Critical distance is, in audio physics, the distance at which the sound pressure level of the direct sound D and the reverberant sound R are equal when dealing with a directional source. In other words, the point in space where the combined amplitude of all the reflected echos are the same as the amplitude of the sound coming directly from the source (D = R). This distance, called critical distance , is dependent on the geometry and absorption of the space in which the sound waves propagate, as well as the dimensions and shape of the sound source.
In a reverberant space, the sound perceived by a listener is a combination of direct and reverberant sound. The ratio of direct sound is dependent on the distance between the source and the listener, and upon the reverberation time in [the room]. At a certain distance the two will be equal. This is called the "critical distance."—Glenn White and Gary Louie (2005)
A reverberant room generates a short critical distance and an acoustically dead (anechoic) room generates a longer critical distance.
The calculation of the critical distance:
is the degree of bundling of the source, the room volume in cubic meters, the reverberation time of room in seconds, and the equivalent absorption surface.
Avoid the words Reverb Radius, Reverberation Radius (omnidirectional source), Hall Radius for Critical Distance.
This distance, called critical distance , can be specified as a function of room volume and reverberation time using Sabine's approximation:
Critical distance dc in m
Room volume V in m3
Reverberation time RT60 in s
- White, Glenn and Louie, Gary (2005). The Audio Dictionary, 3rd edition, p.89. University of Washington Press. Cited in Hodgson, Jay (2010). Understanding Records, p.36. ISBN 978-1-4411-5607-5.
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