Cultural depictions of elephants
Elephants have been the subject of various cultural depictions in mythology, symbolism and popular culture. They are both revered in religion and respected for their prowess in war. They also have negative connotations such as being a symbol for an unnecessary burden. Ever since the stone age, when elephants were represented by ancient petroglyphs and cave art, they have been depicted in various forms of art, including pictures, sculptures, music, film, and even architecture.
- 1 Religion, mythology and philosophy
- 2 In Art
- 3 Politics and secular society
- 4 Popular culture
- 5 Architecture
- 6 Gallery
- 7 See also
- 8 Notes
- 9 References
- 10 Further reading
- 11 External links
Religion, mythology and philosophy
The Asian elephant appears in various religious traditions and mythologies. They are treated positively and are sometimes revered as deities, often symbolising strength and wisdom. Similarly, the African elephant is seen as the wise chief who impartially settles disputes among the forest creatures in African fables, and the Ashanti tradition holds that they are human chiefs from the past.
The earth is supported and guarded by mythical World Elephants at the compass points of the cardinal directions, according to the Hindu cosmology of ancient India. The classical Sanskrit literature also attributes earthquakes to the shaking of their bodies when they tire. Wisdom is represented by the elephant in the form of the deity Ganesh, one of the most popular gods in the Hindu religion's pantheon. Sometimes known as Ganesha, this deity is very distinctive in having a human form with the head of an elephant. This was put on after the human head was either was cut off or burned, depending on the version of the story from various Hindu sources. Lord Ganesha's birthday (rebirth) is celebrated as the Hindu festival known as Ganesha Chaturthi. In Japanese Buddhism, their adaptation of Ganesha is known as Kangiten ("Deva of Bliss"), often represented as an elephant-headed male and female pair shown in a standing embrace to represent unity of opposites.
In Hindu iconography, many devas are associated with a mount or vehicle known as a vāhana. In addition to providing a means of transport, they symbolically represent a divine attribute. The elephant vāhana represents wisdom, divine knowledge and royal power; it is associated with Lakshmi, Brihaspati, Shachi and Indra. Indra was said to ride on a flying white elephant named Airavata, who was made the King of all elephants by Lord Indra. A white elephant is rare and given special significance. It is often considered sacred and symbolises royalty in Thailand and Burma, where it is also considered a symbol of good luck. In Buddhist iconography, the elephant is associated with Queen Māyā of Sakya, the mother of Gautama Buddha. She had a vivid dream foretelling her pregnancy in which a white elephant featured prominently. To the royal sages, the white elephant signifies royal majesty and authority; they interpreted the dream as meaning that her child was destined for greatness as a universal monarch or a buddha.
Elephants remain an integral part of religion in South Asia and some are even featured in various religious practices. Temple elephants are specially trained captive elephants that are lavishly caparisoned and used in various temple activities. Among the most famous of the temple elephants is Guruvayur Keshavan of Kerala, India. They are also used in festivals in Sri Lanka such as the Esala Perahera.
In the version of the Chinese zodiac used in Northern Thailand, the last year in the 12-year cycle – called "Year of the Pig" in China – is known instead as "Year of the Elephant", reflecting the importance of elephants in Thai culture.
In Islamic tradition, the year 570 is when the Prophet Muhammad was born and is known as the Year of the Elephant. In that year, Abraha, ruler of Yemen tried to conquer Mecca and demolish the Kaaba, reportedly in retaliation for the previous Meccan defilement of a cathedral Abraha had constructed in Sana'a. However, his plan was foiled when his white elephant named Mahmud refused to cross the boundary of Mecca. The elephant, who led Abraha's forty thousand men, could not be persuaded with reason or even with violence, which was regarded as a crucial omen by Abraha's soldiers. This is generally related in the five verses of the chapter titled 'The Elephant'[b] in the Quran.
In the Judeo-Christian tradition, medieval artists depicted the mutual killing of both Eleazar the Maccabee and a war elephant carrying an important Seleucid general as described in the apocryphal book of 1 Maccabees. The early illustrators knew little of the elephant and their portrayals are highly inaccurate.
The unfamiliarity with the exotic beast has also made elephants a subject of widely different interpretations thus giving rise to mythological creatures. The story of the blind men and an elephant was written to show how reality may be viewed from differing perspectives. The source of this parable is unknown, but it appears to have originated in India. It has been attributed to Buddhists, Hindus, Jainists, and Sufis, and was also used by Discordians. The scattered skulls of prehistoric pygmy elephants on the islands of Crete and Sicily may have formed the basis of belief in existence of cyclopes,[c] the one-eyed giants featured in Homer's Odyssey (c. 800~600 BC). As early as the 1370s, scholars had noted that the skulls feature a large nasal cavity at the front that could be mistaken for a singular eye socket; and the skulls, twice the size of a human's, looked as if they could belong to giant humanoids. It is also suggested that the Behemoth described in the Book of Job may be the elephant due to its grazing habits and preference to rivers.
