Clothed male, naked female
Clothed male, naked (or nude) female is one-sided female nudity in which one or more females are nude while one or more men are clothed. The scenario is a genre of erotica, which on the internet is sometimes abbreviated to CMNF, and may involve sexual and nonsexual erotic scenarios. Sexual scenarios may involve male domination, female submission, exhibitionism and erotic entertainment.
The opposite to CMNF is clothed female, naked male (CFNM).
Some feminist scholars argue that images of one-sided female nudity contribute to the objectification of women, by reducing a woman's worth or role in society to that of an instrument for the sexual pleasure that she can produce in the mind of another. Kathleen Barry argues that such images contribute to female sexual slavery, by contributing to the psychological basis of male dominance.
Pro-feminist cultural critics such as Robert Jensen and Sut Jhally accuse mass media and advertising of promoting the sexualization and objectification of women to help promote goods and services.
As a theme in art
One-sided female nudity has been a theme in art, particularly in Orientalist paintings of the 19th century. A typical scene may be a depiction of white slavery in which one or several nude females are displayed before an audience of men as part of a slave auction. The archetypal example of this type of scene is Jean-Léon Gérôme's The Slave Market, in which a nude female slave is examined by a potential buyer. Another example is Gérôme's Phryné devant l'Areopage (Phryne before the Areopagus, 1861) which was based on the trial of Phryne before the Areopagus in ancient Greece. The odalisque (harem scene) was also a popular subject for depicting one-sided female nudity, although the clothed figures in the scene were not always male.
Outside of the Orientalist style, a less popular scenario for one-sided female nudity in 19th-century art was the knight-errant, in which the stereotype of the damsel in distress was used to explore the erotic subtext of the powerful knight coming to the rescue of a helpless female. The best known example of this is John Everett Millais' painting Knight Errant, in which a nude woman has been tied to a tree and a knight is shown cutting her loose. The painting initially created controversy when it was first displayed, because the nude female was shown facing her rescuer, a posture which was considered too sexually suggestive for European audiences. Millais repainted the figure so that she was looking away from her rescuer.
Édouard Manet's Le déjeuner sur l'herbe ("The Luncheon on the Grass"), in which a nude woman is depicted having lunch with two fully clothed men, is another famous painting which was controversial when it was first displayed in 1863. The Pastoral Concert (c. 1510) attributed to Giorgione or his pupil Titian has been cited as an inspiration for Manet's painting.
A 1913 painting Adoration by William Strang presents a philosophical study of beauty, with the clothed soldier, painter, scholar, and elderly gentleman fascinated by the naked female subject.
One-sided female nudity has been a subject in literature, appearing in both fiction and non-fiction stories.
Entertainment columnist Earl Wilson details several experiences involving one-sided female nudity in his book Show Business Laid Bare. In the chapter titled "Cheri Caffaro: A Strange Interlewd," Wilson writes about his experience interviewing actress Cheri Caffaro while she was nude and he was fully dressed.
CMNF in film
One-sided female nudity has been presented in Hollywood and European films since the earliest years of cinema. Inspiration is a silent film released in 1915, and believed to be the first American motion picture with a leading actor in a nude scene. The context of the nudity in the film was that of an artist's model, played by Audrey Munson, at work. Munson appeared nude again in a similar role in the 1916 film Purity. A feature of these films was that Munson was a tableau vivant, not being required to move, and only her backside was in view. Other, more recent films of the same scenario were Titanic (1997) where Kate Winslet lies naked on a couch while Leonardo DiCaprio paints her picture. In Vivid (also released as Luscious) (1997), Kari Wührer poses nude for a male painter, and in The Notorious Bettie Page (2006), Gretchen Mol playing as Bettie Page poses nude in the woods for a male photographer for a Men's Magazine.
Other scenarios which contained one-sided female nudity included:
- In Exit to Eden (1994), Dana Delany and another actress swim naked in a swimming pool while a boy sits nearby.
- In Splash (1984), Daryl Hannah, initially as a mermaid emerges from the Hudson River and scurries naked around New York’s Liberty Island surrounded by tourists.
- In The Break-up (2006), Jennifer Aniston taunts her ex-lover in his living room by strutting past him nude.
- In the horror film, Vampires (1998), an actress is kidnapped, stripped and tied up by a man.
- In another horror film, Halloween (2007), an actress as a prostitute is naked for the pleasure of a man, before both are brutally killed by the devil.
- In Hisss (2010), Indian actress Mallika Sherawat appears nude in several scenes, and is nude in front of men in the finishing scenes.
- In Hitman (2007), Olga Kurylenko is tortured naked in front of men.
There are websites dedicated to CMNF, and one-sided female nudity also enjoys mainstream popularity at bachelor parties, strip clubs and erotic conventions, where the majority of participants are male and the performers are female.
At times, one-sided female nudity may be encountered as part of a professional engagement, such as a female art model posing in an art class or a nude photo shoot. It may also arise on a film set, where the only nude person being filmed may be a woman.
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- Bottom (BDSM)
- Clothed female, naked male
- Erotic humiliation
- Female submission
- Barry, Kathleen, Female Sexual Slavery (NYU Press, 1994), ISBN 978-0-8147-1069-2, p.247
- LeMoncheck, Linda, Loose Women, Lecherous Men: A Feminist Philosophy of Sex (Oxford University press, 1997), ISBN 0-19-510555-9, p. 133
- Jensen, Robert, 'Using Pornography' in Dines, Gail, Robert Jensen and Ann Russo (eds) Pornography: The Production and Consumption of Inequality (Routledge, 1998), ISBN 978-0-415-91813-8
- Jhally, Sut (dir) Dreamworlds II: Desire, Sex, Power in Music (Media Education Foundation, USA, 1997)
- Frith, Katherine, Ping Shaw and Hong Cheng 'The Construction of Beauty: A Cross-Cultural Analysis of Women's Magazine Advertising' in Journal of Communication 55 (1), 2005, pp.56–70
- Refer to the section on "The Problem Nude" in these notes from 2005/2006 course lectures given by Carol Jacobi at Birkbeck College: http://www.shafe.co.uk/art/19thC_The_Nude.asp
- From the Louvre Museum Official Website
- Show Business Laid Bare, by Earl Wilson, ISBN 0-399-11276-6, New York, G. P. Putnam's Sons, 1974. Second Printing
- The story can be found on pages 45-56 of the hardcover second printing of the book.
- "IMDB Bio of Audrey Munson". IMDB.com. Retrieved 26 November 2008.