Cosplay

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A group of cosplayers on stage at Desucon Frostbite 2014 convention in Finland

Cosplay (コスプレ kosupure?), short for costume play, is a performance art in which participants, called cosplayers, wear costumes and fashion accessories to represent a specific character or idea that is usually identified with a unique name. Cosplayers often interact to create a subculture centered on role play. A broader use of the term cosplay applies to any costumed role play in venues apart from the stage, regardless of the cultural context.

Favorite sources include manga, anime, comic books, video games, and films. Any entity from the real or virtual world that lends itself to dramatic interpretation may be taken up as a subject. Inanimate objects are given anthropomorphic forms and it is not unusual to see genders switched, with women playing male roles and vice versa. There is also a subset of cosplay culture centered on sex appeal, with cosplayers specifically choosing characters that are known for their attractiveness or revealing costumes.

There are social networks and websites centered on cosplay activities, while Internet forums allow cosplayers to share stories, photographs, news, and general information. The rapid growth in the number of people cosplaying as a hobby since 1990 has made the phenomenon a significant aspect of popular culture. This is particularly the case in Asia, where cosplay influences Japanese street fashion.

Etymology[edit]

Silent Hill cosplayers at the 2014 Nipponbashi Street Festa in Osaka

The term cosplay is a Japanese portmanteau of the English words costume and play.[1] The term was coined by Nobuyuki Takahashi of Studio Hard[2] while attending the 1984 World Science Fiction Convention (Worldcon) in Los Angeles.[citation needed] He was impressed by the hall and the costumed fans and reported on both in Japanese magazine My Anime, June 1983 edition.[2] The coinage reflects a common Japanese method of abbreviation in which the first two moras of a pair of words are used to form an independent compound. Costume becomes kosu (コス), and play becomes pure (プレ).

Practice of cosplay[edit]

Padmé Amidala cosplay at Japan Expo 2012 in France

Cosplay costumes vary greatly and can range from simple themed clothing to highly detailed costumes. Cosplay is generally considered different from Halloween and Mardi Gras costume wear, as the intention is to replicate a specific character, rather than to reflect the culture and symbolism of a holiday event. As such, when in costume, some cosplayers will often seek to adopt the affect, mannerisms and body language of the characters they portray (with "out of character" breaks). The characters chosen to be cosplayed may be sourced from any movie, TV series, book, comic book, video game or music band, anime and manga characters. Some cosplayers will even choose to cosplay an original character of their own design or a fusion of different genres (e.g. a steampunk version of a character).

Costumes[edit]

A cosplay of Raiden at Anime Expo 2013 in the United States

Cosplayers obtain their apparel through many different methods. Manufacturers produce and sell packaged outfits for use in cosplay, in a variety of qualities. These costumes are often sold online, but also can be purchased from dealers at conventions. Japanese manufacturers of cosplay costumes reported a profit of 35 billion yen in 2008.[3] There are also a number of individuals who work on commission, creating custom costumes, props or wigs designed and fitted to the individual; some social networking sites for cosplay have classified ad sections where such services are advertised. Other cosplayers, who prefer to create their own costumes, still provide a market for individual elements, accessories, and various raw materials, such as unstyled wigs or extensions, hair dye, cloth and sewing notions, liquid latex, body paint, shoes, costume jewelry and prop weapons.

Most cosplayers create their own outfits, referencing images of the characters in the process. In the creation of the outfits, much time is given to detail and qualities, thus the skill of a cosplayer may be measured by how difficult the details of the outfit are and how well they have been replicated. Because of the difficulty of replicating some details and materials, cosplayers often educate themselves in crafting specialties such as textiles, sculpture, face paint, fiberglass, fashion design, woodworking, and other uses of materials in the effort to render the look and texture of a costume accurately.[4] Cosplayers often wear wigs in conjunction with their outfit in order to further improve the resemblance to the character. This is especially necessary for anime and manga or video game characters who often have unnaturally coloured and uniquely styled hair. Simpler outfits may be compensated for their lack of complexity by paying attention to material choice and overall high quality.

