|Area served||Minneapolis – Saint Paul|
|Formerly called||Circus of the Star|
Circus Juventas (formerly Circus of the Star) is a youth performing arts circus school located in Saint Paul, Minnesota and serving youth throughout the Minneapolis-Saint Paul metropolitan area. The organization was founded in 1994 by Dan and Betty Butler, and offers circus arts training to children ages 3–21.
Emulating the style of Cirque du Soleil, Circus Juventas's first show was at Saint Paul's Highland Fest in 1995. From there, the circus school's enrollment quickly expanded and the organization initiated a campaign to fund a $2.1 million permanent big top facility which opened in 2001. Annual summer shows for the most advanced performers have proven popular with local audiences and press. In addition, Circus Juventas students have performed and competed both around the Minneapolis-Saint Paul area and abroad. Today, it is the largest youth performing arts circus in the United States.
Dan and Betty Butler met as teenagers at the Sailor Circus of Sarasota during the mid-1970s. Dan was a catcher on the flying trapeze, while Betty was an aerialist on the cloud swing. They began dating at age sixteen and both went on to perform at Florida State University's Flying High Circus. Dan became a successful real estate broker in Atlanta, but eventually faced bankruptcy and chemical dependency. The couple came to reside in Minnesota because Dan Butler was receiving alcohol and drug abuse rehabilitation at Hazelden. The Butlers attended Sailor Circus reunions together and after one, in April 1994, Betty Butler wondered, "Wouldn't it be great if we could do something in Minnesota ..."
The Butlers founded Circus Juventas as a non-profit corporation in October 1994, citing a desire to give back to the community as one of the reasons for its creation. It was originally known as Circus of the Star, so-called for Minnesota's nickname, The North Star State. The newly opened Hillcrest Recreation Center in Saint Paul provided the couple with inspiration for the circus program, and they asked the city if they could hold classes there. The Saint Paul Parks and Recreation Department approved the program, and assumed liability for approximately fifty children who enrolled the first year. About thirty of those students stayed with the program and performed in their first show at the 1995 Highland Fest, an annual family-oriented festival. After this performance, interest in the program increased. By 1996, around thirty more students were enrolled, and by 1997, an additional twenty-five had joined the program. The circus was still based out of the Hillcrest Recreation Center's gym, and had to work around the schedule of the other regular activities in the facility. In 1997, the waitlist for the program was around 200 students.
With the school's growing popularity, the Butlers saw the need for a larger space so they developed plans to build a 1,500-seat facility. In an article published in the St. Paul Pioneer Press in 1997, the estimated cost of the project was quoted at $700,000 with a groundbreaking planned for April 1998. The Butlers kicked off their capital campaign on February 18, 1998, with the goal of raising $1.1 million for their new building. By August 1999, they had raised $1 million of their expanded $1.6 million goal for the circus expansion, with plans to break ground on the new facility that November. Part of the funding came from Saint Paul's Sales Tax Revitalization (STAR) program, through which surplus funds were distributed by councilmembers to worthy organizations. A total of $627,183 were disbursed for the circus through the program, split between three STAR components: $450,000 as part of Neighborhood STAR which sought to fund neighborhood initiatives, $122,183 as part of Cultural STAR which funded arts and culture programs, and $55,000 from 3rd Ward City Councilmember Pat Harris's discretionary Neighborhood Investment Initiative budget. Another $60,000 came from an anonymous recently retired Saint Paul businessperson.
The $1.6 million were raised in full by the end of April 2000, just in time to ensure the circus received its STAR funding which would have been nullified if the Butlers hadn't made their fundraising goal by May 5 of that year. The Butlers had found the space for the school through coincidence; after driving along Montreal Avenue in Saint Paul one night, they turned into a parking lot, noticed an area beneath some trees, and realized it was an ideal location for their school's expanded facility. On August 25, 2000, ground was broken on the new structure. The big top took about a year to complete, during which time the school also changed its name to Circus Juventas, named for Juventas, an ancient Roman goddess of youth and rejuvenation. Ultimately, the project totaled $2.1 million and by 2006, the school was $700,000 in debt. It was, however, working with various city agencies to resolve the issue and faced "no looming threat". The school relies heavily on parent volunteers to help with various operational aspects, from rigging to administrative work to set construction and decoration. Betty Butler estimated that 90% of work on the school's shows is done by parent volunteers.
