|Studio album by Echo & the Bunnymen|
|Released||18 July 1980|
|Recorded||1980, Eden Studios, London; Rockfield Studios, Monmouth, Monmouthshire, Wales|
|Producer||Bill Drummond, David Balfe, Ian Broudie|
|Echo & the Bunnymen chronology|
|Singles from Crocodiles|
Crocodiles is the debut album by the British post-punk band Echo & the Bunnymen. It was released on 18 July 1980 in the United Kingdom and on 17 December 1980 in the United States. The album reached number 17 on the UK Albums Chart. "Pictures on My Wall" and "Rescue" had previously been released as singles.
Recorded at Eden Studios in London and at Rockfield Studios near Monmouth, Crocodiles was produced by Bill Drummond and David Balfe, while Ian Broudie had already produced the single "Rescue". The music and the cover of the album both reflect imagery of darkness and sorrowfulness. The album received favourable reviews from the music press, receiving four out of five stars by both Rolling Stone and Blender magazines.
Background and recording
Echo & the Bunnymen formed in 1978 and originally consisted of Ian McCulloch (lead vocals), Will Sergeant (lead guitar), Les Pattinson (bass) and a drum machine. They released their debut single, "The Pictures on My Wall" in May 1979 on the independent label Zoo Records. The band then signed with WEA subsidiary label Korova and were persuaded to employ a drummer. Pete de Freitas subsequently joined the band and in early 1980 they recorded their second single "Rescue". The single was recorded at Eden Studios in London and produced by fellow Liverpudlian and ex-member of Big in Japan Ian Broudie.
A British tour followed in June 1980 before the band went to Rockfield Studios to record their debut album. Despite talk of the American singer Del Shannon being asked to produce the album, it was produced by the band's manager Bill Drummond and his business partner and The Teardrop Explodes keyboard player David Balfe. The recording of the album only took three weeks, but Pattinson was still surprised by how boring the recording process was: "There was a lot of hanging about. I didn't get all the 'drop-ins' and 'edits' bit."
Music and lyrics
The music on Crocodiles is generally dark and moody: In 1980, the British music magazine NME described McCulloch's lyrics as a being "scattered with themes of sorrow, horror, and despair, themes that are reinforced by stormy animal/sexual imagery" and American music magazine Creem described Crocodiles as "a moody, mysterious, fascinating record". In 1981 music journalist David Fricke, writing for Rolling Stone magazine, said, "Instead of dope, McCulloch trips out on his worst fears: isolation, death and emotional bankruptcy."
In his 2005 book Rip It Up and Start Again: Post Punk 1978–1984, British music journalist Simon Reynolds describes the sound of the album as "pared and sparse". He goes on to describe Pattinson's "granite basslines" carrying the melody; Sergeant's guitar playing as "jagged-quartz" and avoiding "anything resembling a solo, apart from the odd flinty peal of lead playing"; de Freitas' drumming as minimal and "surging urgency"; and McCulloch's vocals as having "precocious authority". Reynolds then describes the songs as being rooted in "doubt, anguish, despair" while the "tightness and brightness of their sound transmits contradictory sensations of confidence, vigour and euphoria." He also describes how the line "Stars are stars and they shine so hard" – from the track "Stars Are Stars" – showed how the band felt no embarrassment in their wish to be famous. In 1989 McCulloch told Reynolds how, as a teenager, he felt there was "a big movie camera in the sky". McCulloch described the opening line of the track "Going Up" – "Ain't thou watching my film" – as a terrible line and he went on to say, "It was meant to be tongue in cheek, but that was what spurred me on."
The photographs used on the cover of the Crocodiles were taken by photographer Brian Griffin. Griffin took a series of pictures of the band in woods near Rickmansworth in Hertfordshire at night and which show themes of introspection, despair and confusion. Describing the picture used on the front cover of the album, music journalist Chris Salewicz said, "[...] the Bunnymen are placed in poses of histrionic despair in a near-neurotically gothic woodland that evokes memories of elfin glades and fabled Arthurian legends." Creem magazine said, "The cover art suggests four boys dazed and confused in a drugged dream, a surreal where-are-we landscape. The Bunnymen's images are of loneliness, disconnection, a world gone awry."
