Claire Falkenstein, ca. 1936
July 22, 1908|
Coos Bay, Oregon
|Died||October 23, 1997
|Known for||Sculpture, painting|
|Awards||Guggenheim Fellowship, 1978|
Claire Falkenstein (//; July 22, 1908 – October 23, 1997) was an American sculptor, painter, printmaker, jewelry designer, and teacher, most renowned for her often large-scale abstract metal and glass public sculptures.
Early life and education
Claire Falkenstein was born on July 22, 1908, in Coos Bay, Oregon. Her father managed a lumber mill. Claire attended Anna Head School in the Oakland–Berkeley, California area after her family moved there.
She attended the University of California at Berkeley, and graduated in 1930 with a major in art and minors in anthropology and philosophy. She had her first one-woman exhibition, at a San Francisco gallery, even before graduation. Her art education continued in the early 1930s at Mills College, where she took a master class with Alexander Archipenko, and met László Moholy-Nagy and György Kepes.
Life and work
Falkenstein's experience with those artists reinforced her interest in abstraction, as well as ideas that functional considerations do not detract from a work's aesthetic appeal, and that she was free to experiment with a wide variety of new techniques and materials.
She taught art classes at various Bay Area locations, such as UC Berkeley Extension, Mills College, and the California Labor School. She also taught at the innovative California School of Fine Arts, alongside abstract expressionists such as Clyfford Still, who would become a close friend and artistic influence, and Richard Diebenkorn. In 1934, she created an abstract fresco at Oakland's Piedmont High School. This was part of the Federal Art Project, which strongly preferred paintings depicting American scenes, but some abstracts such as this work by Falkenstein were tolerated. During the 1930s she created sculptures from clay ribbons formed into Möbius strips, woven together. These were some of the earliest American nonobjective sculptures.
She was married for twenty-two years to Irish-American trial lawyer Richard McCarthy, whom she had known in high school; they were divorced because he didn't join her in her desire to live in Paris.
Falkenstein did move to Paris in 1950 and remained for thirteen years, maintaining a studio on the Left Bank. In Paris she met many artists, including Jean Arp, Alberto Giacometti, Sam Francis and Paul Jenkins, as well as art connoisseur Michel Tapié who acted as a sort of mentor and promoter for the Americans.
In a 1995 interview, she said that "Paris was a remarkable experience, because the French allowed a kind of individual action. They have the quality of centuries of ... culture and of art and it sort of spills over." She explored what she referred to as "topology", a connection between matter and space, incorporating a concept of the continuous void in nature. She became associated with the free-form abstractions of L'Art Informel.
Out of economic necessity, Falkenstein inventively used inexpensive nontraditional materials for her artwork, including wooden logs, stovepipe wire, and lead bars. She used stovepipe wire, in particular, in innovative ways, and continued to do so even after she was able to afford other materials. The large, airy forms constructed of this material became part of her famous style.
Rather than sculpture, she preferred the use of the word structure to refer to her work. She applied the term to her paintings and prints as well. A critic compared Falkenstein's work of the 1950s to "a Jackson Pollock in three dimensions". Some of her work has a structure which appears as if it could grow, infinitely expanding, similar to the way Pollock's paintings may appear as if they could continue beyond the canvas.
One of her most well-known pieces is The New Gates of Paradise, constructed of metal webbing with chunks of glass. Located on the Grand Canal at the Guggenheim Museum in Venice, Italy, it had been commissioned in 1960 by her friend Peggy Guggenheim. The gates, each of which was 12 by 4 feet (3.7 m × 1.2 m), marked the first time she created a never-ending screen with repeating modules attached in various directions, giving the impression that it could continue forever.
In 1963, Falkenstein moved to the Venice district of Los Angeles, building an oceanfront home/studio. Falkenstein received many high-profile commissions for large public art pieces, including sculptures, fountains, and screens. She created the doors, gates, and stained-glass windows for St. Basil Catholic Church in Los Angeles. These 1969 pieces are considered by some to be her finest achievements. She said of the windows: "To my knowledge, they're the only abstract windows for a Catholic church." Among the other southern California venues featuring her works are Fresno's Fulton Mall, South Coast Plaza, the Department of Motor Vehicles in downtown Los Angeles, and various college campuses including California State University, Fullerton (she described her sculpture there as "metallic joy – an activity of forces"), California State University, Dominguez Hills, University of California, Los Angeles, University of Southern California, and California State University, Long Beach.
The Long Beach Museum of Art named its restaurant "Claire's at the Museum" in honor of Falkenstein. The artist created Structure and Flow, a fountain with twisting latticework, which was donated to the museum in 1972. This work of art, the restaurant's centerpiece, is another creation which many consider to be among her finest.
She was awarded a Guggenheim Fellowship for Fine Arts in 1978. From about 1990 on, her work was concentrated on painting rather than sculpture. Falkenstein died at her Venice home on October 23, 1997 of stomach cancer, at the age of 89. Over the course of her long career as an artist she had produced over 4,000 sculptures, paintings and drawings.