In order to look more like the character they are portraying, many cosplayers also engage in various forms of body modification. Contact lenses that match the color of their character's eyes are a common form of this, especially in the case of characters with particularly unique eyes as part of their trademark look. Contact lenses that make the pupil look enlarged to visually echo the large eyes of anime and manga characters are also used.[5] Another form of body modification that cosplayers engage in is to copy any tattoos or special markings that their character might have. Temporary tattoos, permanent marker, body paint and, in rare cases, permanent tattoos, are all methods used by cosplayers to achieve the desired look. Permanent and temporary hair dye, spray-in hair coloring, and specialized extreme styling products are all utilized by some cosplayers whose natural hair can achieve the desired hairstyle. It is also commonplace for them to shave off their eyebrows to gain a more accurate look.

Some anime and video game characters have weapons or other accessories that are hard to replicate, and conventions have strict rules regarding those weapons, but most cosplayers engage in some combination of methods to obtain all the items necessary for their costume; for example, they may commission a prop weapon, sew their own clothing, buy character jewelry from a cosplay accessory manufacturer, buy a pair of off-the-rack shoes, and modify them to match the desired look.

Purpose[edit]

The Psychology of Cosplay panel at the 2012 New York Comic Con. From left to right: Psychologist Dr. Andrea Letamendi, journalist/cosplayer Jill Pantozzi, costume designer/cosplayer Holly Conrad, who appeared in the film Comic-Con Episode IV-A Fan's Hope, and Bill Doran, who runs the cosplay business Punished Props

The cosplayer's purpose may generally be sorted into one of three categories, or a combination of the three.

  • The first purpose might be to express adoration for a character, or in feeling similar to a character in personality, seeking to become that character. This type of cosplayer may be associated with being a fan and is sometimes labeled as an otaku. Such cosplayers are most likely to adopt the character's personality and are known to criticise other cosplayers for not having a full knowledge of their character, or not also adopting character mannerisms. Other characteristics may include an enthusiastic manner and less attention to detail and quality.
  • The second category is those people who enjoy the attention that cosplaying a certain character brings. Within the cultures of anime and manga specifically, as well as science fiction and fantasy, there is a certain level of notoriety that is attached to cosplayers. Such cosplayers are often characterized by their choice of popular characters.
  • The third is those who enjoy the creative process, and the sense of personal achievement upon completion. Such people are more likely to have a greater budget dedicated to the project, more complicated and better quality outfits with access to more materials. They are noted by participation in cosplay competitions and are also more likely to engage with professional photographers and cosplay photographers to take high quality images of the cosplayer in their garment posing as the character.

Presentation[edit]

Cosplay may be presented in a number of ways and places. Wearing a revealing costume can be a sensitive issue while appearing in public.[6][7] During the 1970s in the United States, people appearing naked were so common that a "no costume is no costume" rule was introduced.[8]

Conventions[edit]

The most popular form of presenting a cosplay publicly is by wearing it to a fan convention. Multiple conventions dedicated to anime and manga, comics, TV shows, video games, science fiction and fantasy may be found all around the world. Cosplay-centered conventions include Cosplay Mania in the Philippines and EOY Cosplay Festival in Singapore.

A crowd of cosplayers at Comiket 84, Japan in 2013

The single largest event featuring cosplay is the semi-annual doujinshi market, Comic Market (Comiket), held in Japan during summer and winter. It attracts hundreds of thousands of manga and anime fans, where thousands of cosplayers congregate on the roof of the exhibition center. In North America, the highest attended fan conventions featuring cosplayers are the San Diego Comic-Con and New York Comic Con held in the United States, and the anime-specific Anime North in Toronto, Canada and Anime Expo held in Los Angeles, United States. Europe's largest event is the Japan Expo held in Paris, France, while the London MCM Expo is the largest in the UK. Supanova Pop Culture Expo is Australia's biggest event, with its Sydney show reaching an attendance of 50,800 in 2014.

