Cultural depictions of spiders
- Giant spider redirects here.
Throughout history, there have been many cultural depictions of spiders in popular culture, mythology and in symbolism. From Greek mythology to African folklore, the spider has been used in human culture to represent many varied things, and endures into the present day with characters such as Shelob from The Lord of the Rings and Spider-Man from the eponymous comic series. The spider has symbolized patience and persistence due to its hunting technique of setting webs and waiting for its prey to become ensnared. It is also a symbol of mischief and malice for its poisonous venom and the slow death it causes, which is often seen as a curse. In addition, the spider has inspired creations from an ancient geoglyph to a modern steam-punk spectacle.
Although not all spiders spin webs to hunt prey, numerous cultures attribute this ability with the origin of spinning, textile weaving, basketry, knotwork and net making. Web-spinning has also associated the spider with creation myths because they seemingly can secrete their own artistic worlds. Spiders have been the focus of fears, stories and mythologies of various cultures for centuries. Philosophers often use the spider's web as a metaphor or analogy; and today, terms such as the Internet or World Wide Web evoke the inter-connectivity of a spider web.
In folklore and mythology
In Ancient Egypt, the spider was associated with the goddess Neith in her aspect as spinner and weaver of destiny, this link continuing later through the Babylonian Ishtar and the Greek Athena, who was later equated as the Roman goddess Minerva.
The most notable ancient legend that explains the origin of the spider comes from the Greek story of the weaving competition between Athena the goddess, and the sometimes princess Arachne. This story may have originated in Lydian mythology; but the myth, briefly mentioned by Virgil in 29 BC, is known from the later Greek mythos after Ovid wrote the poem Metamorphoses between the years AD 2 and 8. The Greek Arachne (αράχνη) means "spider", and is the origin of Arachnida, the spiders' Class in taxonomy.
This myth tells of Arachne, the daughter of a famous Tyrian purple dyer in Hypaipa of Lydia. Due to her father's skill with cloth dyeing, Arachne was adept in the art of weaving. Eventually, she began to consider herself to be a greater weaver than the goddess Athena herself, and challenged the goddess to a weaving contest to prove her superior skill. Athena wove the scene of her victory over Poseidon that had earned her the patronage of Athens, while Arachne wove a tapestry featuring 21 episodes of infidelity amongst the Gods of Olympus, which angered Athena. The goddess conceded that Arachne's weaving was flawless, but she was infuriated by the mortal's pride. In a final moment of anger, Athena destroyed Arachne's tapestry and loom with her shuttle and cursed Arachne to live with extreme guilt. Out of sadness, Arachne soon hanged herself. Taking pity on her, Athena brought her back to life as a spider using the poison aconite, and made sure that the spider forever after retained Arachne's weaving abilities.
The scholar Robert Graves proposed Ovid's tale may have its roots in the commercial rivalry between the Athenian citizenry of Greece and that of Miletus on the isle of Crete in Asia Minor, which flourished around 2000 BC. In Miletus, the spider may have been an important figure; seals with spider emblems have been recovered there.
In African mythology, the spider is personified as a creation deity Anansi, and as a trickster character in African traditional folklore. There are many variations of the name including Kwaku Ananse in West Africa and anglicized as Aunt Nancy (or Sister Nancy) in the West Indies and some other parts of the Americas. Anansi toree are "spider tales"; stories that have been brought over from Africa and told to children of Maroon people. These tales are allegorical stories that teach a moral lesson.
North American cultures have traditionally depicted spiders. The Native American Lakota people's oral tradition also includes a spider-trickster figure, which is known by several names. As chronicled in the legend of The "Wasna" (Pemmican) Man and the Unktomi (Spider), a man encounters a hungry spider family, and the hero Stone Boy is tricked out of his fancy clothes by Unktomi, a trickster spider figure. The spider is also present as the deity Iktomi, which is occasionally depicted in this form. In Native American mythology, the spider is also seen in the legend about the birth of the constellation Ursa Major. The constellation was seen as seven men transformed into stars and climbing to paradise by unrolling a spider's web. The Navajo have the creation myth of Spider Grandmother. In this story, Spider Grandmother created all things through the shimmering threads that came out of her belly.
The South American Moche people of ancient Peru worshiped nature; they placed emphasis on animals and often depicted spiders in their art. The people of the Nazca culture created expansive geoglyphs, including a large depiction of a spider on the Nazca plain in southern Peru. The purpose or meaning of the so-called "Nazca lines" is still uncertain.
Spiders are depicted in Indigenous Australian art, in rock and bark paintings, and for clan totems. Spiders in their webs are associated with a sacred rock in central Arnhem Land on the Burnungku clan estate of the Rembarrnga/Kyne people. Their totem design is connected with a major regional ceremony, providing a connection with neighboring clans also having spider totems in their rituals. Nareau, the Lord Spider, created the universe, according to the traditional Cosmology of Oceania's Kiribati islanders of the Tungaru archipelago (Gilbert Islands). In the Philippines, there is a Visayan folk tale version of The Spider and the Fly which explains why the spider hates the fly.
