Clint Black

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Clint Black
Clint Black at Chumash Casino crop.jpg
in concert at the Chumash Casino Resort
Santa Ynez, California
October 26, 2006
Background information
Birth name Clint Patrick Black
Born (1962-02-04) February 4, 1962 (age 52)
Long Branch, New Jersey USA
Origin Katy, Texas, USA
Genres Country
Occupations Musician
Singer-songwriter
Multi-instrumentalist
Record producer
Actor
Instruments Vocals
Guitar
Bass
Harmonica
Drums
Years active 1983–present
Labels RCA Nashville, Equity
Associated acts Lisa Hartman Black, Hayden Nicholas, Steve Wariner
Website ClintBlack.com

Clint Patrick Black (born February 4, 1962) is an American country music singer-songwriter, record producer, multi-instrumentalist and occasional actor. Signed to RCA Nashville in 1989, Black's debut album Killin' Time produced four straight number one singles on the US Billboard Hot Country Singles & Tracks charts. Although his momentum gradually slowed throughout the 1990s, Black consistently charted hit songs into the 2000s. He has had more than 30 singles on the US Billboard country charts, twenty-two of which have reached number one, in addition to having released nine studio albums and several compilation albums. In 2003, Black founded his own record label, Equity Music Group. Black has also ventured into acting, having made a cameo appearance in the 1994 film Maverick, as well as a starring role in 1998's Still Holding On: The Legend of Cadillac Jack.

Early life[edit]

Clint Black was born in Long Branch, New Jersey, the youngest of four children born to G.A.[Note 1] and Ann Black,[1][2] and lived in nearby Red Bank.[3] The family moved back to Texas, where G.A. Black had been raised, before Clint was one year old.[1] He was raised in Katy, Texas. Music was always present in the house. Black taught himself to play harmonica before he was 13, and at 14 wrote his first song. His father remarked that it was at that age that the parents "first noticed that he had a great voice".[2] By 15, Black had learned to play guitar.[4] As a teenager Black joined his elder brothers, Mark, Kevin and Brian, in their small band. On Saturday afternoons, the family would host backyard barbecues and invite the neighborhood to listen to the boys sing. Some weekends would attract up to 70 people.[2] Black eventually dropped out of high school to play with his brothers,[5] before becoming a solo act.[2]

Music career[edit]

1983–1988: Early Career[edit]

Black was initially drawn to a variety of musical genres. According to his father, he chose to focus on country music in the early 1980s, after singers George Strait and Reba McEntire moved the genre back toward the more traditional; in the style kept alive by George Jones and Merle Haggard.[2] For six years, Black supported himself as a construction worker, bait cutter, and fishing guide,[6] while singing at various lounges as a solo singer and guitarist.[2] In 1987, at one of the gigs he met another guitarist, Hayden Nicholas. The two men connected musically and began a song writing partnership that would last decades.[2] In the late 1980s, Black delivered a demo of their collaboration "Nobody's Home" to record promoter Sammy Alfano. Within two days of that delivery, Black was invited to a meeting with Bill Ham, who managed ZZ Top.[2]

1989–1991: Breakout[edit]

Black soon signed with RCA Nashville, at that time considered one of the "most aggressive" labels in country music.[7] His first album, Killin' Time, was released in 1989. Each song on the album was penned at least in part by Black; four of them were attributed solely to him, while the rest were collaborations with Nicholas. In a departure from most other country albums, Black used his road band instead of session musicians to record Killin' Time.[2] The album was a critical and commercial success,[4] reaching number one on the Billboard Country Albums chart and certified platinum in 1990.[8] The first single, "A Better Man", reached number one on the Billboard Hot Country Songs in early June. This marked the first time in 14 years that a debut single by a male artist had peaked at the top of the chart.[2] In total, five singles off of his debut album reached number one, the first time any country artist had accomplished this feat.[5] Black won the Country Music Association's Horizon Award for best newcomer in 1989.[6][9] At the end of the year, his singles, "A Better Man" and "Killin' Time" place number one and number two on the year-end country singles charts. It had been 36 years since another artist had claimed both top spots in a single year.[6] Looking back at the early stages of his career, Black recalled: "'At one point, I knew I crossed this line out of obscurity and I felt like no matter what happened from that point on I would always be remembered for "Killin' Time." There was this kind of mixed feeling of remorse and excitement.'"[10]