As of 2010, the circus school enrolled students from ages six to 21, with an additional enrollment of about 150 toddlers and other younger participants as young as three years old. By 2013, the enrollment had reached over 800 and the school's annual operating budget exceeded $2 million. Circus Juventas has also held circus arts fitness classes for adults, taught by the school's regular instructors. The school is a member of the Outdoor Amusement Business Association and the Fédération Mondiale du Cirque. A listing on the latter organization's website notes that as of 2014, Juventas is the largest performing arts circus school for youth in the United States.
Circus Juventas's big top is located in the Highland Park neighborhood of Saint Paul, Minnesota. It stands 40 feet (12 m) tall and encompasses 21,000 square feet (1,951 m2) of floor space. Its original bleachers could seat 1,200 audiencemembers. The structure is supported by an aluminum frame and covered with flame-resistant vinyl-coated cloth.
On August 16, 2009, at the closing performance of the show Yulong, a set of bleachers with a carrying capacity of 450 people and holing 420 at the time collapsed, sending seven people to the hospital. In the ensuing investigation, it came to light that Juventas had not had the bleachers inspected each time they were set up, as required by their lease with the city. They had been issued a permit in 2006 for the bleachers, and had not had them inspected since. The school was fined $500 and shut down until the legal and safety issues could be fully investigated. It reopened about a month later and installed new bleachers with molded plastic seats the next March.
In early 2014, the Butlers announced plans to expand their big top facility by an additional 10,000 square feet (930 m2). The additional space will house a dance and theater studio, a costume shop, offices, and a 4,500-square-foot (420 m2) gym. Naming rights for the new structure will provide a component of the $4 million the school hopes to raise for the $2 million expansion, a $1 million addition to the circus's endowment, and eventual repairs to the building's exterior, estimated at $1 million. Betty Butler stated that the project stemmed from the desire to create "a true professional program, a separate program" for students looking to study and perform circus arts post-Juventas, even though she and her husband originally shied away from pre-professional training as a core aspect of their circus school.
The school typically puts on two shows per year: a spring performance featuring less advanced students studying circus arts at beginning and intermediate levels, and a late summer show to display the talents of more advanced students. While the earliest shows were focused primarily on technique and the individual acts, by 1997 or 1998 the school began to put more focus into the artistic side of performances, including integrating said acts into Cirque du Soleil-style narratives, according to Dan Butler.
Big top summer shows
- 2001: Mythos, a production dealing with Greek mythology that was performed not only in Circus Juventas's new permanent big top facility but also at the Minnesota State Capitol on New Year's Eve, 2001.
- 2002: Cirque Napoleon, a show that delved into the history of circus, taking place in a French circus in 1859 and honoring Jules Léotard, an early trapeze artist.
- 2003: Taroq, a production set in Morocco following four traveling nomads on a quest to determine the meaning of life.
- 2004: Swash, a pirate-themed performance that entailed a quest for lost treasure.
- 2005: Dyrnwych, a production that included "an amalgam of fairy-tale types, with wicked hag witches, trolls, forest spirits, and warrior women."
- 2006: Pazzanni, a retelling of the story of Cinderella, inspired by 1500s Venetian carnivales and featuring masks designed by the maskmaker responsible for those used in the 1999 film Eyes Wide Shut.
- 2007: Atlanticus, a performance set under the oceans in the domain of Poseidon.
- 2008: RavensManor, a haunted house-themed show, based loosely on the Haunted Mansion ride located in Disneyland. RavensManor's story, set in New Orleans, included a tragic romance and zombies.
- 2009: Yulong: The Jade Dragon (sometimes shortened to Yulong), a presentation derived from Chinese legendary and circus traditions. Produced in collaboration with the Chinese American Association of Minnesota, the show spotlighted three Taiwanese guest artists and included an emphasis on Chinese circus acts such as Chinese pole and hoop diving.
- 2010: Sawdust, a performance evoking the traditions of historic American circuses. Special guests in the show were veteran circus performers Willie Edleston and Tony Steele who played slightly fictionalized versions of themselves.
- 2011: Grimm—Happily Ever After! (sometimes shortened to Grimm), a show retelling a number of the Brothers Grimm's fairy tales. Characters included Rapunzel, Cinderella, Little Red Riding Hood, Hansel and Gretel, Snow White, and the Frog Prince.
