Citizen Ruth

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Citizen Ruth
CitizenRuthPoster.jpg
Original film poster
Directed by Alexander Payne
Produced by Cary Woods
Cathy Konrad
Andrew Stone
Michael Zimbrich
Written by Alexander Payne
Jim Taylor
Starring Laura Dern
Burt Reynolds
Mary Kay Place
Swoosie Kurtz
Kurtwood Smith
Kelly Preston
Tippi Hedren
Music by Rolfe Kent
Cinematography James Glennon
Editing by Kevin Tent
Distributed by Miramax Films
Release dates
  • January 24, 1996 (1996-01-24) (Sundance)
  • December 13, 1996 (1996-12-13) (United States)
Running time 102 minutes
Country United States
Language English
Budget $3,000,000 (estimated)
Box office $285,112[1]

Citizen Ruth is a 1996 comedy film written by Jim Taylor and Alexander Payne. The film is the directorial debut of Payne. It stars Laura Dern in the title role of a poor, irresponsible and pregnant woman who unexpectedly attracts attention from those involved in the debate about the morality and legality of abortion.

The film premiered at the Sundance Film Festival in January 1996.[2] It later opened in limited release in the United States on December 13, 1996. As of 2014, Citizen Ruth remains to be the only Alexander Payne-directed film not nominated for any Academy Awards.

Plot[edit]

The movie opens with Ruth Stoops and a man (apparently an ex-boyfriend) having intercourse on a bed in a flophouse, after which he disrespectfully throws her out of the apartment. She later goes to a hardware store to buy patio sealant and huffs it in a paper bag in an alley to get high. Ruth is portrayed as a dumb, inebriated addict, capable of doing nearly anything to get money or drugs.

Ruth has 4 kids, all of whom have been taken from her custody by the state because of her inability to care for them (or even for herself). Her kids are scattered among three different homes. Ruth goes to the home of her brother and sister-in-law to sneak a look at two of her kids and to beg her brother for money.

After Ruth is arrested for her continuing drug use, she learns that she is pregnant again. At her arraignment, she learns to her horror that she is facing felony charges; her many earlier arrests had all been on misdemeanor charges. The judge, who knows of the situation with Ruth's other offspring, suggests to her after the hearing that he will deal with her less harshly if she has an abortion. Through a chance encounter with a group of jailed abortion protesters, Ruth soon finds herself at the center of an escalating battle between people on both sides of the abortion issue. Both sides engage in deceitful tactics to influence Ruth's decision. The pro-life people run a fake abortion clinic, where they actually seek to dissuade patients from receiving the advertised service. The pro-choice people have "spies" in the pro-life group who spirit Ruth away.

Both sides offer incentives into the thousands of dollars to the hapless and exhilarated woman to secure her promise that she keep or abort the child. Dollar-conscious Ruth rampantly encourages the bidding. She becomes the object of a local news and political obsession; a figure of the media who all want to know: Will she or won't she have an abortion?

On the day Ruth is to receive her abortion, she suffers a miscarriage. Going along with the pretense of having the abortion, she proceeds to the clinic to collect $15,000 that has been left there for her by one of the security guards of the clinic who believes in personal freedom. He has personally given her the money, free of organizational sponsorship, to match the bid given by the Pro-Life group, so that she can make her decision without the influence of money. She then breaks out of the clinic by dropping a toilet tank cover on a guard's head and walks by oblivious protesters on both sides. Even though she'd been on the TV news for weeks, none of the picketers on either side pay any attention to her actual presence. Finally standing up, she runs away down the street.

A running joke in the movie is a "Success in Finance"-type tape produced by an Amway-type company. Ruth takes the tape and studies it to determine what to do with her newfound money.

Cast[edit]

Themes[edit]

Citizen Ruth is known for its explicit attack of the abortion debate. Through black comedy and satire, the film spins the motif of women seeking abortions in "ways unprecedented in prior decades" of film.[3] Most importantly, the film uses these methods of humor "to critique moral realism in the abortion debates."[4] While the film's overt subject matter is abortion, director Alexander Payne has insisted that the film is more prominently about the human side of fanaticism. Elaborating on this, Payne said, "People become fanatics for highly personal reasons. I mean, it's more about them and their own psychosis than about that cause."[5] This point has been noted by critics, who reaffirm the common loss in sight made by extremists of the people and issues involved in such debates.[6][7]

Reception[edit]

Citizen Ruth received positive reviews upon release. Film review aggregator Rotten Tomatoes reports that 80% of critics gave the film a positive review based on 25 reviews with a "Certified Fresh" rating, with an average score of 6.8/10.[8] On Metacritic, which assigns a normalised rating out of 100 based on reviews from critics, the film has a score of 64 (citing "generally favorable") based on 18 reviews.[9]

Roger Ebert of the Chicago Sun-times gave the film three stars out of four praising the film for its "reckless courage to take on both sides in the abortion debate" and for its "gallery of sharp-edged satiric portraits."[10] Owen Gleiberman of Entertainment Weekly also gave the film a positive review calling the performances "pinpoint perfect", though also suggesting that "movie is a little too aware of its own outrageousness."[11] Todd McCarthy of Variety focused on the fact of Citizen Ruth being Payne's directorial debut, stating, "Director Payne may not yet possess all the skills necessary to completely pull off a full-scale social farce; he could profitably have added more comic invention around the edges, but he does score quite a few points, even-handedly ribbing the extremists in both camps."[12]

References[edit]

  1. ^ "Citizen Ruth (1996)". Box Office Mojo. Internet Movie Database. Retrieved October 14, 2013. 
  2. ^ "Citizen Ruth (Meet Ruth Stoops)". Sundance Film Festival. Sundance Institute. Retrieved October 14, 2013. 
  3. ^ MacGibbon, Heather (2007). The Abortion Narrative in American Film. Ann Arbor, Michigan: ProQuest. p. 115. 
  4. ^ Shapshay, Sandra; Al-Yasha Ilhamm (2009). "Reading Citizen Ruth Her Rights". Bioethics at the Movies. Baltimore, Maryland: Johns Hopkins University Press. pp. 32–33. ISBN 0801890780. 
  5. ^ Guthmann, Edward (January 7, 1997). "`Citizen's' Payne Plays Abortion for Laughs / Trying to sell `Ruth' drove him out of Hollywood". San Francisco Chronicle. Hearst Corporation. Retrieved October 15, 2013. 
  6. ^ Dreher, Rob (March 16, 1997). "In Pro-life, Pro-choice Wars, `Citizen Ruth' Just Pro-laughs". Sun-Sentinel. Tribune Company. Retrieved October 15, 2013. 
  7. ^ Nicoletti, Karen (March 28, 2012). "Citizen Ruth: Looking Back at Alexander Payne's Prescient Abortion Satire". Movieline. Penske Media Corporation. Retrieved October 15, 2013. 
  8. ^ "Citizen Ruth - Rotten Tomatoes". Rotten Tomatoes. Retrieved October 14, 2013. 
  9. ^ "Citizen Ruth Reviews - Metacritic". Metacritic. Retrieved October 14, 2013. 
  10. ^ Ebert, Roger (April 4, 1997). "Citizen Ruth Movie Review & Film Summary (1997)". Chicago Sun-Times. RogerEbert.com. Retrieved October 14, 2013. 
  11. ^ Gleiberman, Owen (January 10, 1997). "Citizen Ruth Review". Entertainment Weekly. CNN. Retrieved October 14, 2013. 
  12. ^ McCarthy, Todd (January 29, 1996). "Review: ‘Precious’". Variety. Penske Media Corporation. Retrieved October 14, 2013. 

External links[edit]