Crystal Ball (Keane song)
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|Single by Keane|
|from the album Under the Iron Sea|
|B-side||"Maybe I Can Change"
"The Iron Sea: Magic Shop Version"
|Released||21 August 2006|
|Recorded||Heliocentric Studios, Rye, East Sussex
The Magic Shop, New York
|Keane singles chronology|
"Crystal Ball" is a song performed and composed by English rock band Keane, and featured on their second studio album, Under the Iron Sea. The song was released on 21 August 2006 as the third single from the United Kingdom album version (see 2006 in British music). "Crystal Ball" was also released on 18 August 2006 in the Netherlands and peaked at #20 in both the Dutch Singles Chart and the UK Singles Chart.
- 1 Track listings
- 2 Composition and recording
- 3 Information about song's meaning
- 4 Musical structure
- 5 B-sides
- 6 Technical information on songs
- 7 Music video
- 8 Cover art
- 9 Chart performance
- 10 References
- 11 External links
- "Crystal Ball"
- "Maybe I Can Change"
- "The Iron Sea: Magic Shop Version"
UK 7" Vinyl
- "Crystal Ball"
- "Maybe I Can Change"
Composition and recording
"Crystal Ball" was composed by Tim Rice-Oxley in 2006. It was recorded at the Helioscentric Studios, East Sussex and at the Magic Shop, New York. Guitar effects are created by a synthesizer Yamaha CP60M.
Information about song's meaning
|“||Our touring schedule over the last couple of years meant that we were on the road all the time, and were never kinda stopping to really appreciate what was going and just spend time having fun - just the three of us functioning as friends and as people, like you normally do. And I think we all started to recede slightly into this little world where we weren't really communicating or really expressing anything, and we weren't really feeling anything. And it kind of came to a head when we were in America in June last year and I remember sitting on the bus, and I was trying to write a song and I realized that I didn't have anything to say at all, and I didn't have any feelings about anything - good feelings or bad feelings. That was a really scary for me, because I've always had lots to say, and lots of opinions whether right or wrong. We then ended up having a massive row about something a couple of days later and it came out of that that we were all feeling this sense of numbness, this feeling of kinda fading away as people. And I just tried to write about that, and it ended up becoming Crystal Ball. - Tim Rice-Oxley at Keaneshaped||”|
Similarly to other Keane songs such as "Somewhere Only We Know", the song follows a quaver-note driven sound. Several effects, like the aforementioned distortion piano and strings, are added through the song. The fading-in intro is often referred as a continuation to "The Iron Sea", and represented as an immediate returning to surface of the "Iron Sea". Vocals are introduced at 19 seconds and continue until fading on 3:04. The demo version included on the bonus DVD of the album would reprise the intro riff before the finale.
Maybe I Can Change
It was recorded at the Magic Shop Studios in New York. It was first known by a shot on the Under the Iron Sea DVD, as well as in the June issue of the Q Magazine. It is rumoured amongst the band's fanbase that this song may have been composed by Chaplin as a response to Rice-Oxley's "Hamburg Song" and "Broken Toy". As of 8 September 2006 this has not been definitively confirmed by either Chaplin or Rice-Oxley.
The Iron Sea: Magic Shop Version
This version, recorded at The Magic Shop, New York, features drums that were not present in the album version. The recording is also extended and features an immediate intro.
Technical information on songs
|"Crystal Ball"||3:53||124bpm||bb (Si flat minor)||4/4 on 8 beats||Rock|
|"Maybe I Can Change"||3:56||69bpm||C (Do major)||4/4 on 16 beats||Piano rock|
|"The Iron Sea: Magic Shop Version"||4:30||89bpm+||G (Sol major)||4/4 on 8 beats||New Age rock|
||This section's plot summary may be too long or excessively detailed. (August 2008)|
The music video for "Crystal Ball" was released by NME on 4 August 2006 and features the American actor Giovanni Ribisi. The director was Giuseppe Capotondi. It is about an estate agent losing his identity.
A woman is helping her husband (Ribisi) and young son get ready to leave the house. He then gets into his Toyota Camry and drives off with his son.
We next see the man get to his office and warmly interact with a secretary. There are photographs on his desk of him with his family. We then see him showing off a house to a couple, implying that he is a real estate agent, and working in the office.
When the real estate agent returns to his house, he finds a red Ford Taurus parked outside it. His keys don't seem to work so he knocks on the door and rings the bell. His wife partially opens the door and looks at him with surprise when he tries to enter.
A man appears behind the upset woman and the real estate agent speaks to the woman with a look of disbelief on his face. The woman then shuts the door on him. We next see the real estate agent look in the window of the house and smile at his son, but this only frightens the boy. We then see the real estate agent angrily trying to explain the situation to a police officer as the man and his wife talk to another officer. The real estate agent is ushered away and we see him driving away in his car still being tailed by the police.
After making some phone calls and wandering around in frustration, we see the man wake up in his car in the parking lot of his office. When he gets out of the car, he takes a look around him with a look of surprise on his face, perhaps thinking it was all a dream. He walks into the office and waves at his secretary who stands up in surprise. He then finds the man he saw in his house now sitting at his desk. He rushes to keep the man from phoning security and then begins to argue with him angrily. He then stops when he sees that the photographs on his desk now show the other man with his family instead of himself.
When the man is finally thrown out of the building, he sees someone run toward his car in the distance. He runs to the car and jumps on the hood, shouting at the person inside, claiming that the car belongs to him. In the end, the person ignores him and drives the car away, leaving the man standing in the parking lot confused and defeated. The story is intercut with footage of the band playing together in a room.
The video was also recycled for the US release video for the single "Nothing in My Way", albeit with the band footage removed and subtitles added. At around the time of this single release it was announced that Tom Chaplin had gone into rehab for 'drug and alcohol addiction'. It is noticeable that the original video does not feature any close up shots of Chaplin, but several of Tim Rice-Oxley and Richard Hughes, though it is unknown whether this is deliberate.
The cover art designed by Sanna Annukka is also found in the inner pages of the Under the Iron Sea DVD. The CD box is similar to the one containing "Is It Any Wonder?", made out of recycled materials.
||This section may require cleanup to meet Wikipedia's quality standards. (March 2010)|
|Dutch Top 40||8|
|UK Singles Chart||20|
|Euro Top 20||16|
|Top France Airplay 100||16|
|Romanian Single Chart||17|
|UK Official Download Chart||33|
|Irish Singles Chart||41|
|France Singles Chart||60|
|European Single Charts||62|
|Top 100 America||78|
|Venezuela Pop Rock (Record Report)||8|