In late 1990, the Los Angeles Times surveyed country music industry insiders to determine which acts could be expected to sell the most records over the next seven years.[Note 2] Black placed second in the poll, two votes behind Garth Brooks. The survey results were surprising in that 10 of the top 20 artists named were relative newcomers to the industry; in the past, country music had been dominated by artists with several decades experience.[11] The plethora of new acts confused some reviewers, however. Many reviewers lumped many of the new acts together; as Newsweek's David Gates wrote: "Good song, good voice, hot band: who cares which one it is this time?"[12] Black soon became known as one of Nashville's "hat acts"; like other country artists such as Garth Brooks, Alan Jackson, and Mark Chesnutt, Black was a relative newcomer who wore a hat, and had "clean, neotraditional sound with pop appeal".[12]

Killin' Time was certified platinum in 1990. Black's second album, Put Yourself in My Shoes, was released in November 1990. It reached number two on the country chart and was in the top 20 on the pop album charts.[8] This success on the pop charts resulted from a change in the way Billboard calculated album sales; a new reliance on Nielsen SoundScan instead of information from selected record stores showed that sales of country albums had previously been undercounted.[12] The album did not meet with as much critical acclaim as his debut, but nonetheless still included several hit singles. He began touring with Alabama.

Black began dating actress Lisa Hartman in 1990.[10] The couple kept their relationship very quiet. The first picture of the two of them together was not published until the week they were engaged.[13] The couple married in Katy, Texas in October 1991.[10]

Black has been a member of the Grand Ole Opry since 1991.[14][15]

1992: Lawsuits and The Hard Way[edit]

In March 1992, Black sued his manager, Bill Ham, for breach of contract; Black sought $2 million in damages and requested that Ham return $4 million in royalties. Under the terms of their initial contract, Ham controlled all publishing royalties for any song that Black wrote or co-wrote for his first eight albums. Because Black wrote all of his own music, this amounted to a fee of 20 to 30 cents per album sold. Industry standards generally counseled songwriters to form their own publication companies, so they would be able to retain more of the royalties.[10]

Ham promptly countersued, blaming the initial lawsuit on poor advice Black received from his new personal assistant, his mother-in-law Jonni Hartman. His lawyer told the press that "Mr. Ham invested $1 million of his own money in Clint Black's career at a time when nobody else would do so. For that commitment, Mr. Black should show a little gratitude and honor his contracts".[10]

By mid-1992, Black's first two albums had sold a combined 5 million copies.[10] The difficulties with Ham caused a delay in the release of Black's third album,[16] The Hard Way, which was released on July 14.[10] The album had been expected the year previously, and during the delay the country music scene changed. Both Alan Jackson and Travis Tritt achieved greater success, and Billy Ray Cyrus became a teen idol. The competition that Black faced was now much stiffer than with his earlier albums.[16]

According to Black, he and producer James Stroud spent more time putting this album together than either of those preceding and were "a lot more aggressive in the way we cut and mixed the album".[10] Black was also more satisfied with the vocals on this album.[10] Several of the songs on The Hard Way, including "Burn One Down", were initially reported to be Black's responses to his situation with Ham. Cowriter Nicholas refuted the rumors, maintaining that most of those songs were written in the late 1980s.[17]

To promote the album, Black launched The Hard Way Tour on June 26, 1992. The tour ran for 11 months. Reviewers noticed that with this album Black presented a "new, sexier image", wearing tighter clothing and in many cases leaving behind his trademark hat. Black commented simply that he was bored wearing the hat all the time.[10]

1993–1999[edit]

Black's fourth album, No Time to Kill was released almost a year after The Hard Way. The album received mixed reviews. The Houston Chronicle noted that Black's duet with Wynona Judd, "A Bad Goodbye", was "precisely the kind of radio-ready, big-production ballad that record companies tend to force on their artists when they sense that their careers are in trouble....[I]t sticks out like a sore thumb in his body of work."[18] On the other hand, a review in Time magazine thought the duet helped Black show his emotions more intensely.[19] Some reviewers also noted that in some of the more serious songs on the album, Black's voice sounded strained.[18]

Clint Black's Star on the Hollywood Walk of Fame

One Emotion followed in 1995. Also a platinum certified album in the US, this album accounted for five straight top five hits. First was the number four "Untanglin' My Mind", a Merle Haggard co-write. After it came the number three "Wherever You Go", number one "Summer's Comin'", the number two title track and finally the number four "Life Gets Away." The latter two were also number one country hits in Canada.

In 1996, Black became the fourth country music singer to earn a star on the Hollywood Walk of Fame.[20][Note 3] Later that year, he released his first greatest-hits package. This was led off by the chart-topper "Like the Rain", which spent three weeks at number one. After it came the number six "Half Way Up", his first single since "One More Payment" to miss the top five.

