Clementine Hunter

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Clementine Hunter (pronounced Clementeen) (late December 1886 or early January 1887 – January 1, 1988) was a self-taught African-American folk artist from the Cane River region of the U.S. state of Louisiana. She was born on a plantation said to be the inspiration for Uncle Tom's Cabin. She worked as a farm hand; never learning to read or write. When in her fifties, she began painting, using brushes and paints left by an artist who visited Melrose Plantation, where she lived and worked. Hunter's artwork depicted plantation life in the early 20th century, documenting a bygone era. She first sold her paintings for as little as 25 cents. By the end of her life, her work was being exhibited in museums and sold by dealers for thousands of dollars. Hunter was granted an honorary Doctor of Fine Arts degree by Northwestern State University of Louisiana in 1986.

Biographical details[edit]

"Baptism" by Clementine Hunter. Mural (detail)

Hunter was the granddaughter of a slave,[1] born just two decades after the American Civil War. She was born either in late December 1886 or early January 1887, the eldest of seven children to Creole parents[2] at Hidden Hill Plantation, near Cloutierville[3] in Natchitoches Parish, Louisiana. Hunter's given name was originally Clemence, but she changed it after moving to Melrose Plantation.[2] Her mother was Antoinette Adams (d. 1905) and her father was Janvier (John) Reuben (d. ca. 1910), a field hand.[2] Her parents were married on October 15, 1890. Her maternal grandparents were Idole, a former slave, and Billy Zack Adams. Her paternal grandfather was "an old Irishman" and her grandmother, "a black Indian lady called 'MeMe'" (pronounced May–May).[2]

Known as a harsh place to live and work, local legend says that Hidden Hill was the inspiration for Uncle Tom's Cabin.[2][3]

At the age of 15, Hunter moved to Melrose Plantation[2] south of Natchitoches. She spent much of her life picking cotton and only attended school for 10 days, never learning to read or write.[3]

Her first two children, Joseph (Frenchie) and Cora, were fathered by Charlie Dupree, whom Hunter said she did not marry.[2] He died around 1914 and she married Emmanuel Hunter, a woodchopper at Melrose, in 1924.[2] The two lived and worked at Melrose Plantation for many years. Hunter worked as a field hand in her early years and as a cook and housekeeper[4] beginning in the late 1920s.[2] Hunter bore seven children, two stillborn. On the morning before giving birth to one of her children, she picked 78 pounds of cotton, went home and called for the midwife and was back picking cotton a few days later.[2] Hunter lived her entire life in rural, northwest Louisiana, never going more than 100 miles from home.[2]

Career[edit]

Hunter was self-taught.[5] Melrose Plantation became a mecca for the arts under the guidance of its owner, Cammie Henry.[6] Numerous artists and writers visited, including Lyle Saxon, Roark Bradford, Alexander Woollcott, Rose Franken, Gwen Bristow, and Richard Avedon.[2] Brushes and discarded tubes of paint[1] left by New Orleans artist Alberta Kinsey[6] after a 1939 visit to Melrose Plantation, were used by Hunter to "mark a picture" on a window shade,[7] beginning her career as an artist.

Hunter gained support from numerous individuals associated with Melrose Plantation, including François Mignon, plantation curator,[3] who supplied her with paint and materials, and promoted her widely[2] and James Register. With Mignon's help, Hunter's paintings were displayed in the local drugstore, where they were sold for one dollar.[2] In her later years, Hunter co-authored "Melrose Plantation Cookbook" with Mignon.

On the outside of the unpainted cabin where she lived was a sign that read, "Clementine Hunter, Artist. 25 cents to Look."[2] She produced between four and five thousand paintings in her lifetime.[8]

Hunter's Art[edit]

Hunter has become one of the most well-known self-taught artists, often referred to as the black Grandma Moses.[3] Painting from memory,[1][3] she is credited as an important social and cultural historian for her documentation of plantation life in the early 20th century, including picking cotton, picking pecans, washing clothes, baptisms, and funerals.[2][6] Many of her paintings were similar,[1] but each one is unique.[2] Hunter was noted for painting on anything, particularly discarded items such as window shades, jugs, bottles, and gourds[2] and cardboard boxes. Her paintings rarely run larger than 18 by 24 inches and her work has generally been considered uneven, with her work from the 1940s to 1960 considered to be the best. She also produced a few quilts with themes depicted in her paintings.[2]

African House at Melrose Plantation

Though she became a hugely respected artist and is today considered a folk art legend, Hunter spent her entire life in (or near) poverty. In the 1940s, she sold her paintings for as little as a quarter.[1][3] By the 1970s, she was charging hundreds of dollars for a painting.[2] By the time of her death, her work was being sold by dealers for thousands of dollars.[7] She rarely titled her works, but would describe what a painting was about, when asked for a title.[2]

One of the more well-known displays of Hunter's artwork is located in a food storage building called "African House" on the grounds of Melrose Plantation. (African House is often referred to as slave quarters, however the building was built for, and always used for food storage.) The walls are covered in a mural Hunter painted[9] in 1955, depicting scenes of Cane River plantation life. Upon its original completion a local newspaper ran the headline: "A 20th Century Woman of Color Finishes a Story Begun 200 Years Ago by an 18th Century Congo-Born Slave Girl, Marie-Therese, the original grantee[disambiguation needed] of Melrose Plantation."