Originally the band wanted the pictures to include burning stakes, however, given the possible KKK connotations, they settled for moody lighting instead. Despite this, McCulloch was pleased with the cover saying "the cover [...] is better to look at than the Mona Lisa". Sergeant was less happy and said he "was pissed off that there was a solo picture of [McCulloch] on the back cover".
The album was originally released as an LP in the United Kingdom on 18 July 1980 by Warner Bros. subsidiary label Korova. Two tracks, "Do It Clean" and "Read It in Books", were included on the cassette but initially omitted from the LP version of the album because the managing director of Warner Bros., Rob Dickins, thought that they contained obscenities. Dickins realised his error and the tracks were included on the American version of the album, which was released by Sire Records on 17 December 1980. The two tracks were included with the UK release as a limited edition single. The album was first released on CD in May 1989 by WEA in the UK. It was released on CD in the US by Sire Records the following year. The track-listings of these versions were the same as the original LP releases for each country.
Along with their first five albums, Crocodiles was remastered and reissued on CD in 2003 containing ten bonus tracks on the UK version and eight on the US—these releases were marketed as 25th anniversary editions. The UK version contained the missing tracks "Do It Clean" and "Read It in Books". The other bonus tracks included "Simple Stuff" which was the B-side to the single "Rescue"; early versions of "Villiers Terrace", "Pride" and "Simple Stuff" from the album's recording sessions; and the four tracks from the Shine So Hard EP, "Crocodiles", "Zimbo", "All That Jazz" and "Over the Wall". The reissued album was produced by music historian Andy Zax and producer Bill Inglot.
Prior to the album's release, the tracks "Pictures on My Wall"—as "The Pictures on My Wall"—and "Rescue" had already been released as singles. "The Pictures on My Wall" was released on 5 May 1979 and was the band's first single. Originally recorded and released prior to de Freitas joining the band, the song was re-recorded for the album with him playing drums. The band's second single, "Rescue", was released a year later on 5 May 1980 and became the band's first song to chart when it reached number 62 on the UK Singles Chart.
Scottish band Idlewild covered the track "Rescue" on their single "These Wooden Ideas" in June 2000. In late 2001 American singer-songwriter Kelley Stoltz released the album Crockodials, which is a track by track cover version of the original Crocodiles album.
Writing for NME in 1980 Chis Salewicz described the album as "being probably the best album this year by a British band". In his review of the album for Smash Hits, Ian Cranna said that the album was "proof positive that there's just no substitute for a good song delivered with power and emotion". Cranna added, "[The Band] deliver attractive melodies with dark and moody (but not obscure) personal lyrics, all turned into compulsive listening by a driving beat, ringing guitars and a hauntingly emotional voice." Reviewing the album in 1981 for Rolling Stone magazine, David Fricke awarded it four out of five stars and said when describing McCulloch's vocals, "[He] specializes in a sort of apocalyptic brooding, combining Jim Morrison-style psychosexual yells, a flair for David Bowie-like vocal inflections and the nihilistic bark of his punk peers into a disturbing portrait of the singer as a young neurotic." He went on to say, "Behind him, gripping music swells into Doors-style dirges ('Pictures on My Wall'), PiL-like guitar dynamics ('Monkeys'), spookily evocative pop ('Rescue') and Yardbirds-cum-Elevators ravers jacked up in the New Wave manner ('Do It Clean,' 'Crocodiles')". Reviewing the 2003 remastered version for American music magazine Blender's website, reviewer Andrew Harrison also gave the album four out of five stars and said, "[...] the Bunnymen were a pure nihilistic thrill, with Will Sergeant's desperate, mantra-like guitar summoning up a primal night of blinking hallucinations."
Following its release, Crocodiles reached a peak of number 17 on the UK Albums Chart in July 1980. The album has since sold over 100,000 copies and the band was awarded with a gold disc for the album on 5 December 1984 by the British Phonographic Industry. In 1993, the NME listed Crocodiles at number 28 in its list of the 50 greatest albums of the 1980s. In 2006, Uncut magazine also listed the album at number 69 on its list of the 100 greatest debut albums.