- 1948 Salon des Réalités Nouvelles
- 1970 Drawing and Performance, E.A.T SHOW, University of Southern California Fisher Gallery
- 1970 Art and Technology, Brooklyn Museum
- 1974 California Museum of Science and Industry
- 1975 Phoenix Art Museum
- 1977 San Francisco Museum of Modern Art
- 1978 Tate Gallery
- 1979 Seattle Art Museum
- 1980 Palm Springs Desert Museum
- 1981, 1985 Laguna Art Museum
- 1987 Peggy Guggenheim's Other Legacy, Solomon R. Guggenheim Museum
- 1992 Museum of Contemporary Art (Los Angeles)
- 1994 Corcoran Gallery
- 1995 46th International Art Exhibition, Venice Biennale
- 1997 Claire Falkenstein, Looking Within: A Point of Departure, Fresno Art Museum
- 2002 True Grit – Seven Female Visionaries Before Feminism, Boise Art Museum (Boise, Idaho)
- 2007 Be-Bomb: the Transatlantic War of Images and all that Jazz. 1946–1956, Barcelona Museum of Contemporary Art
- 2008 Modernism and the Wichner Collection, Long Beach Museum of Art
- 2009 Craft in America: Expanding Traditions, Fuller Craft Museum (Brockton, Massachusetts)
- 2012 Claire Falkenstein: An Expansive Universe, part of Pacific Standard Time: Art in L.A. 1945 – 1980, Jack Rutberg Fine Arts (Los Angeles, California)
- 2012 Black And – -, Anita Shapolsky Gallery, New York City, NY
- Addison Gallery of American Art
- Coos Art Museum
- Crocker Art Museum
- Hammer Museum
- Harvard Art Museums
- Indianapolis Museum of Art
- Long Beach Museum of Art
- Los Angeles County Museum of Art
- Museum of Art and Archaeology (University of Missouri)
- Nora Eccles Harrison Museum of Art
- Norton Simon Museum
- Oakland Museum of California
- Peggy Guggenheim Collection
- Pompidou Centre
- Portland Art Museum
- San Diego Museum of Art
- San Francisco Museum of Modern Art
- Seattle Art Museum
- Smithsonian American Art Museum
- Tate Britain
- University of Michigan Museum of Art
- "Claire Falkenstein". National Museum of Women in the Arts. 2008. Retrieved June 7, 2011.
- Smith, Roberta (November 9, 1997). "Claire Falkenstein, 89, Sculptor Of the Abstract and Functional". The New York Times. p. 43. Retrieved February 25, 2011.
- http://www.rogallery.com/Falkenstein/Falkenstein-bio.htm. Retrieved February 1, 2014. Missing or empty
- Larinde, Noreen (Spring–Summer 1980). "Claire Falkenstein". Woman's Art Journal (Woman's Art, Inc.) 1 (1): 50–55. JSTOR 1358019.
- Henderson, p. 11
- Rubinstein, p. 315
- Rubinstein, p. 262
- "Oral history interview with Claire Falkenstein". Archives of American Art, Smithsonian Institution. March 2–21, 1995. Interview conducted by Paul Karlstrom. Retrieved February 25, 2011.
- Henderson, p. 9
- Plante, Michael (Winter 1994). "Sculpture's Autre: Falkenstein's Direct Metal Sculpture and the Art Autre Aesthetic". Art Journal (College Art Association) 53 (4): 66–72. JSTOR 777565.
- Rubinstein, p. 316
- Rubinstein, pp. 315–316
- Oliver, Myrna (October 25, 1997). "Claire Falkenstein; Prolific and Innovative Sculptor". Los Angeles Times. Retrieved February 25, 2011.
- "Description and Pictures of Church". St. Basil Catholic Church. Retrieved March 1, 2011.
- "Biography for Claire McCarthy Falkenstein". Ask Art. Incorporates material from, among other sources, American Women Artists by Charlotte Streifer Rubinstein and Artists in California, 1786–1940 by Edan Hughes. Retrieved February 25, 2011.
- "ABOUT CLAIRE’S". lbma.org.
- "Claire's at the Museum". Long Beach Museum of Art. 2009. Retrieved February 25, 2011.
- "Guggenheim Fellows Search". John Simon Guggenheim Memorial Foundation. Retrieved March 1, 2011.
- "Claire Falkenstein – Biography". ArtFacts. Retrieved February 25, 2011.
- "Claire Falkenstein". artnet. Retrieved February 25, 2011.
- . Smithsonian Institution http://www.aaa.si.edu/collections/claire-falkenstein-papers-6135/more. Retrieved February 1, 2014. Missing or empty
- "Claire Falkenstein 1909-1997, US". ArtFacts.net.
- "Fine Art Museums for Claire McCarthy Falkenstein". Ask art. Retrieved February 25, 2011.
- "Claire Falkenstein Online". Artcyclopedia. Retrieved February 25, 2011.
- Henderson, Maren (2006). Claire Falkenstein: Structure and Flow, Works from 1950–1980. West Hollywood, California: Louis Stern Fine Arts. ISBN 0-9749421-5-4. Retrieved February 25, 2011.
- Rubinstein, Charlotte Streifer (1982). American Women Artists: from Early Indian Times to the Present. New York, N.Y: Avon. ISBN 0-8161-8535-2.
- Interview of Claire Falkenstein, part of Los Angeles Art Community – Group Portrait interview series, Center for Oral History Research, UCLA Library Special Collections, University of California, Los Angeles.
- Claire Falkenstein, Collections Search Center, Smithsonian Institution
- Entry for Claire Falkenstein on the Union List of Artist Names