The Tsuchigumo (translated as "Earth spiders") of Japan, were both a mythical ethnic group said to live in caverns beneath the mountains in the Japanese Alps until at least the Asuka period, and a mythical, supernatural creature faced by the character Minamoto no Raiko. Although the term Tsuchigumo was also loosely used for bandits and thieves, depending on the version of the story, the Tsuchigumo in the Minamoto no Raiko legend was able to take the visage of either a boy or a woman. In one version, while on a search for a giant mythical giant skull, Minamoto is lured to a house and placed in an illusion created by a Tsuchigumo in the guise of a young boy. However, after suspecting foul play, Minamoto breaks this illusion by striking out at him with his sword. Minamoto then discovers himself as actually being covered in a spider's web, and after tracking him down, learns that the boy is in reality, a giant spider Tsuchigumo.
Additional mythological figures in Japan include the seductive Jorōgumo ("whore spider" or "prostitute spider") which is portrayed as being able to transform into a seductive woman. In some instances, the Jorōgumo attempts to seduce and perhaps marry passing samurai. In other instances she is venerated as a goddess dwelling in the Jōren Falls who saves people from drowning. Her name also refers to a golden orb-spider species Nephila clavata (Jorō-gumo, or Jorō spider).
An Islamic oral tradition holds that during the Hijra, the journey from Mecca to Medina, the Prophet Muhammad and his companion Abu Bakr were being pursued by Quraysh soldiers, and they decided to take refuge in the Cave of Thawr. The tale goes on to say that Allah commanded a spider to weave a web across the opening of the cave. After seeing the spider's web, the Quraysh pass the cave by, since the Prophet's entry to the cave would have broken the web. Since then, it has been held in many Muslim traditions that a spider is, if not holy, then it is at least to be respected. A similar story occurs in the Jewish tradition, where it is David who is being chased by King Saul. David hides in a cave, and Saul and his men do not bother to search the cave because while David was hiding inside, a spider had spun a web over the mouth of the cave.
The 10th Century Saint Conrad of Constance is sometimes represented as a bishop holding a chalice with a spider in it or over it. According to this story, while he was celebrating Mass, a spider fell into the chalice. Spiders were believed at that time to be deadly poisonous. As a token of faith Conrad nevertheless drank the wine with the spider in it.
For King Robert the Bruce of Scotland, the spider is depicted as an inspirational symbol, according to a famous early 14th century legend. There are many versions of the story, and historians are unsure of the legend's truth and suggest that it is apocryphal. The legend tells of Robert the Bruce's encounter with a spider during the time of a series of military failures against the English. One version tells that while taking refuge in a cave on Rathlin Island, he witnesses a spider continuously failing to climb its silken thread to its web. However, due to perseverance the spider eventually succeeds, demonstrating that, "if at first you don't succeed, try, try and try again". Taking this as being symbolic of hope and perseverance, Bruce came out of hiding and eventually won Scotland's independence.
Imagine a multidimensional spider’s web
In the Vedic philosophy of India, the spider is depicted as hiding the ultimate reality with the veils of illusion. The Vedic god Indra is referred to as Śakra in Buddhism, or with the title Devānām Indra. Indra's net is used as a metaphor for the Buddhist concept of interpenetration, which holds that all phenomena are intimately connected. Indra's net has a multifaceted jewel at each vertex, and each jewel is reflected in all of the other jewels.
When Indra fashioned the world, he made it as a web, and at every knot in the web is tied a pearl. Everything that exists, or has ever existed, every idea that can be thought about, every datum that is true—every dharma, in the language of Indian philosophy—is a pearl in Indra's net. Not only is every pearl tied to every other pearl by virtue of the web on which they hang, but on the surface of every pearl is reflected every other jewel on the net. Everything that exists in Indra's web implies all else that exists.
The epic poem Ovid's Metamorphoses written two millennia ago, includes the metamorphosis of Arachne. This was retold in Dante Alighieri's depiction as the half-spider Arachne in the 2nd book of his Divine Comedy, Purgatorio. In the 16th-century Chinese folk novel, Wu Cheng'en's Journey to the West, the buddhist monk Xuánzàng's odyssey includes being trapped in a spider's cave and bound by beautiful women and many children, who are transformations of spiders.