Black's next album, 1997's Nothin' but the Taillights, was released to mediocre reviews. Thom Owens of Allmusic said that the album made no attempt to change his sound, and was "sturdy" but less country than his previous efforts.[21] Lead-off single "Still Holding On", a duet with labelmate Martina McBride, became his first single to land outside the top 10, with a number 11 peak that year. He soon recovered his chart momentum with the number two "Something That We Do" followed by two straight chart-toppers in the album's Steve Wariner-penned title track and "The Shoes You're Wearing". The next two singles — the number 12 "Loosen Up My Strings" and number 29 "You Don't Need Me Now" — were less successful.

In 1999, Black released D'lectrified, which relied completely on acoustic instruments. Nevertheless, USAToday thought the "album sounds as full and brash as an electric album since he used creative arrangements and horn sections".[22] Three of the songs on the albums were remakes of previous Black singles. Several others featured guest appearances by some of Black's idols, including Waylon Jennings, Kenny Loggins, and Eric Idle. The songs tended to be longer than most of those played on country radio, with many stretching more than five minutes.[22]

1999–Present: Later career[edit]

Black performing at a benefit concert

Black and Hartman welcomed their only child, Lily Pearl Black, in May 2001.[23] Black took a three-year break from the music industry to stay home with his daughter. He explained that "it ended up not being a smart career move, but it was a real smart dad move. ... I wouldn't go back and try to do anything for my career in exchange for that."[24]

During his sabbatical, Black spent time reassessing his career. After deciding he was unwilling to work within the current recording industry system, he formed his own record label, Equity Music Group. Black admitted that it was difficult to leave RCA. In his 14 years with the label, he had sold over 12 million records.[25]

The new label operated under very different rules than those Black had begun his own career under. Artists were guaranteed ownership of their songs and were granted an equity stake in the label.[25] The first release from the new label was Black's next album, Spend My Time; his eighth studio album was Black's first release in five years . The Houston Chronicle called it "arguably the most adventurous of his career".[25]

His last full studio album was 2005's Drinkin' Songs and Other Logic. Black chose the title of the album to limit himself to simple topics in his past. He explained: "I went out and bought all the music I grew up on that I didn't already have and spent three months listening to only that. Only stuff from before I started making records, so it was pre-1989—Waylon, Willie, Buck Owens, Haggard, Don Williams, Jim Croce. And what I discovered was a simplicity in song that I had moved away from. It was quite an emotional journey because these were all the songs that moved me and inspired me to do what I've been doing ever since."[26]

Black has continued to record new material, however. In 2007, he released the single "The Strong One" the first original song he has recorded that he did not write.[27] The song was included on his first digital EP, released on March 11, 2008. Titled "The Long Cool EP," the collection features Black’s single, "Long Cool Woman", "The Strong One" and a duet with his wife titled "You Still Get to Me".[28] Equity Music Group closed its doors in December 2008 due to economic difficulties.[29]

Black was also a judge for the 8th annual Independent Music Awards to support independent artists.[30][31]

Songwriting[edit]

Few country singers fill their albums primarily with their own material, and although RCA Records often pushed Black to record the material of other artists, he refused.[8][10] Black recorded only his own songs until 2007, when he released the single "The Strong One".[27] Many of his songs were the result of a collaboration with Hayden Nicholas. Their first collaboration, "Straight From the Factory", took them only 20 minutes to write, although Nicholas would later comment that "most of 'em weren't that easy".[17]

Many listeners were incredulous that such a young man (27 at the release of his first album) could have such "a remarkably mature perspective".[2] According to Black, "To me, a song is more than just something to sing. It's something to learn from. It's somebody else's true feeling. I'm always trying to get at the meaning. ... When I write a line, I'm doing the same thing. I'm looking at it from the perspective of if I was driving down the road listening to it, what am I gonna get out of it?"[2]

Many of his songs make use of puns and other creative turns of phrase.[1] While the wordplay in many of the songs on his earlier albums was widely appreciated, by the fourth album reviewers felt that the songs were not as high in quality. Rick Mitchell of the Houston Chronicle stated his opinion that The Hard Way "clever wordplay is no substitute for heartfelt emotion".[18]

Film and television[edit]

Shortly after his music career took off, Black began receiving offers for acting roles. He turned down every request until 1994, when he was offered a bit part in the star-studded comedy film Maverick. Although the part required very little actual acting, after the movie's release Black received an increasing number of calls from directors who thought he would be perfect for a particular role. Black has appeared in several television shows, including Wings and The Larry Sanders Show.[32] He has since starred in the 1998 television film, Still Holding On: The Legend of Cadillac Jack, based on the rodeo star Jack Favor, who was falsely accused of double murders in Haughton, Louisiana in 1967. Lisa Hartman Black portrayed Ponder I. Favor, Jack's wife. Black had a major role in another television movie Going Home, and appeared briefly in the 2003 film Anger Management.[33]

