Commit This to Memory
|Commit This to Memory|
|Studio album by Motion City Soundtrack|
|Released||June 7, 2005|
Seedy Underbelly Studios (Valley Village, California)
Sound Castle (Silver Lake, California)
Cello Studios (Hollywood, California)
|Genre||Emo, pop punk, indie rock|
|Motion City Soundtrack chronology|
|Singles from Commit This to Memory|
Commit This to Memory is the second studio album by American rock band Motion City Soundtrack. Produced by Mark Hoppus, the album was released on June 7, 2005, in the United States by Epitaph Records. Motion City Soundtrack, formed in 1997, had first found success with their debut album, I Am the Movie (2002), reissued the following year and featuring the television and live hit "The Future Freaks Me Out". In 2004, the band joined Blink-182 on the road for a string of shows, which led to their bassist, Mark Hoppus, joining the band in the studio for his first producing effort. Recorded over six weeks in late 2004, Commit This to Memory was cut largely at Seedy Underbelly Studios, a suburban home converted into a studio in Los Angeles' Valley Village region.
The album became the band's breakthrough, with lead single "Everything Is Alright" becoming the band's signature song, licensed in various television shows and films. The album peaked at number two on Billboard 's Independent Albums chart. The album received a re-release in 2006, featuring an additional bonus track and a documentary, Hooray for the Madness. In 2014, The A.V. Club referred to the album as a classic of pop punk, "full of hook-laden, keyboard-assisted songs whose bright melodies don’t mask the despair and self-loathing lurking beneath them."
Motion City Soundtrack were formed in 1997 in Minneapolis, Minnesota. The band was signed to Epitaph Records in 2003 after recording I Am the Movie, their debut, independently and selling copies of it out of the back of their tour van for a year. Motion City became part of a slew of Epitaph signings, including Matchbook Romance, Scatter the Ashes and From First To Last, amid concerns the Southern California label had strayed too far from its roots, and seemed "a little too emo." By the time the band began production on their sophomore record, I Am the Movie had sold nearly 62,000 copies. The group had accumulated significant buzz, and were regarded as a "must-see" act on the Warped Tour 2004.
In late 2004, the band began writing and recording demos for a month in Los Angeles. The change of scenery brought about new energy for the group, who had previously spent time writing in a Minneapolis practice space they named, the Dungeon, due to its ability to “suck the life and energy out of the band.” Commit This to Memory would be the first album by the band to feature material crafted by each musician in the group, as previous releases had featured songs written in the years prior to each member joining. In addition, the band had more time and funds to spend time working on the album. "It was also the first time we had a lot more time and money to go in and feel like we were making a real record this time, whereas I Am the Movie was recorded in little segments here and there and eventually pieced together," said drummer Tony Thaxton.
Mark Hoppus' involvement stems from when an Atticus Clothing employee played him I Am the Movie. He was so taken with it that he raved about the band in Rolling Stone and the band was asked to come out and open for Blink-182 on their 2004 European tour, where he became good friends with the band. He told them that he had purchased an abundance of recording gear and amplifiers for the previous Blink-182 album and told the band of his interest in recording music from a production standpoint. At the final show of the tour, guitarist Joshua Cain went to Hoppus' dressing room and asked him to produce their next record. Although Hoppus had never produced anything before, he was excited to be a part of the album and accepted the offer.
Recording and production
Recording sessions for Commit This to Memory, which were booked by Hoppus, were scheduled over six weeks at Seedy Underbelly Studios in Valley Village, a district of Los Angeles, California, which was actually a rented house that had once belonged to Jeff Porcaro, the drummer for Toto. The band had, according to Hoppus, "a million ideas and a lot of energy and enthusiasm to make a great record". Justin Pierre, the vocalist, strove for the record to have a sound that resembled the bands Braid, Superchunk, Jawbox and the Pixies. Hoppus generally modeled his production after Jerry Finn, and therefore it involved much watching and listening. "Mark kept telling us, 'Your name is going to be a lot bigger on the front than mine is on the back'," recalled Justin Pierre, "So he would throw suggestions out there but always say, 'Feel free to turn these down.' And we would!" Hoppus mostly worked with the band on arrangements, believing the songs were too packed and "needed to breathe". Hoppus mentioned that label politics had hindered the creativity of Blink's Take Off Your Pants and Jacket (2001), and did not want to see the same fate befall the band.
The frontman of Fall Out Boy, Patrick Stump, contributed guest vocals to "Everything Is Alright", and Hoppus to "Hangman". With production completed, Hoppus was very excited for the band that he felt was on the cusp of "great things", recalling, "After six weeks of these guys living all together in two rooms of this house with a studio attached they created this amazingly beautiful and honest album. Justin's lyrics are so brutally truthful." Living in a suburb, the neighbors had called police to the band and Hoppus several times for being too loud at night time, especially when Hoppus brought a Roland TR-808 drum machine outside to work on a song late at night. The group completed recording in November 2004, and judged final mixes over the interim months.
Pierre's lyricism on Commit This to Memory centralizes around change and, in his words, "being a complete fuckup, yet, at the same time, being somewhat successful". Pierre penned "Everything Is Alright" as a summary of his OCD (Obsessive–compulsive disorder) tendencies. He intended to utilize his social anxiety and fears in the song's form, which he has since employed in numerous other compositions. "I don’t think the [phrase] "tongue-in-cheek" is correct, but it’s something where the verses are one thing and then the chorus is another, but it's sort of like giving yourself a pep talk," said Pierre. The song's lyrics include hating such mundane things as "theme parks, flying, strangers, [and] waiting in line," things that Pierre genuinely disliked at the time of the song's writing. For the record, he intended to simplify his lyrics to enhance storytelling and he drew inspiration from Tom Waits, Ben Folds and John K. Samson's writing styles. Keeping in the Waits/Folds inspiration, Pierre strove to write from another person's point of view; in the case of "Time Turned Fragile", it is sung from the perspective of his father.
