Santa Maria delle Grazie (Milan)

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Church of Holy Mary of Grace
Chiesa di Santa Maria delle Grazie
Santa Maria delle Grazie Milan 2013.jpg
Holy Mary's facade, in the background its dome, made by Bramante.
Basic information
Location Milan, Italy
Geographic coordinates 45°27′57″N 9°10′16″E / 45.46583°N 9.17111°E / 45.46583; 9.17111Coordinates: 45°27′57″N 9°10′16″E / 45.46583°N 9.17111°E / 45.46583; 9.17111
Affiliation Roman Catholic
Rite Roman Rite
Province Archdiocese of Milan
Architectural description
Architect(s) Guiniforte Solari
Donato Bramante
Architectural type Church
Architectural style Gothic (Nave)
Renaissance (Apse and Dome)
Groundbreaking 1463
Completed 1497
Official name: Church and Dominican Convent of Santa Maria delle Grazie with "The Last Supper" by Leonardo da Vinci
Type: Cultural
Criteria: i, ii,
Designated: 1980 (4th session)
Reference No. 93
State Party:  Italy
Region: Europe and North America

Santa Maria delle Grazie ("Holy Mary of Grace") is a church and Dominican convent in Milan, northern Italy, included in the UNESCO World Heritage sites list. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent.

History[edit]

The Gothic nave.

The Duke of Milan Francesco I Sforza ordered the building of a Dominican convent and a church in the place where a small chapel dedicated to St. Mary of the Graces was.

The main architect was Guiniforte Solari, the convent was completed by 1469 while the church took more time. The new duke Ludovico Sforza decided to have the church as the Sforza family burial place and rebuild the cloister and the apse which were completed after 1490.

Ludovico's wife Beatrice was buried in the church in 1497.

Results of the Allied raid in 1943.

The design of the apse of the church has been attributed to Donato Bramante; however, while it was built while he was in the service of the Duchy, there is scant documentary evidence linking him to this church. His name is inscribed in a piece of marble in the church vaults delivered in 1494. Some documents though mention the name Amadeo, likely Giovanni Antonio Amadeo. Similarities to his work at Santa Maria alla Fontana make this attribution more likely. However, there's no real evidence of the fact, but that Bramante lived in Milan at the time, and He continued the gothic style from the first part, but mixed with Romanesque influence.

In 1543, the Holy Crown chapel on the right of the nave, received a painting by Titian, depicting the Christ receives the Crown of Thorns. Looted by French troops in 1797, it is now in the Louvre. This chapel is frescoed with Stories of the Passion by Gaudenzio Ferrari. In the small cloister adjacent to the tribune near the door that leads to the sacristy is a fresco by Bramantino.[1] The church also contained frescoes depicting the Resurrection and Passion by Bernardo Zenale.[2]

World War II[edit]

During World War II, on the night of 15 August 1943, bombs dropped by British and American planes hit the church and the convent. Much of the refectory was destroyed, but some walls survived, including the one that holds the The Last Supper, which had been sand-bagged in order to protect it. Some preservation works are done to maintain it for the future. Due to preservation, the main painting of The Last Supper has now been safe for many centuries.

Contemporary Significance[edit]

Nowadays the Sacrestia vecchia, or the Old Sacristy, designed and constructed by Donato Bramante, is the seat of a Dominican Cultural Centre (Centro Culturale alle Grazie), in which the brethren organize and host conferences on various themes pertaining to spirituality, philosophy, art, literature and sociology, in addition to musical concerts and artistic exhibitions.

See also[edit]

References[edit]

  1. ^ Cited in the Italian Wikipedia entry
  2. ^ Boni, Filippo de' (1852). Biografia degli artisti ovvero dizionario della vita e delle opere dei pittori, degli scultori, degli intagliatori, dei tipografi e dei musici di ogni nazione che fiorirono da'tempi più remoti sino á nostri giorni. Seconda Edizione.. Venice; Googlebooks: Presso Andrea Santini e Figlio. pp. page 1104. 

Sources[edit]

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