He has also had a presence on various reality television shows. In 2003, Black appeared on Nashville Star, where he acted as a mentor to the contestants. He later produced the debut album of series winner Buddy Jewell.[34] In 2004, Clint appeared as himself in the TV show Las Vegas. In 2008, Black was a contestant on a short-lived CBS reality show, Secret Talents of the Stars, in which he practiced stand-up comedy. The following year, he competed on the second season of Celebrity Apprentice. He was fired after the eleventh task, placing himself in fifth place, although he returned as a member of Joan Rivers' victorious team in the season finale.[32] In 2009, Black appeared on ABC's Extreme Makeover: Home Edition.

Black has enjoyed his television experiences, describing acting as "another way for me to expand my creative canvas. ... I love to challenge myself."[33] He believes that most of his fans "just see me as a musician who is stepping into [television and film] temporarily and either doing it alright or not".[32] More recently, he appeared in the movies Flicka 2 in 2010 and Flicka 3 in 2011.

On July 4, 2012, Black appeared on an episode of Lifetime's reality series, Coming Home, which documents servicemen and women returning to their loved ones in surprise reunions. In the episode, he is featured helping two children write a song about their Army captain father, who is returning from Afghanistan to surprise his family.[35]

On July 24, 2012 Black is surprised by History Detectives on PBS. In the episode, the show pays a visit to his Nashville residence, to uncover the story behind an artifact given to him by his wife decades ago.[35]

Musical Styles and Legacy[edit]

Merle Haggard, Waylon Jennings, and Willie Nelson are Black’s biggest musical influences.[36] His style is traditional country.[37] His voice is described as a smooth baritone and was initially compared to Merle Haggard.[38] Black was self-taught on harmonica, guitar and bass at an early age.[4] On his studio albums he plays acoustic guitar, harmonica, percussion, electric guitar and bass harp.[39] In concert he plays primarily guitar, but does play drums and harmonica.[40]

Personal life[edit]

Clint Black married Lisa Hartman on October 20, 1991.[41] They have one daughter together, Lily Pearl Black, born in 2001.[42]

Awards[edit]

Academy of Country Music

American Music Awards

Country Music Association

Discography[edit]

Studio albums
Compilations

Filmography[edit]

Notes[edit]

  1. ^ The initials G.A. do not stand for anything. (Mitchell, July 2, 1989)
  2. ^ Seven years was the typical length of a recording contract.
  3. ^ The first three were Gene Autry, Roy Rogers, and Garth Brooks.

References[edit]

