because "those films are more family oriented than the American films."
Nigerian movies are available in even the most remote areas of the continent. The last few years have seen the growing popularity Nigerian films among the people of African diaspora in Europe, North America and the Caribbean. Nigerian films are receiving wider distribution as Nigerian filmmakers are attending more internationally acclaimed film festivals. In the USA, viewers can watch Nollywood and other West African movies on Afrotainment. Video on demand is gradually becoming part of the distribution system with platforms like Dobox, iROKOtv, AllAfricanCinema and international platforms like Distrify and Amazon Instant Video showing Nollywood video content. Afrinolly app developed in Nigeria has emerged as Africa's most downloaded entertainment app for Nollywood and African movies, short films, documentaries, music videos, entertainment news and African celebrity profiles.
Many Nollywood movies have themes that deal with the moral dilemmas facing modern Africans. Some movies promote the Christian or Islamic faiths, and some movies are overtly evangelical. Others, however, address questions of religious diversity, such as the popular film One God One Nation, about a Muslim man and a Christian woman who want to marry and go through many obstacles.
Portrayal in the Western media
- The 2007 documentary Welcome to Nollywood by director Jamie Meltzer gives an overview of the industry. It pays particular attention to directors Izu Ojukwu and Chico Ejiro, and acknowledges the unusual, rapid, and enterprising way that most Nollywood films are created as well as their significance and contribution to the greater society and the production difficulties Ojukwu faced during production of his war epic Laviva.
- Franco Sacchi's 2007 documentary This Is Nollywood follows the production of Check Point, directed by Bond Emeruwa. It features interviews with Nigerian filmmakers and actors as they discuss their industry, defend the types of films they make and detail the kind of impact they can have. In 2007, Franco Sacchi presented the film on Nollywood at the TED conference.
- The 2007 Danish documentary Good Copy Bad Copy features a substantial section on Nigerian cinema. It focuses on the direct-to-DVD distribution of most Nigerian movies, as well as the industry's reliance on off-the-shelf video editing equipment as opposed to the more costly traditional film process.
- A 2008 Canadian documentary Nollywood Babylon was co-directed by Ben Addelman and Samir Mallal, and produced by AM Pictures and the National Film Board of Canada in association with the Documentary Channel. It played in the Official Competition at the Sundance Film Festival in January 2009.
- Patience Ozokwor
- Moses Olaiya (Baba Sala)
- Funke Akindele
- Francis Duru
- Hassanat Akinwande
- Regina Askia
- Uche Jombo
- Pascal Atuma
- Liz Benson
- Chioma Chukwuka
- Stella Damasus-Aboderin
- Richard Mofe Damijo
- Tonto Dikeh
- Rita Dominic
- Ini Edo
- Uti Nwachukwu
- Pete Edochie
- Ufuoma Ejenobor
- Omotola Jalade Ekeinde
- Desmond Elliot
- Chiwetalu Agu
- Nse Ikpe Etim
- Kate Henshaw-Nuttal
- Osita Iheme
- Chinedu Ikedieze
- Jim Iyke
- Nse Ikpe Etim
- Mercy Johnson
- Kanayo O. Kanayo
- Omoni Oboli
- Jide Kosoko
- Genevieve Nnaji
- Ramsey Nouah
- Stephanie Okereke
- Oge Okoye
- Zack Orji
- Nkem Owoh
- Baba Suwe
- O. C. Ukeje
- Chet Anekwe
- Joke Silva
- Olu Jacobs
- Kunle Afolayan
- Lt. Sam Loco Efe
- Lt. Justus Esiri
- Lilian Bach
- Anita Joseph
- Saint Obi
- Ifeakachi Miracle
- Mike Ezeuroyne
- Chika Ike
- Queen Nwokoye
- Kenneth Okonkwo
- Bukky Ajayi
- Onyeka Onwenu
- Alex Osifo
- Patience Ozokwor
- Ngozi Ezeonu
- Barbara Soki
- Ngozi Nwosu
- Hilda Dokubo
- Lt. Enebeli Elebuwa
- Belinda Effah
- Damilola Adegbite
- Bimbo Manuel
- Ivie Okujaye
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- About Us | allafricancinema
- Vanguard Newspaper. "$25,000 for five entrants in Google’s ‘Africa connected’ competition". Retrieved 23 October 2013.
- "Welcome to Nollywood". welcometonollywood.com. Retrieved 2009-09-29.
- This Is Nollywood
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