Cultural depictions of Edward II of England

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Fictional portrait of King Edward II of England. The scene on the lower part shows the king being murdered. Ca. 1700 AD

Edward II of England has been portrayed in popular culture a number of times.

Theatre and music[edit]

  • The most famous fictional account of Edward II's reign is Christopher Marlowe's play Edward II (c. 1592). It depicts Edward's reign as a single narrative and does not include Bannockburn. It makes reference to Gaveston. In recent years, several acclaimed productions have been staged in the United Kingdom, although the play is seldom performed in the United States outside of large cities and university towns.

Literature[edit]

  • John Crowley's first novel, The Deep (1975), features (in part) a fantasy version of the story of Edward II and his Wars as seen by a strangely sexless visitor from outside the world.
  • Medieval mystery novelist P. C. Doherty has set a number of his books against the backdrop of Edward II's reign.
  • Part of the plot of Ken Follett's novel World Without End (2007) revolves around a secret letter that proved Edward II had survived and escaped imprisonment, which letter was potentially embarrassing to both Isabella and Edward III.
  • British novelist Robert Goddard's novel Name to a Face (2007) discusses the theories and circumstances of Edward II's survival. Within a fictionalized setting, it is speculated that an older Edward II may be the identity of a semi-legendary medieval figure known as the Grey Man of Ennor, who traveled England mysteriously curing sufferers of the Black Death in the mid-14th century.
  • Chris Hunt's novel, Gaveston (1992), published by the Gay Men's Press, is based on Edward's life, in particular his relationship with Piers Gaveston, as well as Edward's subsequent relationships.
  • Medieval mystery novelist Michael Jecks has set a number of his books against the backdrop of Edward II's reign.

Film and television[edit]

Onscreen, Edward has been portrayed by:

Radio[edit]