Theatrical release poster
|Directed by||Vincenzo Natali|
|Music by||Mark Korven|
|Edited by||John Sanders|
|Distributed by||Trimark Pictures|
Cube is a 1997 Canadian science fiction psychological horror film, directed and co-written by Vincenzo Natali. The film was a successful product of the Canadian Film Centre's First Feature Project.
A man named Alderson awakens and finds himself in a cube-shaped room with a hatch in every wall, each of which leads to rooms identical except for their color. He enters an orange room and, without warning, is killed by a trap. In another such room, five people – Quentin, Worth, Holloway, Rennes, and Leaven – meet. None of them knows where they are or how they got there. Quentin informs the others that some rooms contain traps, which he learned by nearly being killed by one. Rennes assumes each trap is triggered by a motion detector and tests each room by throwing one of his boots in first. Leaven notices numbers inscribed in the passageways between rooms. Quentin, a policeman, recognizes Rennes as "the Wren", an escape artist renowned for getting out of jails. After declaring one room trap-free, Rennes enters and is sprayed with acid, killing him. The others realize that there are different kinds of detectors, and Quentin deduces that this trap was triggered by heat.
Quentin believes each person has a reason for being there. He is a police officer, Leaven is a mathematics student, Holloway a physician and conspiracy theorist, and the surly Worth declines to talk about himself. Leaven hypothesizes that any room marked with a prime number is a trap. They find a mentally challenged man named Kazan, whom Holloway insists they bring along. When Quentin nearly dies in a room deemed safe by Leaven's calculations, tensions rise due to personality conflicts and lack of faith in Leaven's system. Quentin provokes Worth into an argument about finding the exit, and Worth accidentally reveals that he has knowledge of the Cube. Worth admits that he designed the Cube's outer shell for a shadowy bureaucracy and guesses that its original purpose has been forgotten; they have been imprisoned within simply to put it to use.
Worth's knowledge of the outer shell's size allows Leaven to determine that each side of the Cube is 26 rooms across and 17,576 rooms total. She guesses that the numbers indicate the Cartesian coordinates of the rooms. The group moves toward the nearest edge as determined by her theory, but each of the rooms near the outer wall are trapped. Rather than backtrack, they travel silently through a room with a sound-activated trap. After Kazan makes a sound and nearly causes Quentin's death, Quentin threatens Kazan. Holloway defends Kazan and gets in a provocative argument with Quentin about his marriage. Quentin slaps her in response, further increasing the group's tension. When Holloway scouts a gap between the Cube and outer shell, she nearly falls due to a violent quake; Quentin initially saves her but then lets her fall to her death. He reports her death to the others as an accident.
Quentin attempts to persuade Leaven to abandon the others with him and makes a sexual advance, both of which she rejects. When Quentin becomes aggressive, Worth intervenes; Quentin beats him savagely and drops him through a floor hatch. Worth laughs hysterically at what he finds — Rennes's corpse. The group is demoralized by the thought of having been wandering in circles. Worth realizes that the rooms move periodically through the Cube, and this is the source of the quaking. Leaven deduces that traps are not tagged by prime numbers, but by powers of prime numbers. Much to Quentin's surprise, Kazan reveals that he is an autistic savant who can quickly do prime factorisations mentally. With Kazan's help, Leaven guides them to a bridge room which will lead them out of the maze in two movements. Worth preemptively ambushes Quentin and leaves him behind, though Worth declines to leave the Cube, as he has lost faith in humanity.
Leaven objects and convinces Worth to join her, but Quentin reappears, kills her, and mortally wounds Worth. As Quentin moves to kill Kazan, Worth expends the last his strength to grab Quentin's leg, pinning him in the passageway as the rooms shift again. Quentin is torn apart, and Worth dies seconds later. Kazan slowly walks into a bright light.
- Maurice Dean Wint as Quentin; a police officer. He is a gruff and aggressive man who takes charge and undertakes most of the dangerous tasks. He is said to be in his 40s.
- Nicole de Boer as Leaven, a young student with mathematical skills. She is said to be in her early 20s.
- Nicky Guadagni as Dr Helen Holloway, a free clinic doctor and a paranoid conspiracy theorist. She is said to be in her early 50s.
- David Hewlett as David Worth, a chronic malcontent and cynic who unwittingly designed the outer shell of the Cube. He is said to be in late 20s to early 30s.
- Andrew Miller as Kazan, an autistic man with the ability to rapidly and accurately perform prime number calculations. He is said to be in his 20s.
- Wayne Robson as Rennes, also known as "the Wren", an escape artist who has gotten out of seven prisons. He is said to be in his early 60s.