Spiders recur in themes for works by J. R. R. Tolkien. Tolkien used spiders in his precursor to the Lord of the Rings series with the book The Hobbit. In The Hobbit, giant spiders roamed a great forested area known as Mirkwood and attacked the main characters of the book, capturing some of them. The character of Ungoliant featured as a spider-like being or deity, and as a personification of Night from his earliest writings. His use of giant spiders as foes was predated by Lord Dunsany, who had used them in two stories written in 1907 and 1910. In The Lord of the Rings, the spider takes its form as the menacing giant spider Shelob, and was featured in the film adaption of the last book of the Lord of the Rings series. Although described as spiders, Tolkien gave them some attributes not seen in real spiders (apart from the obvious size issues), including compound eyes, beaks and spinning of black webs. He also resurrected the Old English words cob and lob for "spider".
More recently, giant spiders have featured in books such as the 1998 fantasy novel Harry Potter and the Chamber of Secrets by J. K. Rowling. This book was later followed by a motion picture of the same name, using the giant spider Aragog from the novel as a supporting character and pet of Hagrid, a grounds keeper in the book.
Atlach-Nacha is the creation of Clark Ashton Smith and first appeared in his short story "The Seven Geases" (1934). Atlach-Nacha resembles a huge spider with an almost-human face. In the story, Atlach-Nacha is the reluctant recipient of a human sacrifice given to it by the toad-god Tsathoggua.
The spider is also found in modern children's tales. The nursery rhymes Itsy Bitsy Spider and Little Miss Muffet have spiders as focal characters. The poem "The Spider and the Fly" (1829) by Mary Howitt is a cautionary tale of seduction and betrayal which later inspired a 1949 film and a 1965 Rolling Stones song, each sharing the same title, as well as a 1923 cartoon by Aesop Fables Studio.
A noiseless patient spider,
I mark'd where on a little promontory it stood isolated ;
Mark'd how to explore the vacant vast surrounding,
It launch'd forth filament, filament, filament, out of itself ;
Ever unreeling them—ever tirelessly speeding them.
And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,—seeking the spheres to con-
nect them ;
Till the bridge you will need be form'd, till the ductile anchor hold ;
Till the gossamer thread you fling catch somewhere, O my soul.
In comics and manga
In graphic novels, spiders are often adapted by superheroes or villains as their symbols or alter egos due to the arachnid's strengths and weaknesses. One of the most notable characters in comic book history has taken his identity from the spider, the Marvel comic book hero Spider-Man. Peter Parker was accidentally bitten by a radioactive spider and then, as Spider-Man, was able to scale tall buildings and shoot web fluid from a box attached to his wrist. Along with these abilities, came super senses and instant reflexes. Writer Stan Lee and artist Steve Ditko originated this franchise. Due to the character's popularity, Spider-Man appeared in movies and various other media. In addition to Spider-Man, the comic book introduced several new characters using the spider as their patron, including Spider-Woman, Spider-Girl, the Scarlet Spider, Venom, Anya Corazon, and Tarantula.
Many other comic book, manga and anime characters have taken the guise of a spider, such as Black Spider from the Batman universe; in the Pokémon franchise, Spinarak and Ariados are similar to spiders in shape. In the Static Shock series, Anansi the Spider takes his name and techniques from the African trickster god. In the second season of the anime based on the manga Kuroshitsuji, one main antagonist, the demon butler Claude Faustus, has spider-like qualities and powers. He is also capable of transforming into a spider and making webs.
In film and television
Spiders have been present for many decades in both film and on television, predominantly in the horror genre. Those who suffer from arachnophobia, an acute fear of spiders, become particularly horrified. The spider web is used as a motif to adorn dark passageways, depicting the recesses of the unknown. Many horror films have featured the spider, including 1955's Tarantula, exploiting America's fear of atomic radiation during the nuclear arms race,  and Kingdom of the Spiders, a 1977 film starring William Shatner, depicting the consequence of hungry spiders deprived of their natural food supply due to pesticides. The fear of spiders culminates in Arachnophobia, a 1990 movie in which spiders multiply in large numbers.
On the other hand, a person who admires spiders is referred to as an "arachnophile"; such as Virginia, an orphan who likes to play spider games in the black comedy horror B movie, Spider Baby. This cult-classic, starring Lon Chaney, Jr., spawned the hard-rock Spider Baby the Musical "for people who hate musicals.”
The 1999 film Wild Wild West features a giant mechanical spider. Experiments involving spiders tend to go horribly wrong, as with a DNA experiment on board a NASA space shuttle in the 2000 film Spiders. Radiation and spiders once again combine to wreak havoc in the 2002 film Eight Legged Freaks, this time due to nuclear waste.
