Cook da Books
||This article's lead section may not adequately summarize key points of its contents. (April 2012)|
|Cook da Books|
Cook Da Books backstage at DAR Constitution Hall, Washington D.C. 1985
|Also known as||Big in France|
|Origin||Fazakerley Liverpool, England|
|Genres||New wave, synthpop|
|Labels||10, Carrere, Kiteland Records|
|Associated acts||Smaller, The Sums|
Cook da Books (also known as Cook the Books, and Da Books) were a British new wave band from Liverpool, England popular in the 1980s. Their success began with politically charged compositions and peaked with pop friendly film soundtrack and commercial releases. The band had a self professed reputation for being fiercely independent but enjoyed major label attention and numerous high profile global performances.
Cook da Books formed in 1980 in Fazakerley, Liverpool composed of former members of pub/cabaret circuit groups The Dogems and Brooklyn" two bands untouched by the phenomenon of the city punk and new wave scene but competent musicians with close harmonies gained from the Hilda Fallon Roadshow days similar to other local bands such as Our Kid. The initial line-up was Kevin Kunky Kelly (Guitar/vocals) Peter "Digsy" Deary (vocals, guitar), Owen Moran (bass, vocals), Tony Prescott (keyboards), and John Legget (drums).
They initially gained attention with their acclaimed, and politically charged debut single "Piggie in the Middle 8", whose provocative lyrics about the Toxteth riots were penned by their manager John Smith who secured reggae superstar producer Denis Bovell to produce the track at his Studio80 in London. Bovell had recently had a number two record with Janet Kay's "Silly Games" and Smith played the demo to Bovell and secured his support for producing the track. Smith further secured a deal with Probe records to release the record in the rising independent market. This was the first record ever released on the Probe label, which went on to become successful with many other artistes following this release. Smith also found local photographer John Stoddart for the artwork of the 7" & 12" sleeves, This was his first band session session and Stoddart went on to photograph many bands including most notably Frankie Goes to Hollywood through their major success.
The single brought them to the attention of musician Vladimir Cosma, who included three tracks by the band on the soundtrack to the French film La Boum 2. The film includes a scene with the band playing "Your Eyes", which reached number one in Europe and Hong Kong, selling over 900,000 copies and earning the band a gold disc. It brought the band international recognition while they remained relatively unknown in their home country and the United States, Smith secured further prestigious live work for the band with high profile supporting tours in the UK and USA with Men at Work, Joan Armatrading and The Undertones, among others. Smith further established a recording and rehearsal space in central Liverpool for the band during the Virgin records deal, following the demise of the deal, Smith eventually sold this on to another Liverpool band Echo and the Bunnymen.
Smith gained for the band two further sessions (in 1983 and 1984) for John Peel's BBC Radio 1 show, and one for Simon Bates. They appeared on the BBC TV show Whistle Test in 1985. In 1984, they contributed the demo version of "Piggy In The Middle 8" to Ronnie Flood's Jobs For the Boys compilation album, released to highlight the lack of employment available in Thatchers Britain and particularly in Liverpool.
Singer/guitarist Peter "Digsy" Deary went on to front Smaller, where the band (which featured his brother Stephen on drums) had hits on the UK Singles Chart in 1996 and 1997 with "Wasted" and "Is", and was celebrated in the Oasis song "Digsy's Dinner" from their debut album Definitely Maybe; Oasis's Noel Gallagher also later guesting on Smaller's 1997 album Badly Badly. He then fronted The Sums in the 2000s.
Though the soundtrack to La Boum 2 was released on Polymer Records, and they were also signed to 10 Records (part of Virgin Records), Cook Da Books remained fiercely independent throughout their career, running their own label, Kiteland Records. According to the band themselves in an interview with Explicit magazine in 1983: "Being independent means that you've got the freedom to choose whatever we want, have whatever product we want marketed when we want".
We Wouldn't Want To Knock It (2013)
In 2012, Digsy and Owen Moran (long time friend and former Cook da Books band member) were the subject of a low budget documentary by Liverpool filmmakers Daniel Draper and Frankie Cowley called We Wouldn't Want To Knock It (in reference to a classic Books song). The film, shot in a naturalistic and free form style, explores Digsy's musical career (in Cook da Books, Smaller and now The Sums) and his personal relationship with Moran. MrKeyster, comments on the upload: "Great Stuff! Haven't heard anything from Owen Moran for years". The film shuns the conventional visual structure of a music documentary and gives an often humorous insight into the band and the two men at its core. As can be seen from the discography the band did not release anything from the 1980s and have not toured following the departure of Smith.
- 1982: "Piggie in the Middle Eight"/"Turn to Black" (No. 18)
- 1982: "Rich Men Don't"/"Low Profile"
- 1983: "Piggie in the Middle Eight"/"I Wouldn't Want to Knock It"
- 1983: "Your Eyes" (No. 1) (France, Italy, Germany, Hong Kong)
- 1983: "Low Profile"/"Rich Men Don't" (No. 13)
- 1983: "I Wouldn't Want To Knock It"/"Up In Smoke"/"In Da Papers" (No. 20)
- 1984: "Caress Me Like a Flower"/"Say Something Good"
- 1984: "Golden Age"/"Soho"
- 1985: "You Hurt Me Deep Inside"/"Piggie in the Middle Eight"/"Low Profile"
- 1986: "Living for the City"/"All I Want is Everything"/"How Could You Be So Low"/"Giving Up the Acid"/"England May as Well Be Cuba"
- 1986: "The Look Out Is Out" (theme song for the animated film Asterix in Britain)
- 1983: Outch
- "Heart of Fire"
- "Rich Men Don't"
- "Wouldn't Want To Knock It"
- "Piggie In The Middle Eight"
- "Who Are You To Cry?"
- "This Is Not The Time"
- "Up In Smoke"
- "Say Something Good"
- "This is Not the Time" (included on Crackin' Up at the Pyramid compilation) (May 1982)
- "Get it Together"/"Your Eyes"/"Silver Man" (included on La Boum 2 soundtrack LP) (France:Philips, Germany:Carrere 6.26431)
- "Piggie in the Middle Eight" (new version) (Jobs for the Boys compilation (Natalie Records) (January 1985)
- Leonard, Marion & Strachan, Rob (2010) The Beat Goes on: Liverpool, Popular Music and the Changing City, Liverpool University Press, ISBN 978-1-84631-190-1, p. 56
- Marx, David (1985) "The Year of Da Books", Debut, Issue 10, p. 54-55
- Schwartze, Klaus (1987). The scouse phenomenon: the scrapbook of the new Liverpool rock scene (Book). Vol. 1. England: Druckerei und Verlag Bitsch GmbH. ISBN 978-3-925014-04-8.
- Lazell, Barry (1997). Indie Hits 1980-1999. Cherry Red Books. ISBN 0-9517206-9-4.
- "Cook Da Books", Keeping It Peel, BBC, retrieved 2011-02-19
- "TV", Glasgow Herald, 5 February 1985, retrieved 2011-02-19
- Mann, Billy (1985) "An LP That Works", NME, 2 February 1985, p. 15
- Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 978
- Wright, Jade (2008) "Digsy and the Sums on the joys of Paperback Writer", Liverpool Echo, 17 January 2008, retrieved 2011-02-19
- Tamarkin, Jeff (1985) "Joan Armatrading/Cook Da Books, Radio City Music Hall, New York", Billboard, 11 May 1985, p. 45