Photography[edit]

Professional photographers working with a cosplayer of Mileena for chroma key studio photoshoot at Space City Con 2014 in the United States

The appearance of cosplayers at public events makes them a popular draw for photographers.[9] As this became apparent in the late 1980s, a new variant of cosplay developed in which cosplayers attended events mainly for the purpose of modeling their characters for still photography rather than engaging in continuous role play. Rules of etiquette were developed to minimize awkward situations involving boundaries. Cosplayers pose for photographers in designated areas removed from the exhibit hall. Photographers do not press them for personal contact information or private sessions, follow them out of the area or take photos of exhibits in the hall itself without permission. The rules allow the symbiotic relationship between photographers and cosplayers to continue with the least inconvenience to each other.[10]

A cosplayer of Kai being photographed in High Park, Toronto

Some cosplayers choose to have a professional photographer take high quality images of them in their costumes posing as the character.[9] This is most likely to take place in a setting relevant to the character's origin, such as churches, parks, forests, water features and abandoned/run-down sites. Cosplayers and photographers are likely to exhibit their work online, on blogs (such as tumblr), social networking services (such as Facebook), or artist websites (such as deviantART). They may also choose to sell such images, or use them as part of their portfolio.[9]

Competitions[edit]

A cosplayer at the 2011 Animation-Comic-Game Hong Kong contest dressed as a character from Gantz

As the popularity of cosplay has grown, many conventions have come to feature a contest surrounding cosplay that may be the main feature of the convention. Contestants present their cosplay, and often to be judged for an award, the cosplay must be self-made. The contestants may choose to perform a skit, which may consist of a short performed script or dance with optional accompanying audio, video, or images shown on a screen overhead. Other contestants may simply choose to pose as their characters. Often, contestants are briefly interviewed on stage by an MC. The audience is given a chance to take photos of the cosplayers. Cosplayers may compete solo or in a group. Awards are presented, and these awards may vary greatly. Generally there will be a best cosplayer award, a best group award, and runner-up prizes as well. Awards may also go to the best skit and a number of cosplay skill subcategories, such as master tailor, master weapon-maker, master armourer, and so forth.

The most well-known cosplay contest event is the World Cosplay Summit, selecting cosplayers from 20 countries to compete in the final round in Nagoya, Japan. Some other international events include European Cosplay Gathering (finals taking place at Japan Expo in Paris, France),[11] EuroCosplay (finals taking place at London MCM Expo),[12] and Nordic Cosplay Championship (finals taking place at NärCon in Linköping, Sweden).[13]

Gender roles[edit]

A female group dressed up as male character Loki at the American convention Dragon Con 2012

Portraying a character of the opposite sex is crossplay. The practicality of crossplay and cross-dress stems in part from the abundance in manga of male characters with delicate and somewhat androgynous features. Such characters, known as bishōnen (lit. "pretty boy"), are an Asian version of the elfin boy archetype represented in Western tradition by figures such as Peter Pan and Ariel.[14]

The animegao, or dollars, represent a niche group in the realm of cosplay. Their approach makes them a subgroup of, what is called in Japan, kigurumi; that is, mascot-style role players. Animegao are often male cosplayers representing female characters. Female animegao are also found to represent male characters, especially male characters that lend themselves to the treatment, such as robots, space aliens and animals. Animegao wear bodysuits and masks that completely hide their real features so that the original appearance of their characters may be reproduced as literally as possible. Their costumes display all the abstractions and stylizations of the cartoon art, such as the oversized eyes and tiny mouths so often encountered in manga.

Cosplay in Japan[edit]

Cosplayers in Japan used to refer to themselves as reiyā (レイヤー?), pronounced "layer". Currently in Japan, cosplayers are more commonly called kosupure (コスプレ?), pronounced "ko-su-pray," as reiyā is more often used to describe layers (i.e. hair, clothes, etc.).[15] Those who photograph players are called cameko, short for camera kozō or camera boy. Originally, the cameko gave prints of their photos to players as gifts. Increased interest in cosplay events, both on the part of photographers and cosplayers willing to model for them, has led to formalization of procedures at events such as Comiket. Photography takes place within a designated area removed from the exhibit hall.