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Prehistoric North Africans depicted the elephant in Paleolithic age rock art. For example, the Libyan Tadrart Acacus, a UNESCO World Heritage site, features a rock carving of an elephant from the last phase of the Pleistocene epoch (12,000–8000 BC) rendered with remarkable realism. There are many other prehistoric examples, including Neolithic rock art of south Oran (Algeria), and a white elephant rock painting in 'Phillip's Cave' by the San in the Erongo region of Namibia. From the Bovidian[d] period (3550–3070 BCE), elephant images by the San bushmen in the South African Cederberg Wilderness Area suggest to researchers that they had "a symbolic association with elephants" and "had a deep understanding of the communication, behaviour and social structure of elephant family units" and "possibly developed a symbiotic relationship with elephants that goes back thousands of years."
Elephants are often featured in modern artistic works, including those by artists such as Norman Rockwell, Andy Warhol and Banksy. The stork-legged elephant, found in many of Salvador Dalí's works,[e] is one of the surrealist's best known Icons, and adorn the walls of the Dalí Museum in Spain.
Politics and secular society
The elephant is also depicted by various political groups and in secular society.
Asian cultures admire the high intelligence and good memory of Asian elephants. As such, they symbolise wisdom and royal power. They are used as a representative of various political parties such as United National Party of Sri Lanka and Bahujan Samaj Party of India. The Elephants of Kerala are an integral part of the daily life in Kerala, South India. These Indian elephants are loved, revered, groomed and given a prestigious place in the state's culture. There they are often referred to as the 'sons of the sahya.' The elephant is the state animal of Kerala and is featured on the emblem of the Government of Kerala. The elephant is also on the flag of the Kingdom of Laos with three elephants visible, supporting an umbrella (another symbol of royal power) until it became a republic in 1975. Other Southeast Asian realms have also displayed one or more white elephants.
The elephant can also be found in games. In shatranj, the Medieval game from which Chess developed, the piece corresponding to the modern bishop was known as Pil or Alfil ("Elephant"; from Persian and Arabic,[f] respectively). In the Indian chaturanga game the piece is also called "Elephant" (Gaja). The same is true in Chinese chess[g] which has an elephant piece ("Xiàng", 象); the elephant serves as a defensive piece, being the only one that may not cross the river dividing the game board. In the Japanese shogi version, the piece was known as the "Drunken Elephant"; however, it was dropped by order of the Emperor Go-Nara and no longer appears in the version played in contemporary Japan. Even with modern Chess, the word for the bishop is still Alfil in Spanish, Alfiere in Italian, Feel in Persian, and "Elephant" (Слон) in Russian. All of these games originally simulated a kind of battlefield, thus this piece represented a war elephant. In the present-day canonical Staunton chess set, the piece's deep groove, which originally represented the elephant's tusks, is now regarded as representing a bishop's (or abbot's) mitre.
The elephant also lends its name to some landmarks in Asia. Elephanta Island (also called "Gharapuri Island") in Mumbai Harbour was given this name by 17th century Portuguese explorers who saw a monolithic basalt sculpture of an elephant near the entrance to what became known as the Elephanta Caves. The Portuguese attempted to take it home with them but ended up dropping it into the sea because their chains were not strong enough. Later, the British moved this elephant to the Victoria and Albert Museum (now Dr. Bhau Daji Lad Museum) in Mumbai.
Aside from being a curiosity for Europeans, the elephant also became a symbol of military might from the experience of fighting foreign powers that fielded war elephants throughout history. After Alexander the Great's victory over King Porus of India, the captured war elephants became a symbol of imperial power, being used as an emblem of the Seleucid Diadoch empire. Later, when Napoleon Bonaparte wanted a monument to his own imperial power, he decreed that a colossal bronze elephant fountain be cast from guns captured at his victorious Battle of Friedland, for the site where the Bastille once stood.
The Order of the Elephant (Danish: Elefantordenen) is the highest order of Denmark. This very select religious organization was founded by King Christian I in 1478, using the elephant as a symbol of docility, sobriety and piety; instituted in its current form in 1693 by King Christian V.
The killing and eating of the elephants Castor and Pollux from the Botanical gardens during the 1870 Siege of Paris received considerable attention at the time. This became emblematic of the hardships and degradation caused by siege and war, especially since the two elephants were previously very popular with the Parisian public. The city of Catania, Sicily has an immemorial connection with the elephant. The local sorcerer Heliodorus, was credited with either riding a magic elephant or transforming himself into this animal. Under Medieval Arab rule Catania was known as Medinat-Al-Fil or Balad-Al-Fil (City/State of the Elephant). The symbol of the city is the Fontana dell'Elefante (Fountain of the Elephant) assembled in its present form in 1736 by Giovanni Battista Vaccarini.
