College (The Sopranos)

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"College"
The Sopranos episode
Episode no. Season 1
Episode 5
Directed by Allen Coulter
Written by James Manos, Jr.
David Chase
Cinematography by Alik Sakharov
Production code 105
Original air date February 7, 1999 (1999-02-07)
Guest stars

see below

Episode chronology
← Previous
"Meadowlands"
Next →
"Pax Soprana"

"College" is the fifth episode of the first season of the HBO television drama series The Sopranos, which originally aired on February 7, 1999. It was written by co-producer James Manos, Jr. and series creator/executive producer David Chase and directed by Allen Coulter.

The episode was rated as the best of the series by Time magazine.[1] and was ranked #2 on TV Guide's list of "TV's Top 100 Episodes of All Time".[2]

Contents

[edit] Cast

* = credit only

[edit] Guest cast

[edit] Synopsis

Tony takes Meadow on a trip to New England to visit colleges she is considering. The pair first visit Bates College, and Meadow makes a well-known joke about the school's sexual atmosphere. On the drive from Bates to Colby College, Tony is taken aback when his daughter asks if he is "in the Mafia", and his instinctive reaction is to deny everything. When Meadow proves skeptical, he relents and admits that a portion of his income is from illegal gambling and other activities. Meadow admits to taking speed to study for SATs, but after Tony reacts angrily, will not state her source of the drugs. Both seem relieved by this mutual honesty on difficult topics.

Later, Tony spots a familiar face from afar at a gas station—Fabian Petrulio, a former member of the DiMeo crime family who turned FBI informant and was relocated under the Witness Protection Program. Despite Meadow's obvious alarm and suspicions at his agitated reaction (chasing a car through oncoming traffic), Tony resolves to locate the man, confirm his identity, and personally execute him—while continuing his trip with Meadow. Tony leaves his daughter at a college bar while he tracks down Petrulio. He confirms Petrulio's identity when he sees a bust of Ronald Reagan in Petrulio's office, similar to those Petrulio had created while in prison. Tony fails to realize that his snooping has not gone unnoticed; handgun in hand, Petrulio in turn tracks Tony and his daughter back to the roadside motel where they are staying. However, the presence of two elderly bystanders prevents Petrulio from taking a shot at an unsuspecting Tony.

The next morning, Tony drops off Meadow for an interview at Colby College, and leaves to ambush Petrulio at his "Frederick 'Fred' Peters" travel agency. Tony strangles him with a length of wire as Petrulio pleads for his life. During his drive from Colby to Bowdoin College, Tony is met with more skepticism from his daughter, and after arriving at Bowdoin, is struck by a Nathaniel Hawthorne quote on display in the admissions office: "No man... can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true."

Meanwhile, back in New Jersey, Carmela has been at home recovering from a case of the flu, and is paid a surprise visit by Father Phil while A.J. is at a friend's sleepover. Father Phil and Carmela relax with baked ziti, wine, and the film The Remains of the Day. Carmela's emotions are spurred when Dr. Melfi phones to reschedule Tony's appointment, revealing to Carmela that her husband's psychiatrist is female. Carmela pours out her heart to the Father about her marriage and her fears for her children and her soul, and then takes communion with Father Phil. Carmela is nearly driven to kiss the priest romantically, only the moment is lost when his stomach revolts, presumably against his alcohol consumption. The Father sleeps it off on the sofa until morning. Tony and Meadow return the same day, but Tony's inquiry as to what Carmela was doing spending her evening alone with another man is turned around when she mentions her conversation with Dr. Jennifer Melfi, putting Tony on the defensive.

[edit] Deceased

[edit] Awards

  • James Manos, Jr. and David Chase received the Emmy for Outstanding Writing for a Drama Series for their work on this episode.
  • Edie Falco got her first Emmy nomination and win for Outstanding Lead Actress in a Drama Series for her performance as Carmela in this episode.

[edit] Locations

[edit] Production

  • Series creator, David Chase, has stated that when HBO first read the script, they objected to Tony's murder of Febby. Executives said that Chase had done so well in building Tony up as a sympathetic character that they believed if Tony committed such a cold-blooded killing, fans would turn on him and the show would lose its protagonist. Chase said that he believed fans would turn on Tony if the character didn't commit murder because the omission would make him appear weak.[3] Eventually, Chase won the decision and the episode has become a fan favorite.
  • Chase names this as his favorite episode because of its self-contained nature.[4] James Gandolfini and Jamie-Lynn Sigler similarly cite this installment.

[edit] Music

  • The song played over the end credits is "Gold Leaves" by Michael Hoppé.
  • The song playing in the bar when Fabian enters to ask whether anyone has been asking about him is "Cadence to Arms", a version of "Scotland the Brave" by the Dropkick Murphys.

[edit] External links

[edit] References

  1. ^ Time: The Best of the Sopranos
  2. ^ "TV's Top 100 Episodes of All Time" TV Guide; June 15, 2009; Pages 34-49
  3. ^ The Sopranos: The Complete First Season: DVD interview
  4. ^ DVD commentary from episode 13 of season 4, Whitecaps
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