Several books featuring spiders have been adapted to film, including The Lord of the Rings: The Return of the King featuring Shelob and Harry Potter and the Chamber of Secrets with Aragog the Acromantula. Charlotte's positive portrayal of a spider character can be seen in two full-length feature versions of Charlotte's Web. The first Charlotte's Web was a Hanna-Barbera musical animation released in 1973, followed by a live-action 2006 film version of the original story. Furthermore, spider characters have crawled out of the pages of comic books and onto the big screen, most notably the Spider-Man film adaptations. In Ingmar Bergman's 1961 Swedish film adaptation Through a Glass Darkly, the psychotic Karin believes she has an encounter with God as a spider. The character Kamen Rider Leangle from the 2004 Japanese TV show Kamen Rider Blade has a motif based on the onigumo spider. In the 1999 television miniseries Stephen King's It (based on his novel It), the true form of Pennywise the Dancing Clown is a large spider.
Spider themes are also featured in early film history. Fritz Lang's 1919 and 1920 The Spiders series were considered lost films, until these two parts of the action-adventure serial episodes were restored in 1978 from rediscovered original prints. In this adventure, a spider was the calling-card for "The Spiders" criminal organization. Pan Si Dong (1927), 盘丝洞, (The Cave of the Silken Web) was a film adaptation of the classic tale of Xuánzàng's encounter from a chapter of the 16th century Great Classical Novel, Journey to the West, and was remade as a 1967 Hong Kong cinema production.
Giant spider sculptures (11 feet tall and 22 feet across) described as "looming and powerful protectresses, yet are nurturing, delicate, and vulnerable" and a "favorite with children" have been found in Washington DC, Denver CO, and elsewhere. Even larger spiders are found in places like Ottawa and Zürich. These sculptures, two series of six by Louise Bourgeois, can be seen at the National Gallery of Art, Denver Art Museum, London's Tate Modern and in a few other select sculpture gardens. The larger series is titled Maman and the other simply titled Spider. One Spider sold at a Christie's auction house for over $10 million.
A four-day performance art spectacle in Liverpool (September 2008) featured La Princesse by the French performance art company La Machine. This giant steam-punk spider climbed walls, stalked the streets and sprayed unwary citizens while in search of a nest.
Games and toys
Giant spiders appear in several role-playing video games, such as Dungeons & Dragons, and the first edition of Warcraft: The Roleplaying Game, where they are described as "a spider of staggering size—perhaps 15 feet around—with great furred body." In the Metroid series of video games, spider-shaped foes are common, with the trilogy's antagonist, Metroid Prime, having a spider-like Metroid as her primary physical form. The trilogy also includes the Ing, antagonists of Metroid Prime 2: Echoes, whose warrior forms resemble spiders, albeit with five legs rather than eight. Atlach-Nacha is an H-game centered on a spider demon disguising herself as a human woman.
In the LEGO toyline Bionicle series, the Visorak horde is a species consisting of six spider-like breeds. They are created by the Brotherhood of Makuta to take over islands. They possess mutagenic venom, and spin sticky green webs. In the Transformers series, Blackarachnia is a Decepticon that turns into a giant spider. Being part biological, her venom paralyzes other Transformers and she is capable of spinning webs.
Notable athletes with spider nicknames include Olympic skier Vladimir "The Spider" Sabich, so named by his father due to his long, thin arms and legs as a baby, and UFC Middleweight Champion Anderson "The Spider" Silva who was dubbed "Brazil's Spiderman" by a female announcer who thought he looked like a superhero in the ring. Spider mascots are associated with the Cleveland Spiders baseball team and the San Francisco Spiders hockey team.
Modern myths and urban legends
Huntsman spiders are large and swift, often eliciting arachnophobic reactions from susceptible people. Large Sparassidae species are the subject of many superstitions, exaggerations and myths. The banana spider myth claims that the Huntsman spider lays its eggs in banana flower blossoms, resulting in spiders inside the tip of bananas, waiting to terrorize an unsuspecting consumer. This is supposed to explain why monkeys allegedly peel bananas from the "wrong" end. Another example is the clock spider urban legend from around 2002. A discussion was started on an Internet message board based on pictures of an allegedly "clock-sized" Sparassid (Huntsman) spider on a wall. That discussion, and its derivatives, lasted for several months.
According to another urban legend, daddy long legs (Pholcidae) have very potent venom, but their fangs are too short to deliver the poison. This myth might have arisen due to its similarity in appearance with the Brown recluse spider. However, in a 2004 episode of Discovery Channel's Mythbusters, it was shown that host Adam Savage survived a bite from the spider.
An email hoax describes the attacks by the South American Blush Spider in public toilets. The alleged spider's scientific name is Arachnius gluteus, where "gluteus" is supposed to mean "buttocks" (since there are muscles in the buttocks called gluteus maximus), and "arachnius" is a made-up word intended to mean "spider" (from the common root arachno- in compound words, derived from Greek ἀράχνη, arachnē). The actual Latin word for "spider" is "aranea", and there is a taxon with that name (in the plural - Araneae), but it is an order, not a genus. The hoax spider shares some characteristics with the two-striped telamonia (Telamonia dimidiata), and there is an updated version of the hoax using that name for the spider's species, with the rest of the text left unchanged.
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