Clive Exton (11 April 1930 – 16 August 2007) was a British television and film screenwriter, sometime playwright, and former actor. He is best known for his scripts of Agatha Christie’s Poirot, P. G. Wodehouse's Jeeves and Wooster, and Rosemary & Thyme.
He was born Clive Jack Montague Brooks in Islington, London, England, the son of a civil service clerk. He spent two years in the British Army, stationed in Germany. Equity, the actors' union, required his change of professional name, as there was already an actor registered under the name Clive Brook. After training at the Central School of Speech and Drama and deciding to act, he borrowed the name Exton from the character "Sir Piers Exton" in the William Shakespeare play Richard II.
His first television play, No Fixed Abode, was transmitted by Granada Television in 1959. He then contributed to Sydney Newman’s Armchair Theatre series which included the episodes: "Where I Live", "Hold My Hand, Soldier", "I’ll Have You to Remember," and "The Trial of Doctor Fancy," among others; the best of them being directed by Ted Kotcheff.
He later wrote "The Close Prisoner" (also with Kotcheff) for ATV's Studio 64 – a season of plays designed to emphasize the role of the writer in television – and Land of My Dreams, The Bone Yard, The Big Eat, Are You Ready For the Music? and The Rainbirds for the BBC. He also wrote The Boundary (1975), with Tom Stoppard, for the BBC’s experimental series The Eleventh Hour. Most of this early work is now lost, having been made at a time when programmes recorded on tape were routinely wiped and telerecordings discarded.
Exton then moved away from the single play and initiated series such as Killers, Conceptions of Murder and The Crezz, a depiction of Notting Hill life in the seventies. He also contributed, under the nom de plume M. K. Jeeves, two episodes to the first season of Terry Nation's Survivors for the BBC.
Exton said that the only feature film he ever wrote that pleased him was 10 Rillington Place, with Sir Richard Attenborough (1971). Other films include Night Must Fall, Entertaining Mr Sloane (from the Joe Orton play) and Isadora (with Melvyn Bragg and starring Vanessa Redgrave). He worked without credit on many films, but it is now known that he made major contributions to the scripts of Georgy Girl and The Bounty.
A 10-year stay in Hollywood bore little fruit. He co-wrote The Awakening (1980), an adaptation of Bram Stoker's novel The Jewel of Seven Stars, and the action-adventure Red Sonja (starring Arnold Schwarzenegger, 1985), and, uncredited, contributed to The Bounty (with Sir Anthony Hopkins, 1984) before returning to Britain.
Returning to England in 1986, Exton found that the television business had radically changed through the rise of the independent producer, such as Brian Eastman, for whom he wrote most of the episodes (20) of Agatha Christie’s Poirot, with David Suchet (1989–2000), all of the episodes (23) of Jeeves and Wooster, with Hugh Laurie and Stephen Fry (1990–1993), and ten episodes of Rosemary & Thyme (2003–2006).
He was married twice, first to Patricia Fletcher Ferguson (1951–1957), with whom he had two daughters, and then from 1957 until his death to Margaret "Mara" Reid, with whom he had three children, two daughters (Antigone Margaret and Cornelia Plaxy) and a son (Saul).
Exton wrote only sporadically for the theatre:
- Have You Any Dirty Washing, Mother Dear? (1970)
- Twixt (1990), Dressing Down (1995)
- Barking in Essex (2005)
- The House in Nightmare Park (1973)
- Exton Bio @ IMDb
- Barker, Dennis. Clive Exton Obituary - The Guardian Unlimited - Tuesday August 21, 2007
- "Clive Exton: TV writer of intelligence and depth" Obituaries section - The Independent - 18 August 2007
- Clive Exton Obituaries - The Daily Telegraph - 20/08/2007
- Clive Exton Obituaries - The Times - August 22, 2007
- "Clive Exton". The Independent (London). 2007-08-18. Retrieved 2010-04-30.
- The Independent (London) http://www.independent.co.uk/news/obituaries/clive-exton-462048.html
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- Barker, Dennis (21 August 2007). "Obituary: Clive Exton". The Guardian (London).