In Central London, England, an area known as the "Elephant and Castle" (or "The Elephant") is a major road intersection and a station of the London Underground. The "Castle" in the location's name likely refers to a Howdah. The heraldic elephant and castle has also been associated with the city of Coventry, England since Medieval times where it denotes religious symbolism.[h] More recently in Britain, Welephant, a red elephant cartoon character with a fireman's helmet, was originally used as a mascot by fire brigades in the United Kingdom to promote fire safety for children and has become the mascot for the Children's Burn Trust.
The elephant as the symbol for the Republican Party of the United States originated in an 1874 political cartoon of an Asian elephant by Thomas Nast in Harper's Weekly. This cartoon, titled "Third Term Panic", is a parody of Aesop's fable,[i] "The Ass in the Lion's Skin". It depicts an elephant (labelled The Republican Vote) running toward a chasm of chaos; frightening a jackass[j] in a lion's skin (labelled Caesarism) which scatters animals representing various interests. Although Nast used the elephant seven more times to represent the "Republican Vote", he did not use it to represent the Republican Party until March 1884 in "The Sacred Elephant".
Many African cultures revere the African Elephant as a symbol of strength and power. It is also praised for its size, longevity, stamina, mental faculties, cooperative spirit, and loyalty. South Africa, uses elephant tusks in their coat of arms to represent wisdom, strength, moderation and eternity. The elephant is symbolically important to the nation of Ivory Coast (Côte d'Ivoire); the Coat of arms of Ivory Coast features an elephant head escutcheon as its focal point.
The phrase "Elephants never forget" refers to the belief that elephants have excellent memories. The variation "Women and elephants never forget an injury" originates from the 1904 book Reginald on Besetting Sins by British writer Hector Hugh Munro, better known as Saki.
This adage seems to have a basis in fact, as reported in Scientific American:
"Seeing the Elephant" is a 19th-century Americanism denoting a world-weary experience; often used by soldiers, pioneers and adventurers to qualify new and exciting adventures such as the Civil War, the Oregon Trail and the California Gold Rush. A "white elephant" has become a term referring to an expensive burden, particularly when much has been invested with false expectations. The term 'white elephant sale' was sometimes used in Australia as a synonym for jumble sale. In the U.S., a White elephant gift exchange is a popular winter holiday party activity. The idiom Elephant in the room tells of an obvious truth that no one wants to discuss, alluding to the animal's size compared to a small space. "Seeing pink elephants" refers to a drunken hallucination and is the basis for the Pink Elephants on Parade sequence in the 1941 Disney animated feature, Dumbo. "Jumbo" has entered the English language as a synonym for "large".[k] Jumbo originally was the name of a huge elephant acquired by circus showman P. T. Barnum from the London Zoo in 1882. The name itself may have come from a West African[l] native word for "elephant".
The elephant is viewed in both positive and negative lights in similar fashion as humans in various forms of literature. In fact, Pliny the Elder praised the beast in his Naturalis Historia as one that is closest to a human in sensibilities. The elephant's different connotations clash in Ivo Andrić's novella The Vizier's Elephant. Here the citizens of Travnik despise the young elephant who symbolises the cruelty of the unseen Vizier. However, the elephant itself is young and innocent despite unknowingly causing havoc due to youthful play. In the Tarzan novels of Edgar Rice Burroughs, Tantor is the generic term for "elephant" in the fictional simian Mangani language, but is associated with a particular elephant who eventually becomes Tarzan's faithful companion. Other elephant characters that are shown in a positive light include Jean de Brunhoff's Babar and Dr. Seuss' Horton. Jules Verne featured a steam-powered mechanical elephant in his 1880 novel The Steam House. In addition, the animal is depicted in its military use through the oliphaunts of J. R. R. Tolkien's The Lord of the Rings trilogy and the alien invaders of Larry Niven and Jerry Pournelle's 1985 science fiction novel, Footfall.
Notable short stories featuring elephants include Rudyard Kipling's "Toomai of the Elephants" and "The Elephant's Child"; as well as Mark Twain's "The Stolen White Elephant". George Orwell wrote an allegorical essay, "Shooting an Elephant"; and in "Hills Like White Elephants", Ernest Hemingway used the allegorical white elephant, alluding to a pregnancy as an unwanted gift.