- 2012: Showdown, a Wild West-themed show set in the fictional town of Tumbleweed. The performance included portrayals of real outlaws, lawmen, and singers, including Lillie Langtry, Black Bart, Billy the Kid, and Wyatt Earp, and featured a seven-man highwire pyramid, becoming the second youth circus to complete this trick.
- 2013: Oz, based on The Wonderful Wizard of Oz.
- 2014: Neverland!, incorporating elements from the world of Peter Pan.
In addition to shows at their Saint Paul big top, Juventas students have also performed at the Mall of America, the Saint Paul Winter Carnival, Roy Wilkins Auditorium, RiverCentre, the Minnesota Children's Museum, Minneapolis mayor R. T. Rybak's 2002 inauguration at the Minneapolis City Hall, on Ecolab Plaza, Nicollet Mall, and with the Shrine Circus in Minneapolis. Students have also participated non-Juventas shows, including a 2004 Minnesota Fringe Festival production, the 2005 world premiere of Tin Forest with the Minnesota Orchestra at Orchestra Hall, the local Children's Theatre Company's 2008 stage adaptation of Madeline and the Gypsies, and the 2012 adaptation of Jack Prelutsky's The Dragons Are Singing Tonight at The Southern Theater. Outside of the Minneapolis–Saint Paul area, Juventas students have traveled, including to perform at the RiverRocks Festival in Chattanooga, Tennessee, and to compete, including at the Circus Ring of Friendship Festival in Norrköping, Sweden, in which the troupe's triple trapeze team garnered the gold medal.
Much of the accompaniment for the big top summer shows came from local mandolin player Peter Ostroushko. Ostrouchko, known for his work on the radio show A Prairie Home Companion, became involved in the youth circus after his daughter saw a show and decided to join. In 2005, upon discovering his affinity for the mandolin and fiddle, the Butlers asked if Ostroushko would volunteer to play a Celtic song at the permiere of their upcoming summer big top show, Dyrnwych. He happily agreed, having expressed a lifelong dream of joining a circus, and played the track, "See It There/Con Cassidy's", not only at Dyrnwych's opening but also at each of its subsequent 18 performances. The following year, he composed original music for the 2006 Juventas show, Pazzanni, and expanded his band to five members, including himself on mandolin, fiddle, and mandocello, Marc Anderson on percussion, Dan Chouinard on piano, accordian, and keyboard, Dirk Freymuth on electric and acoustic guitars, and Joel Sayles on electric and acoustic bass guitars. Ostroushko again provided a score for Atlanticus and RavensManor, continued in 2010 with Sawdust, then Grimm, and finally Showdown. Tracks from the first four shows for which he played, from Dyrnwych to RavensManor, are anthologized on the CD Peter Joins the Circus, published by Borderland Productions in 2008.
Jando Dominique, reporting for Spectacle: An Online Journal of Circus Arts, summarized audience and critical reception for Circus Juventas's shows by describing them as "always sold out and enthusiastically reviewed by the press". Renee Valois cited the age of the performers and the proximity between them and the audience when she asked in a St. Paul Pioneer Press review of Oz comparing the circus school with Cirque du Soleil, "Dare I say Circus Juventas is more exciting than the troupe that inspired it?" Writing for Minnesota Monthly, Amanda Bankston commended the technical skill and professionalism of the performers in 2012's Showdown: "[T]here is nothing child-like about the talent in this show. The budding stars fearlessly swing, flip, and soar through the air like pros." In Spectacle, Dominique noted that Juventas's productions consistently have "a polish and style not often seen in youth circuses, or most professional ones, for that matter."
Susannah Schouweiler of Knight Arts wrote, "at two hours and 45 minutes, plus a 20-minute intermission, [Grimm's] run time is an awfully long haul for the smallest circus-goers." Critics have also commented on the occasional misstep in a performance; Rohan Preston noted in his review of Grimm that "there are moments -- just a few stand out -- when you realize that these are students, after all, in a celebrated after-school program. You want them to succeed, even if they do not always." Similarly, writing for BroadwayWorld, Elaina Lenertz stated, "Sometimes their silks routines are a bit out of sync and sometimes the show features dance routines from younger kids who are still mastering stunts. Despite this, the performance is very impressive."
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