1980 UK LP version
1980 US version and 1980 UK cassette version
2003 bonus tracks
- "Do It Clean"[A] – 2:44
- "Read It in Books"[A] (McCulloch, Cope) – 2:31
- "Simple Stuff" – 2:38
- "Villiers Terrace" (early version) – 3:08
- "Pride" (early version) – 2:54
- "Simple Stuff" (early version) – 2:37
- "Crocodiles"[B] (live) – 5:09
- "Zimbo"[B] (live) – 3:36
- "All That Jazz"[B] (live) – 2:53
- "Over the Wall"[B] (live) – 5:28
- Ian McCulloch – vocals, guitar
- Will Sergeant – lead guitar
- Les Pattinson – bass
- Pete de Freitas – drums
- Bill Drummond[C] – producer (original album and Shine So Hard tracks)
- David Balfe[C] – producer (original album), keyboards
- Ian Broudie – producer ("Pride" and "Rescue")
- The Bunnymen – producer ("Simple Stuff")
- Pat Moran – producer (early versions)
- Hugh Jones – producer (Shine So Hard tracks), engineer (original album)
- Andy Zax – reissue producer
- Bill Inglot – reissue producer, remastering
- Rod Houison – engineer ("Pride" and "Rescue")
- Gary Edwards – engineer (early versions)
- Dan Hersch – remastering
- Brian Griffin – cover photography
- Bill Butt – insert photography
- Adams 2002, p. 34
- Crocodiles (CD Booklet). Echo & the Bunnymen. Warner Strategic Marketing. 2003. 2564-61161-2.
- Adams 2002, p. 39
- Bell 2003, pp. 6–7
- Adams 2002, p. 41
- Fricke, David (16 April 1981). "Echo and the Bunnymen: Crocodiles". Rolling Stone. ISSN 0035-791X.
- Reynolds 2006, p. 440
- Reynolds 2006, p. 443
- Adams 2002, pp. 39–40
- Salewicz, Chris (22 November 1980). "Echo & The Bunnymen: Welcome To The Bunnyhouse". NME. ISSN 0028-6362.
- Adams 2002, p. 40
- Bell 2003, p. 7
- MacKenzie Wilson. "The Pictures on My Wall > Review". Allmusic. Retrieved 4 April 2004.
- Roberts, David (ed.) (2006). British Hit Singles & Albums (19th ed.). HIT Entertainment. ISBN 1-904994-10-5.
- "Those Wooden Ideas [CD #2] > Overview". Allmusic. Retrieved 3 June 2008.
- "Kelley Stoltz – Music". Kelley Stoltz. Retrieved 7 April 2008.
- Raggett, Ned. "Crocodiles > Review". Allmusic. Retrieved 5 May 2010.
- Jones, Chris (10 August 2007). "Echo & The Bunnymen Crocodiles Review". BBC. Retrieved 5 May 2010.
- Harrison, Andrew (2004). "Echo & the Bunnymen (various reissues)". Blender. ISSN 1534-0554. Retrieved 5 May 2010.
- Endelman, Michael (5 March 2004). "Crocodiles". Entertainment Weekly (754). Retrieved 5 May 2010.
- Tangari, Joe (2 March 2004). "Echo and the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain / Echo & The Bunnymen". Pitchfork. Retrieved 5 May 2010.
- Christgau, Robert. "Consumer Guide". The Village Voice. Retrieved 21 January 2013.
- Cranna, Ian. "Albums". Smash Hits (24 July – 6 August 1980): 29.
- "Certified Awards Search". British Phonographic Industry. Retrieved 5 May 2010. Note: User needs to enter "echo & the bunnymen" in the "Search" field and then click "Go". The user then needs to click on "More Info >>" next to the entry for Crocodiles.
- "The 50 Greatest Albums of The '80s". NME: 19. 25 September 1993. ISSN 0028-6362.
- "100 Greatest Debut Albums". Uncut. August 2006. ISSN 1368-0722.
- Adams, Chris (2002). Turquoise Days: The Weird World of Echo & the Bunnymen. Soft Skull. ISBN 1-887128-89-1.
- Bell, Max (2003). Crocodiles (CD booklet). Echo & the Bunnymen. Warner Strategic Marketing. 2564-61161-2.
- Reynolds, Simon (2006). Rip It Up and Start Again: Post Punk 1978–1984. Faber and Faber. ISBN 0-571-21570-X.