In architecture, clerestory (//; lit. clear storey, also clearstory, clearstorey, or overstorey) are any high windows above eye level. The purpose is to bring outside light, fresh air, or both into the inner space.
Historically, clerestory denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows.
Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom.
The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through slits pierced in vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period.
The clerestory was used in the Hellenistic architecture of the later periods of ancient Greek civilization. The Romans applied clerestories to basilicas of justice and to the basilica-like bath-houses and palaces.
Early Christian and Byzantine basilicas
Early Christian churches and some Byzantine churches, particularly in Italy, are based closely on the Roman basilica, and maintained the form of a central nave flanked by lower aisles on each side. The nave and aisles are separated by columns or piers, above which rises a wall pierced by clerestory windows.
During the Romanesque period, many churches of the basilica form were constructed all over Europe. Many of these churches have wooden roofs with clerestories below them. Some Romanesque churches have barrel vaulted ceilings with no clerestory. The development of the groin vault and ribbed vault made possible the insertion of clerestory windows.
Initially the nave of a large aisled and clerestoried church was of two levels, arcade and clerestory. During the Romanesque period a third level was inserted between them, a gallery called the "triforium". The triforium generally opens into space beneath the sloping roof of the aisle. This became a standard feature of later Romanesque and Gothic large abbey and cathedral churches. Sometimes another gallery set into the wall space above the triforium and below the clerestory. This feature is found in some late Romanesque and early Gothic buildings in France.
In smaller churches, clerestory windows may be trefoils or quatrefoils. In some Italian churches they are ocular. In most large churches, they are an important feature, both for beauty and utility. The ribbed vaulting and flying buttresses of Gothic architecture concentrated the weight and thrust of the roof, freeing wall-space for larger clerestory fenestration. In Gothic masterpieces, the clerestory is generally divided into bays by the vaulting shafts that continue the same tall columns that form the arcade separating the aisles from the nave.
The tendency from the early Romanesque period to the late Gothic period was for the clerestory level to become progressively taller and the size of the windows to get proportionally larger in relation to wall surface.
By extension, "clerestory lights" are any rows of windows above eye level that allow light into a space. In modern architecture, clerestories provide light without distractions of a view or compromising privacy. Factory buildings are often built with clerestory windows; modern housing designs sometimes include them as well.
The English poet Phillip Larkin ( b.9 August 1922 – d. 2 December 1985 , Coventry, England.) also uses clerestory or "High Windows" in his lead poem of the same name,to reflect the hope and freedom of connection to the sky and Liberation. In its day, written in February 1967 and only published later in 1974, it reflected the social turmoil, introduction of permissiveness and contraception of the mid 1960's. The coming of unseen new light sources and hope.
Like some of his other verse it contained swear words ( in context), causing some consternation at the time. "High Windows" contained the F*** word and may have been held back, by its publishers for that reason. It has been critically acclaimed , like the other poems in the same collection of poems, also called "High Windows. E.G. "This be the verse" These are now seen as valid and widespread social commentary.
Note "This be the verse" has been voted one of the U.K's top 100 poems and has a separate entry under Wikipeadia.
High Windows, Faber and Faber, 1974, ISBN 978-0-571-11451-1
"This Be The Verse" "Annus Mirabilis" "The Explosion" "The Building" "High Windows"
Clerestory roofs were used on railway carriages (known as 'Clerestory carriages') from the mid 19th century onwards. Clerestories were also used in early double decker buses, giving better ventilation and headroom in the centre corridor, as well as better illumination.
- Gothic architecture
- Romanesque architecture
- Cathedral architecture of the Western World
- Passive daylighting
- Roof window
- Gwendolyn Leick and Francis J. Kirk, A Dictionary of Ancient Near Eastern Architecture, 1988, Routledge, 261 pages ISBN 041500240
- C. Michael Hogan, Knossos fieldnotes, Modern Antiquarian (2007)
- Harter, Jim (2005), World Railways of the Nineteenth Century: A Pictorial History in Victorian Engravings, Johns Hopkins University Press, p. 248
- Kichenside, G.M. (1964), Railway carriages, 1839-1939, Ian Allan, Clerestory Roofs, p.12
- Klapper, Charles F. (1984) , The Golden Age of Buses, Routledge, p. 16
|Wikimedia Commons has media related to Clerestories.|
Flickr Group : Clerestory Coaches (Railways) with pictures of Clerestory Coaches from over 20 countries, including many built during the 19th Century. The collection includes many historical Royal and Presidential trains.