"L.G. FUAD" grew out of a night on Motion City Soundtrack's 2003 UK tour with The All-American Rejects, in which the latter band's merchandise manager was severely inebriated. He stood on the merchandise stand and shouted the song's central thesis — "Let's Get Fucked Up and Die". All involved found great humor in the "mantra", which went on to be printed on business cards as a joke.
Scott Heisel of Alternative Press wrote that "Memory is an inspired, mature sophomore disc chock full of catchy, intelligent pop-rock." Allmusic's Johnny Loftus considered the band more intelligent and sophisticated than their Warped Tour peers: "Motion City Soundtrack['s] wistful memories, tales of breaking up, and frantic searches for answers [are] realer than the next pop-punk combo on the quadruple summertime bill." Jennifer Maerz of Entertainment Weekly ended her review with the note that "MCS' slick, soaring anthems ultimately unite the spirits of those who see themselves, like Pierre, as 'lifeless corners of this empty frame.'"
The band's music videos found regular rotation on networks such as MTV2, and the band also performed on Late Night with Conan O'Brien. Nevertheless, the band’s breakthrough brought naysayers, and the group became targets for critics of pop punk: "[the band was] frequently characterized as the sort of ultra-commercial punk poseurs who water down the genre to the point of drowning it."
In 2014, The A.V. Club referred to the album as a classic of pop punk, "full of hook-laden, keyboard-assisted songs whose bright melodies don’t mask the despair and self-loathing lurking beneath them."
During the recording of the album, the band embarked on their first headlining tour, The Sub-Par Punk Who Cares Tour 2004. After recording, the band set out on the inaugural Epitaph Tour, alongside Matchbook Romance and From First to Last, with appearances by the Matches and Scatter the Ashes on select dates. The tour visited every major US city, and ran from February 2 to March 19, 2005. The band played to larger crowds on the tours supporting the album, including over 9000 fans on a Chicago date in 2005. The group "toured incessantly," including dates on the Warped Tour 2005. Afterwards, the band joined the Nintendo Fusion Tour with Fall Out Boy, Panic! at the Disco, and The Starting Line, which was their largest nationwide tour to that point. The group had been friends with Fall Out Boy for many years prior, having both played side-by-side before either group found their respective success. From January to February 2015, the group will be heading out on a 10 year anniversary tour playing the album in its entirety.
All songs written and composed by Motion City Soundtrack.
|Commit This to Memory|
|2.||"Everything Is Alright"||3:26|
|3.||"When "You're" Around"||2:51|
|5.||"Feel Like Rain"||3:34|
|6.||"Make Out Kids"||3:04|
|7.||"Time Turned Fragile"||4:15|
|9.||"Better Open the Door"||3:00|
|10.||"Together We'll Ring in the New Year"||2:13|
|12.||"Hold Me Down"||5:19|
Credits adapted from the album's liner notes.
- Kyle Ryan, Jason Heller and David Anthony (March 6, 2014). "A beginner’s guide to the bouncy buzz of pop-punk". The A.V. Club. Retrieved June 29, 2008.
- "Forward Motion". The Age. August 26, 2005. Retrieved April 15, 2014.
- Chris Rager (December 20, 2004). "Cain is Able : Motion City Soundtrack's Joshua Cain is all business". Cleveland Free Times.
- Michael Petitti (October 27, 2005). "Motion City Soundtrack keeps busy". Arizona Daily Wildcat. Retrieved April 15, 2014.
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- James Montgomery (July 31, 2009). "Motion City Soundtrack Tell Blink-182's Mark Hoppus How Great He Is". MTV News. Retrieved November 4, 2012.
- James Montgomery (June 16, 2005). "Mark Hoppus Throws House Party For Motion City Soundtrack". MTV News. Retrieved November 4, 2012.
- Keith Carman (April 27, 2005). "Motion City Soundtrack Give Mad Props To Blink's Hoppus". ChartAttack.
- Commit This to Memory (liner notes). Motion City Soundtrack. US: Epitaph. 2005. 86750-2.
- "Motion City Soundtrack Article". Alternative Press (Cleveland, Ohio: Alternative Press Magazine, Inc.) (204): 129–130. July 2005. ISSN 1065-1667.
- Jason Pettigrew (July 29, 2013). "BackTracking: The story of “Everything Is Alright” by Motion City Soundtrack". Alternative Press. Retrieved April 15, 2014.
- Robertson, Jessica (June 9, 2005). "Motion City Get Committed". Rolling Stone (New York City: Wenner Media LLC) (976). ISSN 0035-791X.
- Scott Heisel. "Review: Commit This to Memory". Alternative Press. Retrieved April 14, 2014.
- Johnny Loftus. "Review: Commit This to Memory". Allmusic. Retrieved April 14, 2014.
- Maerz, Jennifer (June 13, 2005). "Commit This to Memory - Review". Entertainment Weekly (New York City: Time Inc.) (825). ISSN 1049-0434. Retrieved September 27, 2012.
- Michael Roberts (February 16, 2006). "Constant Motion". Westword. Retrieved April 15, 2014.
- Barry A. Jeckell (November 19, 2004). "Billboard Bits: KROQ, Epitaph, American Hi-Fi". Billboard. Retrieved April 20, 2014.
- "Commit This to Memory Chart History". Billboard. Prometheus Global Media. Retrieved April 14, 2014.