||This article possibly contains original research. (May 2008)|
Circuit bending is the creative, chance-based customization of the circuits within electronic devices such as low voltage, battery-powered guitar effects, children's toys and digital synthesizers to create new musical or visual instruments and sound generators.
Emphasizing spontaneity and randomness, the techniques of circuit bending have been commonly associated with noise music, though many more conventional contemporary musicians and musical groups have been known to experiment with "bent" instruments. Circuit bending usually involves dismantling the machine and adding components such as switches and potentiometers that alter the circuit.
|This section does not cite any references or sources. (May 2008)|
Circuit bending is often practiced by those with no formal training in circuit theory or design, experimenting with second-hand electronics in a DIY fashion. Inexpensive keyboards, drum machines, and electronic children's toys (not necessarily designed for music production) are commonly used. Haphazard modifications can result in short circuits, resulting in the risk of fire, burning, or electrocution.
Aesthetic value, immediate usability and highly randomized results are often factors in the process of successfully bending electronics. Although the history of electronic music is often associated with unconventional sonic results, such innovators as Robert Moog and Léon Theremin were electrical engineers, and more concerned with the consistency and sound design of their instruments. Circuit bending is typified by inconsistencies in instruments built in an unscientific manner. While many pre-fitted circuit bent machines are on offer for sale at auction sites such as eBay, this somewhat contravenes the intention of most practitioners. Machines bent to a repeated configuration are more analogous to the well known practice of "mods", such as the Devilfish mod for the Roland TB-303, the famous Speak and Spell toys or various Analogman or Pedaldoc guitar pedal circuit modifications.
Circuit bending an audio device typically involves removing the rear panel of the device and connecting any two circuit locations with a "jumper" wire, sending current from one part of the circuit into another. Results are monitored through either the device's internal speaker or by connecting an amplifier to the speaker output. If an interesting effect is achieved, this connection would be marked for future reference or kept active by either soldering a new connection or bridging it with crocodile clips. Often other components are inserted at these points such as pushbuttons or switches, to turn the effect on or off; or components such as resistors or capacitors, to change the quality of the audio output. This is repeated on a trial and error basis. Other components added into the circuit can give the performer more expressiveness, such as potentiometers, photoresistors (for reaction to light) and pressure sensors.
The simplest input, and the one most identified with circuit bending, is the body contact, where the performer's touch causes the circuit to change the sound. Often metal knobs, plates, screws or studs are wired to these circuit points to give easier access to these points from the outside the case of the device.
Since creative experimentation is a key element to the practice of circuit bending, there is always a possibility that short circuiting may yield undesirable results, including component failure. In particular, connecting the power supply or a capacitor directly to a computer chip lead can destroy the chip and make the device inoperable. Before beginning to do circuit bending, a person should learn the basic risk factors about working with electrical and electronic products, including how to identify capacitors (which can give a person a serious shock due to the electrical charge that they store), and how to avoid risks with AC power. For safety reasons, a circuit bender should have a few basic electronics tools, such as a multimeter (an electronic testing device which measures voltage, resistance and other factors). It is advised that beginner circuit benders should never "bend" any device that gets its power from mains electricity (household AC power), as this would carry a serious risk of electrocution.
Although similar methods were previously used by other musicians and engineers, this method of music creation is believed to have been pioneered by Reed Ghazala in the 1960s. Ghazala's experience with circuit-bending began in 1966 when a toy transistor amplifier, by chance, shorted-out against a metal object in his desk drawer, resulting in a stream of unusual sounds. While Ghazala says that he was not the first circuit bender, he coined the term Circuit Bending  and whole-heartedly promoted the proliferation of the concept and practice through his writings and internet site, earning him the title "Father of Circuit Bending".
Serge Tcherepnin, designer of the Serge modular synthesizers, discussed his early experiments in the 1950s with the transistor radio, in which he found sensitive circuit points in those simple electronic devices and brought them out to "body contacts" on the plastic chassis. Prior to Mark's and Reed's experiments other pioneers also explored the body-contact idea, one of the earliest being Thaddeus Cahill (1897) whose telharmonium, it is reported, was also touch-sensitive.
Devices can be adapted to work on higher source voltages simply by putting a resistor on the positive lead (sometimes negative lead) with a resistance that comes close to the answer of this equation: ([source voltage] - [voltage intended for the device]) / amperes ; in which one has to be careful about the current capacity of the "bottleneck" the resistors create.
A common application for this tactic is to allow things like LEDs to work on 12 volt circuits of automobiles even though the LEDs would generally work on 3 volts of battery power.
Another advantage to this tactic is to allow devices made for batteries to work on AC adapters, as well as to eliminate use of non-rechargeable batteries with devices, sometimes by using an external rechargeable battery.
- Axesynth (Known as the "Atari", as used by the rock band MuteMath, and Velva (Chicago)
- Atari Punk Console
- MOS Technology SID
- Kraakdoos (CrackleBox)
- Glitch (music)
- Noise music
- Electronic art music
- Casper Electronics
Alexandre Marino Fernandez, Fernando Iazzetta, Circuit-Bending and DIY Culture
- Reed Ghazala: http://www.anti-theory.com/soundart/circuitbend/cb14.html
- Reed Ghazala: Circuit-Bending, Build Your Own Alien Instruments, Extreme Tech, 2006
- Reed Ghazala: "Circuit-Bending and Living Instruments," EMI Volume VIII #1, 1992
- Vail, Mark: Vintage Synthesizers: Pioneering Designers, Groundbreaking Instruments, Collecting Tips, Mutants of Technology, Backbeat Books; 2.00 edition (March 15, 2000)
- oddmusic.com's circuit bending section - Gallery of some of Reed Ghazala's work, facts, history, tutorial, benders guide, tools of the trade and more
- Q.R. Ghazala's How-To Ghazala's official website tutorial
- GetLoFi a circuit bending blog with a lot of circuit bending tips and resources
- Bent Festival the first and ongoing international Circuit Bending festival