An article appeared on Hunter in Look magazine in June 1953, giving her national exposure.[3] A book called Clementine Hunter: Cane River Artist is due to be published in 2012, co-written by Tom Whitehead, a retired journalism professor, who knew Hunter well.[4] A director of the Museum of American Folk Art in Washington, D.C. called Hunter "the most celebrated of all Southern contemporary painters."[3]

The cafe and snack bar at the Alexandria Museum of Art is named for Hunter.

Recognition[edit]

She was the first African-American artist to have a solo exhibition at the Delgado Museum (now the New Orleans Museum of Art) and achieved a significant amount of success during her lifetime, including an invitation to the White House from U.S. President Jimmy Carter and letters from both President Ronald Reagan and U.S. Senator J. Bennett Johnston, Jr. Radcliffe College included Hunter in its "Black Women Oral History Project, published in 1980.[2] Northwestern State University of Louisiana granted her an honorary Doctor of Fine Arts degree in 1986 and in 1987, Louisiana governor Edwin Edwards made her an honorary colonel and aide-de-camp.[2]

Victim of forgery[edit]

In 1974, there were rumors that Hunter forgeries[2] were being sold by William J. Toye in New Orleans.[4] Decades later, the Federal Bureau of Investigations (FBI) investigated reports of forgery of Hunter's works and raided the home of Toye in September 2009.[4][7] Toye, who was accused of selling forged paintings three times over the course of four decades,[4] pleaded guilty in federal court on June 6, 2011.[5] Others, including a relative of Hunter's and one of Henry's[8] have forged Hunter's artwork as well, though Whitehead says Toye's fakes were the best.[4] His forgeries were painted on vintage board and his brush strokes and monogram were good replicas of Hunter's, however Hunter normally left smudges on the backs of her work and marred the edges, distinguishing marks missing from Toye's counterfeits.[8] Whitehead said that unlike the work of European masters, which generally has well-documented provenance, Hunter produced thousands of paintings, which she sold from her front door.[10] Also, collectors spending millions are more prone to research the history of their prospective purchases than folk art collectors spending much less. The price for Hunter paintings range between a few thousand dollars to $20,000 according to Whitehead.[10]

Literature[edit]

  • François Mignon, illustrated by Clementine Hunter, Melrose Plantation Cookbook (1956) ASIN B000CS68QA
  • James Register, illustrated by Clementine Hunter, The Joyous Coast (1971) Mid-South Press, Shreveport, Louisiana
  • Mildred Hart Bailey, Four Women of Cane River (1980)
  • James Wilson, Clementine Hunter: American Folk Artist (1990) Pelican Publishing Company
  • Shelby R. Gilley, Painting by Heart : The Life and Art of Clementine Hunter, Louisiana Folk Artist (2000) St. Emma Press
  • Art Shiver, Tom Whitehead (editors), Clementine Hunter: The African House Murals (2005) Northwestern State University of Louisiana Press. ISBN 0-917898-24-9
  • Art Shiver,Tom Whitehead (co-authors), "Clementine Hunter Her Life and Art" (2012) LSU Press. ISBN 978-0-8071-4878-5

See also[edit]

References[edit]

  1. ^ a b c d e Janet McConnaughey, "La man admits selling forged folk artist paintings" The Washington Examiner (June 6, 2011). Retrieved June 8, 2011
  2. ^ a b c d e f g h i j k l m n o p q r s t u v w x James Lynwood Wilson, Clementine Hunter: American Folk Artist, Pelican Publishing Company (1990) ISBN 0-88289-658-X. Retrieved June 9, 2011
  3. ^ a b c d e f g h i "Clementine Hunter biography Naders Gallery, Shreveport, Louisiana. Retrieved June 8, 2011
  4. ^ a b c d e f Campbell Robertson, "For a Longtime Forger, Adding One Last Touch" The New York Times (June 7, 2011). Retrieved June 8, 2011
  5. ^ a b "Defendant Admits to Selling Counterfeit Clementine Hunter Paintings" KATC, Lafayette, Louisiana. (June 6, 2011). Retrieved June 8, 2011
  6. ^ a b c Shelby R. Gilley, Painting by Heart : The Life and Art of Clementine Hunter, Louisiana Folk Artist. St. Emma Press (2000)
  7. ^ a b c Ruth Laney, Clementine Hunter Fakes" Country Roads, Baton Rouge, Louisiana (January 2010). Retrieved June 8, 2011
  8. ^ a b c John Ed Bradley, "The Talented Mr. Toye" Garden & Gun (April/May 2010). Retrieved June 13, 2011
  9. ^ "Melrose Plantation, African House, State Highway 119, Melrose, Natchitoches Parish, LA" Library of Congress. Retrieved June 9, 2011
  10. ^ a b Richard Burgess, "Guilty plea in art forgeries" The Advocate Arcadiana (June 7, 2011). Retrieved June 15, 2011

External links[edit]