The Jingūbashi (Jingū bridge) which passes over the Yamanote Line south of Harajuku Station, Tokyo, at the Meiji Shrine gate is a famous gathering place for cosplayers. Pictured, a group of people dressed as visual kei style musicians in 2006

Since 1998, Tokyo's Akihabara district contains a number of cosplay restaurants, catering to devoted anime and cosplay fans, where the waitresses at such cafés dress as video game or anime characters; maid cafés are particularly popular. In Japan, Tokyo's Harajuku district is the favourite informal gathering place to engage in cosplay in public. Events in Akihabara also draw many cosplayers.

Cosplay in Western culture[edit]

"Mr. Skygack, from Mars" on the front page of Tacoma Times in 1912

The popularity of cosplay in Japan encourages the misconception that cosplay is specifically a Japanese or Asian hobby. The term cosplay is Japanese in origin, but costume play was originally a hobby from the United States where it has historically been known as costuming as opposed to cosplaying. A.D. Condo's science fiction comic character "Mr. Skygack, from Mars" was the subject of cosplay in 1908 in the United States.[16] Science fiction fan Forrest J Ackerman attended the 1939 1st World Science Fiction Convention in the Caravan Hall, New York, USA dressed in a "futuristicostume", including a green cape and breeches, based on the pulp magazine artwork of Frank R. Paul.[17] Ackerman later stated that he thought everyone was supposed to wear a costume at a science fiction convention, although only he and his girlfriend, Myrtle R. Douglas, wore one and he rarely wore one to any future convention.[18]

The hobby was then later picked up by the Japanese and reinvented by Americans. For many years, costuming has had a widespread following and continues to experience growing popularity in North America and Europe, and has more recently spread throughout South America and Australia. Western cosplay's origins are based primarily in science fiction and fantasy fandoms. It is also more common for Western cosplayers to recreate characters from live-action series than it is for Japanese cosplayers. Western costumers also include subcultures of hobbyists who participate in Renaissance faires, live action role-playing games, and historical reenactments.

Competition at science fiction conventions typically include the masquerade (where costumes are presented on stage and judged formally) and hall costumes (where roving judges may give out awards for outstanding workmanship or presentation).[19] The increasing popularity of Japanese animation outside of Asia during the late 1990s led to an increase in American and other Western cosplayers who portray Japanese characters. Anime conventions have become more numerous in the West in the previous decade, now competing with science fiction, comic book and historical conferences in attendance. At these gatherings, cosplayers, like their Japanese counterparts, meet to show off their work, take photos, and compete in costume contests. Convention attendees are frequently seen dressed up as Japanese animated characters, but just as often dress up as Western comic book or animated characters, or as characters from movies and video games. Differences in taste still exist across cultures. Some costumes that are worn without hesitation by Japanese cosplayers tend to be avoided by Western cosplayers, such as outfits that evoke Nazi uniforms.

Cosplay models[edit]

Cosplay has influenced the advertising industry, in which cosplayers are often used for event work previously assigned to agency models.[9] Some cosplayers have thus transformed their hobby into profitable, professional careers.[20][21][22] Japan's anime industry has been home to the professional cosplayers since the rise of Comiket and the Tokyo Game Show.[9] The phenomenon is most apparent in Japan but exists to some degree in other countries as well.

A cosplay model, also known as a cosplay idol, cosplays costumes for anime and manga or video game companies. Good cosplayers are viewed as fictional characters in the flesh, in much the same way that film actors come to be identified in the public mind with specific roles. Cosplayers have modeled for print magazines like Cosmode and a successful cosplay model can become the brand ambassador for companies like Cospa.

Some cosplay models can achieve significant recognition. Yaya Han, for example, was described as having emerged "as a well-recognized figure both within and outside cosplay circuits".[20]

Media[edit]

Magazines[edit]

Japan is home to two especially popular cosplay magazines, Cosmode (コスモード) and Dengeki Layers (電撃Layers). Cosmode has the largest share in the market and an English-language digital edition.[23] Another magazine, aimed at a broader, world-wide audience is CosplayGen.[24]

Documentaries and reality shows[edit]

