Cosey Fanni Tutti
|Cosey Fanni Tutti|
|Birth name||Christine Newby|
4 November 1951 |
|Occupations||Performance artist, musician|
|Instruments||Guitar, cornet, vocals|
|Associated acts||COUM Transmissions, Throbbing Gristle, Chris & Cosey|
Her name came about in 1973, before which she performed under the name Cosmosis. According to John Ford, "Cosey Fanni Tutti" was suggested to her by mail artist Robin Klassnick, and it comes from the opera Così fan tutte, meaning literally "They [women] all do the same."
She was a performer with COUM Transmissions in 1969. Her addition changed the nature of the group which, when she joined, was still mostly a musical venture. From that point on, COUM performances became events or, in 1960s parlance, happenings, involving props, costumes, dance, improvisation and street theatre. As an installation artist, she was selected in 1975 to represent Britain at the IXth Biennale de Paris.
She had a long career as a stripper and in the fields of pornographic film and magazines, stemming from a desire to incorporate her own image into collages she produced in this period. This willingness to deliberately and consciously participate in the process of commercial image production has inspired a number of visual and performance artists, among them Joe Potts and John Duncan. Some of her performance art work has also drawn on her experience as an adult performer. She was regular performer at the Raymond Revuebar in London, England, during the early 1970s.
Music was used in some of Tutti's performance art. The use of music led to Tutti's interest in the concept of 'acceptable' music and she went on to explore the use of sound as a means of physical pleasure or pain. In 1976 she co-founded the group Throbbing Gristle with Chris Carter, Peter 'Sleazy' Christopherson and Genesis P-Orridge. The group disbanded in 1981.
Following the disbanding of Throbbing Gristle, Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Tutti and Chris Carter continued to record together under the moniker Chris and Cosey.
In 2004, after twenty three years apart, all four original members of Throbbing Gristle reunited, and issued a new 12" recording, TG Now. The band continued to collaborate sporadically, and began to perform live shows together for the first time in over two decades. In April 2009, Throbbing Gristle toured the United States, appearing at the Coachella Valley Music and Arts Festival, and playing shows in Los Angeles, New York, San Francisco, and Chicago.
In October 2010, Throbbing Gristle began a European tour; however, following the band's first tour date at the London Village Underground venue, London, on October 23 Throbbing Gristle's website announced that Genesis P-Orridge was no longer willing to perform with the band, and would return to his home in New York. Chris, Cosey and Peter finished the tour without P-Orridge, under the name X-TG.
Carter and Tutti performed with Nik Colk Void of Factory Floor at Mute's Short Circuit Festival in May 2011. A live album of the show, with an additional studio track, was released as Transverse in 2012, under the name Carter Tutti Void.
Tutti continues to release solo recordings, including a retrospective deluxe box set with many photos and text, called Time To Tell, and she continues to work as a performance artist in the Dada tradition.
(NOT including Throbbing Gristle, Carter Tutti or Chris & Cosey releases)
- Time To Tell (1983 Flowmotion)
- Nicki (1983 AQM) [with John Duncan and Chris Carter]
- Electronic Ambient Remixes 4: Selflessness (2004 Conspiracy International)
- Mist While Sleeping (2010 Dirter Promotions) [with Philippe Petit]
- A Study In Scarlet (1986 Conspiracy International)
- The Definitive Throbbing Gristle Website: Cosey Fanni Tutti
- Chris Carter and Cosey Fanni Tutti. "Biographies: A Brief History of Chris and Cosey/ Carter Tutti". http://chrisandcosey.com/. Retrieved 20 April 2012.
- Ananda Pellerin. "Cosey Fanni Tutti". http://www.wheelmeout.com/. Retrieved 20 April 2012.
- Maria Fusco. "Cosey and Maria talk about Linguistic Hardcore". http://mariafusco.net/. Retrieved 20 April 2012.
- John A. Walker. "1976: From Shock Art to Shock Rock". artdesigncafé™. Retrieved 20 April 2012.
- Simon Ford. "Extract is taken from: WRECKERS OF CIVILISATION. THE STORY OF COUM TRANSMISSIONS AND THROBBING GRISTLE". Published by: Black Dog 1999. Retrieved 20 April 2012.
- "CURRENT BIOGRAPHY (abridged version)". Retrieved 20 April 2012.
- Red Ronnie (23 October 1980). "Interview with Genesis & Cosey". The Genesis Breyer P-Orridge online archive. Retrieved 20 April 2012.
- Kate Green; Steve Peralta. "Cosey Fanni Tutti". Neoaztalan. Retrieved 20 April 2012.
- Cosey Fanni Tutti. "THROBBING GRISTLE PERSONNEL: Cosey Fanni Tutti (extract from TG CD 1)". http://www.brainwashed.com. Retrieved 20 April 2012.
- Alex Young. "Throbbing Gristle break up following departure of Genesis P-Orridge". http://consequenceofsound.net/. Retrieved 20 April 2012.
- "Chris and Cosey". Trouser Press. Retrieved 20 April 2012.
- "THROBBING GRISTLE LIVE PERFORMANCES & EXHIBITIONS". http://www.throbbing-gristle.com. Retrieved 20 April 2012.
- "HACKNEY DISSENTING ACADEMY: #1 Throbbing Gristle 23.10.10". http://www.villageunderground.co.uk. Retrieved 20 April 2012.
- "IMPORTANT ANNOUNCEMENT REGARDING THROBBING GRISTLE!". http://throbbing--gristle.blogspot.com/. 28 October 2010. Retrieved 20 April 2012.
- Peter 'Sleazy' Christopherson (10 November 2010). "X-Industrial". http://sleazybkk.blogspot.com/. Retrieved 20 April 2012.
- Pitchfork Media: Carter Tutti Void: Transverse
- Cosey Fanni Tutti. (1981 & 1988/ 92). "Time To Tell Texts". Time To Tell Booklet. http://www.coseyfannitutti.com/. Retrieved 20 April 2012.
- "'Goldsmiths research online'". Retrieved 26 September 2012.
- Cosey Fanni Tutti's homepage
- Official CARTER TUTTI site
- Interview on Time to Tell, about her experience in the sex industry
- Cosey Fanni Tutti at the Tate Triennial 2006
- Cosey Fanni Tutti & Genesis P-Orridge in 1976 - Media frenzy, Prostitution-style/Excerpts from John A. Walker's Art and Outrage about the exhibition at the Institute of Contemporary Arts, London (1976).