- Julian Richings as Alderson, a prisoner and an unknown character. He woke up in another room and never met the rest of the group.
Each character's name is connected with a real-world prison:
|Name||Occupation||Gender||Prison Connection||Played by|
|Kazan||Autistic Savant||Male||Kazan Prison (Russia)||Andrew Miller|
|David Worth||Architect||Male||Leavenworth Prison (U.S.A.)||David Hewlett|
|Quentin||Police officer||Male||San Quentin State Prison (U.S.A.)||Maurice Dean Wint|
|Joan Leaven||Mathematics Student||Female||Leavenworth Prison (U.S.A.)||Nicole de Boer|
|Dr. Helen Holloway||Free Clinic Doctor||Female||Holloway Women's Prison (U.K.)||Nicky Guadagni|
|Rennes||Prison escapist||Male||Centre pénitentiaire de Rennes (France)||Wayne Robson|
|Alderson||Unknown||Male||Alderson Federal Prison Camp (U.S.A.)||Julian Richings|
After writing Cube, Vincenzo Natali developed and filmed a short entitled Elevated. The short was set in an elevator and was intended to give investors an idea of how Cube would hypothetically look and come across. It eventually got the feature financed. Cube was shot on a Toronto soundstage.
The Cube design
The fictional Cube device in the film was conceived by David W. Pravica, a mathematician. It consists of an outer cubical shell (the sarcophagus) and the inner cube. One side of the outer shell is 434 feet long. The inner cube consists of 263 = 17,576 cubical rooms (minus an unknown amount of rooms to allow for movement, as shown in the film), each having a sidelength of 15.5 feet. There is a space of 15.5 feet between the cube and the shell. Each room is labelled with three identification numbers, for example, 517 478 565. These numbers encode the starting coordinates of the room and the x, y, and z coordinates are the sums of the digits of the first, second, and third number respectively. The numbers also determine the movement of the room and the subsequent positions are obtained by cyclically subtracting the digits from one another. The resulting numbers are then successively added to the starting numbers.
Only one cube, measuring 14 by 14 by 14 feet, was actually built, with only one working door that could actually support the weight of the actors. The color of the room was changed by sliding panels. Since this task was a time-consuming procedure, the movie was not shot in sequence; all shots taking place in rooms of a specific colour were shot one at a time. It was intended that there would be six different colours of rooms to match the recurring theme of six throughout the movie; five sets of gel panels plus pure white. However, the budget did not stretch to the sixth gel panel and so there are only five different room colours in the movie. Another partial cube was made for shots requiring the point of view of standing in one room looking into another.
||This section appears to contain unverifiable speculation and unjustified claims. Information must be verifiable and based on reliable published sources. (January 2015)|
The Cube is a large structure in which the main characters are trapped. Basically, they are free to roam it with no restrictions, although it is almost impossible to find an exit. The Cube consists of 17,576 rooms, and, if it taken into the account that at least 50% of the rooms are traps, 8,788 rooms contain traps. The Cube consists of rooms free to enter and stay at, and others contain traps. Trap rooms consists of various traps, such as flamethrowers, liquid nitrogen sprayers or razor wires, designed to kill any person who enters it. All rooms contain numbers which indicate the specific coordinates and location of the room. The Cube is 26 rooms in width, depth and length.
All trap rooms contain sensors and all the traps are activated as soon as a person enters it. While most traps are activated by the sensible floor sensor which will deploy the trap as soon as the floor is touched, several rooms contain heat sensors, which will activate if body heat is detected. One sensor was activated purely by sound, although a loophole allowed the hatch doors to be opened without activating the sensor. Because of the sensors, most traps can be avoided by throwing a boot in the room to inspect it. The trap rooms were placed by a certain pattern, indicated by the room numbers. If one number of the room was a prime power number, the room was trapped. The rooms also occasionally "move", and place themselves on another location to confuse the prisoners inside. One room, however, moves away from the Cube to the Cube's outer shell and acts like a bridge, and this is the only known exit from the Cube.
The Cube's purpose and builder are unknown. The Cube's design appears industrial, and the traps inside The Cube are all machine-made, and it appears that the Cube is entirely automated. Since the film reveals neither the location nor the date of the events, it is unclear whether it is set in the past or the future, and any hints as to the outside world are deliberately avoided.
Cube polarised critics, with many highly positive reviews to negative, earning an overall approval rating of 62% on Rotten Tomatoes based on 37 reviews. Movie critics for Electric Sheep magazine, AMC's Filmcritic.com, and Empire Online gave the film positive reviews, while critics for Nitrate Online and the San Francisco Chronicle panned the film.
Bloody Disgusting gave the movie a positive review, writing, "Shoddy acting and a semi-weak script can't hold this movie back. It's simply too good a premise and too well-directed to let minor hindrances derail its creepy premise."