  1. ^ a b c "Black comes Back: The country king (and Jersey boy) makes a stop at Harrah's", New York Daily News, August 13, 2006, retrieved July 13, 2012 
  2. ^ a b c d e f g h i j k l Mitchell, Rick (July 2, 1989), "Clint Black sees stardom in the offing: First album by Katy, Texas country performer proves that he's for real", Houston Chronicle: Zest, p. 9, retrieved April 9, 2009 
  3. ^ Sweetland, Phil. "From Newark (and Environs) to Nashville", The New York Times, July 21, 2002. Accessed July 3, 2012. "'I was born in Long Branch, but my parents were living in Red Bank, so that's what I think of as my birthplace,' Mr. Black said."
  4. ^ a b c Graff, Gary (October 1, 1989), "A few word with...Houstonian Clint Black", Houston Chronicle: Zest, p. 6., retrieved April 9, 2009 
  5. ^ a b Hodges, Ann (June 6, 2000), "Every Life a Story: 'Biography' to profile Clint Black, 26 others", Houston Chronicle: Houston section, p. 8., retrieved April 9, 2009 
  6. ^ a b c Long, Steven; Zuniga, Jo Ann (February 19, 1990), "Country newcomer hits it big", Houston Chronicle: Section A, p 1., retrieved April 9, 2009 
  7. ^ Racine, Marty (May 8, 1989), "Clint Black wows home crowd", Houston Chronicle: Star, p. 1, retrieved April 9, 2009 
  8. ^ a b c Mitchell, Rick (January 2, 1991), "Clint Black's time has come", Houston Chronicle: Section A, p. 15., retrieved April 9, 2009 
  9. ^ "23rd Annual CMA Awards". CMT. Retrieved July 13, 2012. 
  10. ^ a b c d e f g h i j k Mitchell, Rick (July 5, 1992), "New Album: New Image - Clint Black", Houston Chronicle: Zest, p. 16., retrieved April 9, 2009 
  11. ^ Hilburn, Robert (December 30, 1990). "Country's new crop". Los Angeles Times (Houston Chronicle Archives). Retrieved April 9, 2009. 
  12. ^ a b c Gates, David (October 7, 1991), "New Kids on the Range", Newsweek, retrieved April 9, 2009 
  13. ^ Hodges, Ann (October 1, 1991), "Clint Black will marry Lisa Hartman", Houston Chronicle: City and State, p. 1, retrieved April 9, 2009 
  14. ^ "Opry Member List PDF". April 23, 2012. Retrieved June 29, 2012. 
  15. ^ "Clint Black". Retrieved June 29, 2012. 
  16. ^ a b Mitchell, Rick (October 4, 1992), "Clint Black polished, energetic, but where's the hat?", Houston Chronicle: Section A, p. 30, retrieved April 9, 2009 
  17. ^ a b Mitchell, Rick (February 24, 1993), "Back-seat guitarist: Songwriter comfortable in Clint Black's shadow", Houston Chronicle: Section Houston, p 1., retrieved April 9, 2009 
  18. ^ a b c Mitchell, Rick (July 11, 1993), "Clint Black: 'No Time' to stand still", Houston Chronicle: Zest, p. 10, retrieved April 9, 2009 
  19. ^ Farley, Christopher John (August 23, 1993), "A Bluer Shade of Black", Time, retrieved April 24, 2009 
  20. ^ "Clint Black earns his star", San Francisco Chronicle, December 13, 1996: C11 
  21. ^ Owens, Thom. "Nothin' but the Taillights review". Allmusic. Retrieved 2009-06-06. 
  22. ^ a b "Nashville sound: Dixie Chicks", USAToday, October 27, 1999, retrieved April 9, 2009 
  23. ^ "Welcome Lily Pearl Black", Country Weekly Magazine, May 17, 2001, retrieved April 9, 2009 
  24. ^ Phillips, Regina (June 2012). "CLINT BLACK Musician, actor, family man scheduled for Durant show". KLBC BUZZ (Durant, OK: KLBC). p. 11. Retrieved July 18, 2012. 
  25. ^ a b c Clark, Michael D. (March 4, 2004), "Clint Black's getting back to his (grass) roots", Houston Chronicle: Houston section, p. 10., retrieved April 9, 2009 
  26. ^ "Clint Black - Drinkin' Songs and Other Logic". AngryCountry.com. October 11, 2005. Retrieved July 19, 2012. 
  27. ^ a b Guerra, Joey (September 28, 2007), "Clint Black: soft but strong", Houston Chronicle: Star, p. 1., retrieved April 9, 2009 
  28. ^ "Long, cool Clint Black goes digital route". COUNTRY Standard Time. February 19, 2008. Retrieved July 13, 2012. 
  29. ^ Paxman, Bob (December 17, 2008), "Clint Black's Label Closes", Country Weekly Magazine, retrieved July 18, 2012 
  30. ^ PRLog
  31. ^ "8th Annual IMA Judges". IMA. Retrieved July 18, 2012. 
  32. ^ a b c Dean, Nicholas L. (April 19, 2009), "More Than Just Music", The Post-Journal (Jamestown, New York), retrieved April 24, 2009 
  33. ^ a b "Country Comes to Hollywood", Country Weekly Magazine, June 16, 2004, retrieved July 9, 2012 
  34. ^ Lipton, Michael; Grisby, Lorna (March 29, 2004), "The Daddy Two-Step", People 61 (12), retrieved April 9, 2009 
  35. ^ a b Thompson, Gayle (July 3, 2012), "Clint Black 'Coming Home' to Small Screen", The Boot, retrieved July 8, 2012 
  36. ^ "Clint Black's musical influences run deep". RGJ. February 2, 2012. Retrieved July 18, 2012. 
  37. ^ "Clint Black Biography". Retrieved July 18, 2012. 
  38. ^ Wolff, Kurt & Duane, Orla (2000), The Rough Guide to Country Music, Rough Guides, p. 509, ISBN 978-1858285344 
  39. ^ "Clint Black Killin' Time". Rovi. 2012. Retrieved July 13, 2012. 
  40. ^ "Clint Black - Reviews". Lydia Lowe. 2012. Retrieved July 18, 2012. 
  41. ^ "Top 25 Country Couples". GAC. Retrieved July 6, 2012. 
  42. ^ "Welcome lily pearl black". American Media, Inc. November 2010. Retrieved July 6, 2012. 

Further reading[edit]

External links[edit]