Clamma Dale

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Clamma Churita Dale (born 1948) is an African-American operatic soprano. She is best known for portraying "Bess" in the highly successful 1976 Houston Grand Opera production of Porgy and Bess. The show was transferred from Houston to Broadway where Dale was awarded a Drama Desk Award and received a Tony Award nomination.

Biography[edit]

Born and raised in Chester, Pennsylvania. Her father was a jazz musician and she received much of her early musical training from him, playing the clarinet, cello, saxophone, piano, and guitar during her youth[citation needed] as well as singing in the school choir. She studied music at Philadelphia's Settlement Music School and then pursued voice studies at the Juilliard School in New York City and graduated in 1970. She went on to earn her master's degree from the Juilliard School in 1975.[1]

After graduating from school she worked as a first grade music teacher in Brooklyn until her singing career began to take off.[2]

Dale made her professional opera debut on February 20, 1973 as St. Teresa I in Virgil Thomson's Four Saints in Three Acts at the Vivian Beaumont Theater in a production mounted by the Metropolitan Opera. In 1974 she portrayed Bess for the first time at the Los Angeles Civic Light Opera. In 1975 she won the Walter W. Naumburg Foundation's music competition which led to her New York City recital debut at Town Hall in May 1976.[2] She returned to the NYCO several times in the late 1970s to portray such roles as the Countess in The Marriage of Figaro, and Nedda in Leoncavallo's Pagliacci. In 1975 she signed a three-year contract with the New York City Opera (NYCO) and made her NYCO debut in October 1975 as Antonia in Jacques Offenbach's Les Contes d'Hoffmann.[2] She returned to the NYCO several times in the late 1970s to portray such roles as the Countess in The Marriage of Figaro, and Nedda in Leoncavallo's Pagliacci.

Dale first drew wide acclaim in 1976 for her portrayal of "Bess" in Porgy and Bess with the Houston Grand Opera, a production which went on to a highly successful run at first the Uris Theatre and then the Mark Hellinger Theatre on Broadway in 1976-77. In 1977 she performed as a soloist with the New York Philharmonic in the premiere of Leonard Bernstein's Songfest in Washington D.C. In 1980 she sang at a gala concert celebrating the 35th anniversary of the United Nations. Later that year, she sang the roles of Giulietta and Antonia in Les Contes d'Hoffmann for her debut at the Opéra national du Rhin, Nedda for her debut with the Opera Company of Philadelphia, and both the title role in Aida and Leonora in Il Trovatore at the opera house in Bogotá, Colombia.[citation needed]

In 1983 Dale made her first appearance at the Opéra National de Paris as Fata Morgana in The Love for Three Oranges. She spent the next several years working in various opera houses in Paris, singing roles like Liu in Puccini's Turandot, Musetta in Puccini's La bohème, Pamina in The Magic Flute, and the one-woman tour de force of the bloodthirsty title character in Erzsebet, an opera by Charles Chaynes.[3]

In 1986 she appeared at the Opéra de Nancy et de Lorraine (now the Opéra national de Lorraine). In 1988 she sang Bess for her debut at the Theater des Westens in Berlin. The following year she portrayed Liu at the Deutsche Oper Berlin. She has given many recitals including two resulting from winning the Walter W. Naumburg voice competition. She gave recitals at Alice Tully Hall and Carnegie Hall among other places. She made several appearances at the White House.[when?] In 1991, she sang the world premiere of John Duffy's Time for Remembrance with the Honolulu Symphony for the commemoration of the 50th anniversary of the attack on Pearl Harbor.[citation needed]

Personal life[edit]

Dale married Terry Shirk in 1981. He died suddenly of a heart attack in 1987.[3]

Recordings[edit]

External links[edit]

References[edit]

  1. ^ "The Creative Woman: Success Requires Talent and Drive". Ebony: 135–138. August 1977. 
  2. ^ a b c Mel Gussow (September 29, 1976). "Clamma Dale Sings Way to Top And Seeks Out New Challenges". The New York Times.  NOTE: PAYWALL LINK
  3. ^ a b Bourdain, G.S. (May 11, 1990). "The Winding Road From 'Bess' to Tully Hall". The New York Times. Retrieved April 30, 2010.