"Vincenzo Natali's 1997 cult favorite has a Twilight Zone mood that's initially quite chilling — the victims try to come to grips with their bizarre surroundings and the tension mounting among each other." Nick Schager, this reviewer for Slant Magazine, added, "The struggle to discern the cube's purpose increasingly takes on prominence in the frazzled crew's search for answers, but Natali's film is infinitely more competent at creating a clever situation then [i.e., than] positing any sort of semi-logical explanation." Slant mostly panned the film, concluding with the line "like lab rats futilely running on their treadmill, Cube eventually winds up going nowhere fast.[sic]"
The New York Times found a more positive reviewer in critic Anita Gates, who wrote, "Cube, the story in question, proves surprisingly gripping, in the best Twilight Zone tradition. The ensemble cast does an outstanding job on the cinematic equivalent of a bare stage... Everyone has his or her own theory about who is behind this peculiar imprisonment... The weakness in Cube is the dialogue, which sometimes turns remarkably trite... The strength is the film's understated but real tension. Vincenzo Natali, the film's fledgling director and co-writer, has delivered an allegory, too, about futility, about the necessity and certain betrayal of trust, about human beings who do not for a second have the luxury of doing nothing."
- Kornits, Dov (8 May 1999). "eFilmCritic – Director, Vincenzo Natali – Cube". eFilmcritic.com. Retrieved 17 September 2012.
- "Cube (1998) – Box Office Mojo". Box Office Mojo. Retrieved 17 September 2012.
- Gates, Anita (11 September 1998). "Cube (1997) FILM REVIEW; No Maps, Compasses Or Faith". The New York Times.
- "The Canadian Film Centre :: Our Projects". cfccreates.com. Retrieved 17 September 2012.
- Van Fleet, James (3 October 2013). "HALLOWEEN: The Best Twilight Zone Movies - 12: "Five Characters..." / Cube". Horror Films 101. Retrieved 23 May 2014.
Imagine being dropped in an empty room. There's no exit... or if there is, the means of getting out are unknown. Imagine not being sure why you're there. Is there a purpose, or are you just being toyed with? Very quickly you learn about the people stuck with you. Very quickly the room becomes a prison... Five Characters In Search of an Exit has the benefit of brevity, but it also has an engaging episode-long "argument" between the gung-ho Major and the depressed Clown. Cube ... carries the same claustrophobia and mystery, and it amps up the potent allegory even further, becoming a microcosm of human existence. The characters define their identity, bring their talents to the problems at hand, and their environment - like the world - is as inscrutable as it is deadly.
- Eggert, Brian (19 May 2010). "Cube (1998)". Deep Focus Review. Retrieved 23 May 2014.
Vincenzo Natali's Cube extends a scenario seemingly straight from The Twilight Zone for the duration of a full-length feature... filled with sharp ideas and a setup worthy of Franz Kafka..."
- Blake, Marc; Bailey, Sara (2013). Writing the Horror Movie. London ; New York: Bloomsbury. p. 137.
Cube (1997) was reportedly influenced by a Twilight Zone episode, Five Characters in Search of an Exit, written by its creator Rod Serling.
- "CBC.ca". CBC.ca. 2005-11-15. Archived from the original on 2006-02-11. Retrieved 2011-02-21.
- Polster, Burkard; Ross, Marty (2012). "6 Escape from the Cube". Math Goes to the Movies. Baltimore: The Johns Hopkins University Press. pp. 85–96. ISBN 978-1-4214-0484-4.
- "Sfgate.com". Sfgate.com. 1998-11-20. Retrieved 2011-02-21.
- Emmer, Michele; Manaresi, Mirella (2003). Mathematics, Art, Technology, and Cinema. Berlin, Heidelberg: Springer-Verlag. pp. 172–180. ISBN 3-540-00601-X.
- Cube Electric Sheep Magazine
- Cube Filmcritic.com
- Cube Empire Online
- Cube Nitrate Online
- 'Cube's Cogs Stuck In Its Pure Visuals San Francisco Chronicle
- Cube Bloody Disgusting
- Schager, Nick (12 April 2003). "Cube". Slant Magazine. Retrieved 23 May 2014.
- Gates, Anita (11 September 1998). "Cube (1997) FILM REVIEW; No Maps, Compasses Or Faith". The New York Times. Retrieved 23 May 2014.
- Clute, John; Nicholls, Peter (2013). "Natali, Vincenzo". The Encyclopedia of Science Fiction. New York: St Martin's Griffin.
- "Cube 2: Hypercube". The New York Times.
- "Cube Zero". The New York Times.
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