The animal is also seen in historical novels. The Elephant's Journey (Portuguese: A Viagem do Elefante, 2008) is a novel by Nobel laureate José Saramago. This is a fictional account based on an historical 16th century journey from Lisbon to Vienna by an elephant named Solomon. An Elephant for Aristotle is a 1958 historical novel by L. Sprague de Camp. It concerns the adventures of a Thessalian cavalry commander who has been tasked by Alexander the Great to bring an elephant captured from King Porus of India, to Athens as a present for Alexander's old tutor, Aristotle.
Elephants can also represent the hugeness and wildness of the imagination, as in Ursula Dubosarsky's 2012 children's book, Too Many Elephants in This House, which also plays with the notion of the elephant in the room. An imaginary elephant can (perhaps) become real, as with the elusive Heffalump. Although never specified as an elephant in A. A. Milne's Winnie the Pooh stories, a heffalump physically resembles an elephant; and E. H. Shepard's illustration shows an Indian elephant. "Heffalump" has since been defined as "a child's term for an elephant."
The Elephant is used as a mascot or logo for various sports groups.
Circus showman P. T. Barnum donated the stuffed hide of Jumbo the elephant to Tufts University's in 1885, where Jumbo soon became the mascot for their sports teams. However, all that remains of Jumbo are some ashes stored in a peanut butter jar and a piece of his tail following a fire in 1975. "Jumbo's spirit lives on" in the peanut butter jar which is ceremoniously passed on to successive Athletic Directors.
The mascot for the Oakland Athletics (A's) baseball team is based on the figurative white elephant. The story of picking the mascot began when New York Giants' manager John McGraw told reporters that Philadelphia manufacturer Benjamin Shibe, who owned the controlling interest in the new team, had a "white elephant on his hands"; manager Connie Mack defiantly adopted the white elephant as the team mascot.[m] The A's are sometimes, but infrequently, referred to as the 'Elephants' or 'White Elephants'. Their mascot is nicknamed Stomper.
University of Alabama's Crimson Tide mascot has been an elephant since 1930 after a sportswriter wrote of a fan yelling "Hold your horses, the elephants are coming!" as the football team rumbled onto the field. Their elephant-costumed "Big Al" officially debuted at the 1979 Sugar Bowl.
The elephant is also represented in music such as Henry Mancini's hit song Baby Elephant Walk, which has been described as "musical shorthand for kookiness of any stripe". The American band the White Stripes' fourth album was entitled Elephant in honour of the animal's brute strength and closeness to its relatives. The hit single "Elephant" by British recording artist Alexandra Burke is based on the expression "elephant in the room". "Nellie the Elephant" is a children's song first released in 1956 and since covered by many artists including the punk-rock band Toy Dolls; the song also inspired a UK cartoon TV series of the same name featuring Scottish singer Lulu voicing Nelly.
Film and television
The elephant is also featured in film and on television. Thailand has produced various movies about the animal, from the 1940 historical drama film King of the White Elephant to the 2005 martial-arts action film, Tom-Yum-Goong.[n] In the West, the elephant was popularised by Dumbo, the elephant who learns to fly in the 1941 Disney animated feature of the same name. Kipling's "Toomai of the Elephants" was adapted as the 1937 British adventure film Elephant Boy. In popular modern films, Tai the elephant-actress has portrayed Bo Tat in Operation Dumbo Drop (1995), Vera in Larger than Life (1996) and Rosie in Water for Elephants (2011). On television, Britt Allcroft adapted "Mumfie" the elephant from Katherine Tozer's series of children's books,[o] originally in a '70s televised puppet show and then in the '90s animated Magic Adventures of Mumfie series.
In the 18th-century, French architect Charles Ribart planned to build a three-level elephant building at the Paris site where the Arc de Triomphe was eventually built. Nothing became of this, but in the early 19th-century, Napoleon conceived of an even larger elephant structure, the Elephant of the Bastille. Although the ambitious project was never completed with its intended bronze elephant, a full-sized plaster and wood-frame model stood in its place. After Napoleon's defeat, this structure eventually became a neglected eyesore, and a setting in Victor Hugo's 1862 novel, Les Misérables.
Three multi-story elephant shaped buildings were built in America by James V. Lafferty in the 1880s. The largest, seven-story, thirty-one room Elephantine Colossus served as a hotel, concert hall, and attraction on Coney Island before it burned down in 1896. The six-story Lucy the Elephant is the only remaining of the three, and survives as a tourist attraction near Atlantic City. These giant elephant structures, however, are dwarfed by the 32-story Bangkok Elephant Tower in Thailand. This iconic elephant-inspired building reflects the influence of the elephant in Thai culture.
- Ganesha Getting Ready to Throw His Lotus : "In the Mudgalapurāṇa (VII, 70), in order to kill the demon of egotism (Mamāsura) who had attacked him, Gaṇeśa Vighnarāja throws his lotus at him. Unable to bear the fragrance of the divine flower, the demon surrenders to Gaṇeśa."
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