  • Cosplay Encyclopedia, a 1996 film about Japanese cosplay released by the Japan Media Supply company. In 1999 it was released in subtitled VHS by Anime Works, eventually being released onto DVD later on.
  • Otaku Unite!, a 2004 film about otaku subculture, features extensive footage of cosplayers.
  • Akihabara Geeks, a 2005 Japanese short film.[25]
  • Animania: The Documentary[26] is a 2007 film that explores the cosplay cultural phenomenon in North America, following four cosplayers from various ethnicities as they prepare to compete at Anime North, Canada's largest anime convention.
  • Conventional Dress is a short documentary about cosplay at the Dragon*Con convention made by Celia Pearce and her students in 2008.[27]
  • Cosplayers: The Movie, released in 2009 by Martell Brothers Studios[28] for free viewing on YouTube and Crunchyroll, explores the anime subculture in North America with footage from anime conventions and interviews with fans, voice actors and artists.
  • "I'm a Fanboy", a 2009 episode of the MTV series True Life, focusing on fandom and cosplay.[29]
  • Fanboy Confessional, a 2011 Space Channel series that featured an episode on cosplay and cosplayers from the perspective of an insider.
  • Comic-Con Episode IV: A Fan's Hope, a 2011 film about four attendees of the San Diego Comic-Con, including a cosplayer.
  • America's Greatest Otaku, a 2011 TV series where contenders included cosplayers.[30][31]
  • Cosplayers UK: The Movie, a 2011 film following a small selection of cosplayers at the London MCM Expo.[32]
  • My Other Me: A Film About Cosplayers, chronicling a year in the life of three different cosplayers: a veteran cosplayer who launched a career from cosplay, a young 14-year-old first-timer, and a transgender man who found himself through cosplay. It was released in 2013 and was a featured segment on The Electric Playground.[33]
  • Heroes of Cosplay, a reality show on cosplay that premiered in 2013 on the Syfy network. It follows nine cosplayers as they create their costumes, travel to conventions and compete in contests.[34]

Other[edit]

Cosplaying is featured in many Japanese video game, manga and anime titles, including Ai Kora, Amagami, Aoi House, The Cosmopolitan Prayers, Dōbutsu no Mori, Fate/hollow ataraxia, Galaxy Angel, Genshiken, Girl Friends, Gunbuster, Hanaukyo Maid Team, Hyperdimension Neptunia, I, Otaku: Struggle in Akihabara, Jewelpet, K-On!, Kujibiki Unbalance, Lucky Star, Maid Sama!, Nogizaka Haruka no Himitsu, Oreimo, Phantom Breaker, Popotan, Re: Cutie Honey, School Rumble, and Unofficial Sentai Akibaranger. It is also featured in some non-Japanese productions, such the American short film CosplayGirl[37] and Filipino comedy film Tween Academy: Class of 2012.[38]

Notable cosplayers[edit]

Main article: List of cosplayers

See also[edit]

References[edit]

