Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style (architecture), but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seeks to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture.
Critical Regionalists thus hold that both modern and post-modern architecture are "deeply problematic".
In Towards a Critical Regionalism: Six points for an architecture of resistance, Frampton recalls Paul Ricoeur's "how to become modern and to return to sources; how to revive an old, dormant civilization and take part in universal civilization". According to Frampton's proposal, critical regionalism should adopt modern architecture, critically, for its universal progressive qualities but at the same time value should be placed on the geographical context of the building. Emphasis, Frampton says, should be on topography, climate, light; on tectonic form rather than on scenography (i.e. painting theatrical scenery) and should be on the sense of touch rather than visual sense. Frampton draws on phenomenology for his argument.
Two examples Frampton briefly discusses are Jørn Utzon and Alvar Aalto. In Frampton's view, Utzon's Bagsværd Church (1973–6), near Copenhagen is a self-conscious synthesis between universal civilization and world culture. This is revealed by the rational, modular, neutral and economic, partly prefabricated concrete outer shell (i.e. universal civilization) versus the specially-designed, 'uneconomic', organic, reinforced concrete shell of the interior, signifying with its manipulation of light sacred space and 'multiple cross-cultural references', which Frampton sees no precedent for in Western culture, but rather in the Chinese pagoda roof (i.e. world culture). In the case of Aalto, Frampton discusses the red brick Säynätsalo Town Hall (1952), where, he argues, there is a resistance to universal technology and vision which is effected by using the tactile qualities of the building's materials. He notes, for instance, feeling the contrast between the friction of the brick surface of the stairs and the springy wooden floor of the council chamber.
Alexander Tzonis and Liane Lefaivre
According to Alexander Tzonis and Liane Lefaivre, critical regionalism need not directly draw from the context; rather elements can be stripped of context but used in unfamiliar ways. Here the aim is to make evident a disruption and loss of place, that is already a fait accompli, through reflection and self-evaluation.
Critical regionalist architects
In addition to Aalto and Utzon, the following architects have used Critical Regionalism (in the Frampton sense) in their work: Studio Granda, Mario Botta, Eduardo Souto de Moura, Mahesh Naik, Mazharul Islam, B. V. Doshi, Charles Correa, Alvaro Siza, Jorge Ferreira Chaves, Rafael Moneo, Geoffrey Bawa, Raj Rewal, Neelkanth Chhaya (Kaka), Soumitro Ghosh, Nisha Mathew Ghosh, Tadao Ando, Mack Scogin / Merrill Elam, Glenn Murcutt, Ken Yeang, Philippe Madec, William S.W. Lim, Tay Kheng Soon, Juhani Pallasmaa, Wang Shu, Juha Leiviskä, Peter Zumthor, Carlo Scarpa, Tan Hock Beng. Dimities & Suzana Antonakakis are the two Greek architects for whom the term was first used by Tzonis and Lefaivre.
Critical regionalism in cultural studies
Subsequently, the phrase "critical regionalism" has also been used in cultural studies, literary studies, and political theory, specifically in the work of Gayatri Chakravorty Spivak. In her 2007 work "Who Sings the Nation-State?", co-authored with Judith Butler, Spivak proposes a deconstructive alternative to nationalism that is predicated on the deconstruction of borders and rigid national identity. Douglas Reichert Powell's book Critical Regionalism: Connecting Politics and Culture in the American Landscape (2007) traces the trajectory of the term critical regionalism from its original use in architectural theory to its inclusion in literary, cultural, and political studies and proposes a methodology based on the intersection of those fields.
- Kenneth Frampton, "Towards a Critical Regionalism: Six Points for an Architecture of Resistance", in The Anti-Aesthetic. Essays on Postmodern Culture (1983) edited by Hal Foster, Bay Press, Seattle.
- Alex Tzonis and Liliane Lefaivre, "The grid and the pathway. An introduction to the work of Dimitris and Suzana Antonakakis", Architecture in Greece (1981) 15, Athens.
- Judith Butler and Gayatri Chakravorty Spivak, "Who Sings the Nation-State?: Language, Politics, Belonging" (2007), Seagull Books.
- Douglas Powell, Critical Regionalism: Connecting Politics and Culture in the American Landscape (2007), University of North Carolina Press.
- Thorsten Botz-Bornstein, "Is Critical Regionalist Philosophy Possible? Some Meta-Philosophical Considerations" in Comparative and Continental Philosophy (2010) 2:1.
- Hal Foster, "Postmodernism: A Preface", in "Anti-Aesthetic. Essays on Postmodern Culture." Seattle: Bay Press, 1983. ISBN 0-941920-01-1
- Kenneth Frampton, "Towards a Critical Regionalism: Six points for an architecture of resistance", in "Anti-Aesthetic. Essays on Postmodern Culture." Seattle: Bay Press, 1983. ISBN 0-941920-01-1
- "Spivak on Regionalism". Retrieved 2009-11-19.