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Cubic zirconia (CZ) is the cubic crystalline form of zirconium dioxide (ZrO2). The synthesized material is hard, optically flawless and usually colorless, but may be made in a variety of different colors. It should not be confused with zircon, which is a zirconium silicate (ZrSiO4). It is sometimes erroneously called "cubic zirconium".
Because of its low cost, durability, and close visual likeness to diamond, synthetic cubic zirconia has remained the most gemologically and economically important competitor for diamonds since commercial production began in 1976. Its main competitor as a synthetic gemstone is the more recently cultivated material, synthetic moissanite.
Cubic zirconia is crystallographically isometric, an important attribute of a would-be diamond simulant. During synthesis zirconium oxide would naturally form monoclinic crystals, its stable form under normal atmospheric conditions. A stabilizer is required for cubic crystals to form, and remain stable at ordinary temperatures; this may be typically either yttrium or calcium oxide, the amount of stabilizer used depending on the many recipes of individual manufacturers. Therefore the physical and optical properties of synthesized CZ vary, all values being ranges.
It is a dense substance, with a specific gravity between 5.6 and 6.0 — at least 1.6 times that of diamond. Cubic zirconia is relatively hard, 8–8.5 on the Mohs scale— slightly harder than most semi-precious natural gems. Its refractive index is high at 2.15–2.18 (compared to 2.42 for diamonds) and its luster is adamantine. Its dispersion is very high at 0.058–0.066, exceeding that of diamond (0.044). Cubic zirconia has no cleavage and exhibits a conchoidal fracture. Because of its high hardness, it is generally considered brittle.
Under shortwave UV cubic zirconia typically fluoresces a yellow, greenish yellow or "beige". Under longwave UV the effect is greatly diminished, with a whitish glow sometimes being seen. Colored stones may show a strong, complex rare earth absorption spectrum.
The high melting point of zirconia (2750 °C or 4976 °F) hinders controlled growth of single crystals. However, stabilization of cubic zirconium oxide had been realized early on, with the synthetic product stabilized zirconia introduced in 1929. Although cubic, it was in the form of a polycrystalline ceramic: it was used as a refractory material, highly resistant to chemical and thermal attack (up to 2540 °C or 4604 °F).
In 1937, German mineralogists M. V. Stackelberg and K. Chudoba discovered naturally occurring cubic zirconia in the form of microscopic grains included in metamict zircon. This was thought to be a byproduct of the metamictization process, but the two scientists did not think the mineral important enough to give it a formal name. The discovery was confirmed through X-ray diffraction, proving the existence of a natural counterpart to the synthetic product.
As with the majority of grown diamond substitutes, the idea of producing single-crystal cubic zirconia arose in the minds of scientists seeking a new and versatile material for use in lasers and other optical applications. Its production eventually exceeded that of earlier synthetics, such as synthetic strontium titanate, synthetic rutile, YAG (yttrium aluminium garnet) and GGG (gadolinium gallium garnet).
Some of the earliest research into controlled single-crystal growth of cubic zirconia occurred in 1960s France, much work being done by Y. Roulin and R. Collongues. This technique involved molten zirconia being contained within a thin shell of still-solid zirconia, with crystal growth from the melt: The process was named cold crucible, an allusion to the system of water cooling used. Though promising, these attempts yielded only small crystals.
Later, Soviet scientists under V. V. Osiko at the Lebedev Physical Institute in Moscow perfected the technique, which was then named skull crucible (an allusion either to the shape of the water-cooled container or to the form of crystals sometimes grown). They named the jewel Fianit after the institute's name FIAN (Physical Institute of the Academy of Science), but the name was not used outside of the USSR. Their breakthrough was published in 1973, and commercial production began in 1976. In 1977 cubic zirconia begun to be mass-produced in the jewelry marketplace. By 1980 annual global production had reached 50 million carats (10 tonnes).
Because the natural form of cubic zirconia is so rare, all cubic zirconia used in jewelry has been synthesized, or created by humans.
The Soviet-perfected skull crucible is still used today, with little variation. Water-filled copper pipes provide a cup-shaped scaffold in which the zirconia feed powder is packed, the entire apparatus being wrapped with radio frequency induction coils running perpendicular to the copper pipes. A stabilizer, typically calcium oxide, is mixed with the feed powder.
The RF induction coils function in a manner similar to the primary winding in a transformer. The zirconia acts as the "secondary winding" of a transformer which in effect is "shorted" out and thus gets hot. This heating method requires the introduction of small pieces of zirconium metal. The metal is placed near the outside of the charge and is melted by the RF coils and heats the surrounding zirconia powder from the outside inwards. The cooling water-filled pipes embracing the outer surface maintain a thin "skin" (1–2 mm) of unmelted feed, creating a self-contained apparatus. After several hours the temperature is reduced in a controlled and gradual manner, resulting in the formation of flawless columnar crystals that are typically about 5 cm long by 2.5 cm wide, although they may be grown much larger. Prolonged annealing at 1400 °C is then carried out to remove any strain. The annealed crystals are then cut into gemstones.
The addition of certain metal oxide dopants into the feed powder results in a variety of colors. For example:
In recent years manufacturers have sought ways of distinguishing their product by supposedly "improving" cubic zirconia. Coating finished CZs in a film of diamond-like carbon (DLC) is one such innovation, a process using chemical vapor deposition. The resulting material is purportedly harder, more lustrous and more like diamond overall. The coating is thought to quench the excess fire of CZ, while improving its refractive index, thus making it appear more like diamond. Additionally, because of the high percentage of diamond bonds in the amorphous diamond coating, the finished simulant will show a positive diamond signature in Raman spectra.
Another technique first applied to quartz and topaz has also been adapted to cubic zirconia: vacuum-sputtering an extremely thin layer of metal oxide (typically gold) onto the finished stones creates an iridescent effect. This material is marketed as "mystic" by many dealers. Unlike DLC, the effect is not permanent, as abrasion easily removes the oxide layer.
Cubic zirconia versus diamond
There are a few key features of cubic zirconia which distinguish it from diamond:
- Hardness: cubic zirconia has a rating of approximately 8 on Mohs hardness scale vs. a rating of 10 for diamond.
- Specific gravity: the density of cubic zirconia is about 1.7 times that of diamond.
- Refractive index: cubic zirconia has a refractive index of 2.15–2.18, compared to a diamond's 2.42.
- Dispersion is very high at 0.058–0.066, exceeding a diamond's 0.044.
- Cut: cubic zirconia gemstones may be cut differently from diamonds. The facet edges can be rounded or "smooth".
- Color: only the rarest of diamonds are truly colorless, most having a tinge of yellow or brown to some extent. By comparison, a cubic zirconia is often entirely colorless: equivalent to a perfect "D" on diamond's color grading scale. However, some sellers offer near colorless or yellow cubic zirconia, along with other colors, such as pink, green, etc.
- Thermal conductivity: cubic zirconia is a thermal insulator while diamond is one of the most efficient thermal conductors, with the thermal conductivity exceeding that of most metals. This allows diamond to be distinguished from cubic zirconia with the right instruments.
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