  1. ^ Stuever, Hank (2000-02-14). "What Would Godzilla Say?". The Washington Post. Retrieved 2008-01-03. 
  2. ^ a b "Nobuyuki (Nov) Takahashi « YeinJee's Asian Blog: The Origin of the word cosplay". Yeinjee.com. 2008-07-03. Retrieved 2011-10-03. 
  3. ^ Craig Hayden (2012). The Rhetoric of Soft Power: Public Diplomacy in Global Contexts. Lexington Books. p. 115. ISBN 978-0-7391-4258-5. 
  4. ^ White, Sarah. "Cosplay Costumes at LoveToKnow Costumes". Costumes.lovetoknow.com. Retrieved 2011-10-03. 
  5. ^ Sharnea Morris (2009-03-26). "Japanese Circle Lens - A Secret Trick for Anime Cosplayers". mookychick.co.uk. Retrieved 2012-01-03. 
  6. ^ "Skimpy Outfit Gets Lollipop Chainsaw Cosplayer Asked to Change Or Leave PAX Show Floor". Kotaku.com. 4/08/12. Retrieved 2013-11-17. 
  7. ^ Azliah, Nurul. "Woman calls police over cosplayer’s ‘underboob’ at anime festival". My.entertainment.yahoo.com. Retrieved 2013-11-17. 
  8. ^ "A Treasure Trove of Cosplay from the Swinging 1970s [NSFW]". Io9.com. Retrieved 2014-05-16. 
  9. ^ a b c d e "Cosplay Models Real Life Japanime Characters by Cynthia Leigh". Entertainment Scene 360. 2007-03-11. Retrieved 2014-05-16. 
  10. ^ Thorn, Matthew (2004) Girls And Women Getting Out Of Hand: The Pleasure And Politics Of Japan's Amateur Comics Community in Fanning the Flames: Fans and Consumer Culture in Contemporary Japan William W. Kelly, ed., State University of New York Press
  11. ^ "The Best european cosplayers meet at Japan Expo for the Finals". European Cosplay Gathering. Retrieved 2014-03-22. 
  12. ^ "EuroCosplay Championships | London Comic Con". Mcmcomiccon.com. 2013-10-26. Retrieved 2014-03-22. 
  13. ^ "NCC - The Nordic Cosplay Championship". Ncc.narcon.se. Retrieved 2014-03-22. 
  14. ^ Benesh-Liu, P. (2007, October). ANIME COSPLAY IN AMERICA. Ornament, 31(1), 44-49. Retrieved October 12, 2008, from Academic Search Complete database.
  15. ^ Breen, Jim. "Japanese Dictionary". Japanese Dictionary. (search for "cosplay" in English or "reiyā" in romangi). Retrieved Jan 1, 2012. 
  16. ^ Miller, Ron (19 September 2013). "Was Mr. Skygack the First Alien Character in Comics?". io9. Retrieved 20 September 2013. 
  17. ^ Kyle, David (December 2002). "Caravan to the Stars". Mimosa (29). 
  18. ^ Painter, Deborah (2010). Forry: The Life of Forrest J Ackerman. McFarland. pp. 37–38. ISBN 9780786448845. 
  19. ^ "ConAdian Masquerade rules". September 1994. 
  20. ^ a b Ben Bolling; Matthew J. Smith (12 February 2014). It Happens at Comic-Con: Ethnographic Essays on a Pop Culture Phenomenon. McFarland. p. 36. ISBN 978-0-7864-7694-7. 
  21. ^ Lingle, Samuel (2012-02-01). "Costume designer turns play into work with cosplay". Dailydot.com. Retrieved 2014-05-16. 
  22. ^ http://www.com.cuhk.edu.hk/varsity/0405/people_costume.htm
  23. ^ "A Costume & Style Magazine for the Eccentric - About COSMODE". COSMODE Online. Retrieved 2011-10-03. 
  24. ^ "Cosplay Gen". Cosplay Gen. Retrieved 2011-10-03. 
  25. ^ http://www.imdb.com/title/tt2137700/
  26. ^ Published 03/29/2008 (2008-03-29). "Canadian showing of "Animania" documentary about anime phenomenon". Firefox.org. Retrieved 2012-07-21. 
  27. ^ http://vimeo.com/channels/64217
  28. ^ "Cosplayers: The Movie (Video 2009)". IMDb.com. Retrieved 2012-11-06. 
  29. ^ "Anime Expo® and MTV Cast for True Life". Anime News Network. Retrieved 2011-10-03. 
  30. ^ "About America's Greatest Otaku - America's Greatest Otaku". Americasgreatestotaku.com. 2011-02-24. Retrieved 2013-12-07. 
  31. ^ http://www.imdb.com/title/tt1837019/
  32. ^ http://www.imdb.com/title/tt2139761/
  33. ^ "News: My Other Me: A Film About Cosplayers". Elecplay.com. Retrieved 2012-11-06. 
  34. ^ "Heroes of Cosplay". Syfy. Retrieved 2013-09-27. 
  35. ^ http://vndb.org/v1054
  36. ^ Brian Ashcraft (4/17/12). "Japanese Porn Is Overdosing on Video Games and Anime". Kotaku.com. Retrieved 2014-06-16. 
  37. ^ "CosplayGirl (2012) - IMDB". IMDB. Retrieved 19 October 2012. 
  38. ^ http://www.imdb.com/title/tt2018159/

External links[edit]