Culture of Armenia
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The culture of Armenia encompasses many elements that are based on the geography, literature, architecture, dance, and music of the people. The culture is similar to and yet distinct from many of the bordering countries like Georgia, and Iran, as well as Mediterranean nations such as Greece and Cyprus.
Creative arts 
Literature began in Armenia around 401 A.D. The majority of the literary arts were created by Moses of Khorene, in the 5th century. Through the years the elements of literature have changed as the stories and myths were passed on through generations. In the late 17th century, Alexander Tertzakian was a renowned Armenian writer who created several works considered to be among Armenia's classics. During the 19th century, writer Mikael Nalbandian worked to create a new Armenian literary identity. Nalbandian's poem "Song of the Italian Girl" may have been the inspiration for the Armenian national anthem, Mer Hayrenik.
The Armenian dance heritage has been one of the oldest, richest and most varied in the near east. From the fifth to the third millennia B.C., in the higher regions of Armenia there are rock paintings of scenes of country dancing. These dances were probably accompanied by certain kinds of songs or musical instruments. In the 5th century Moses of Khorene (Movsés Khorenats'i) himself had heard of how the old descendants of Aram (that is Armenians) make mention of these things (epic tales) in the ballads for the lyre and their songs and dances.
Classical Armenian architecture is divided into four separate periods. The first Armenian churches were built between the 4th and 7th Century, beginning when Armenia converted to Christianity, and ending with the Arab invasion of Armenia. The early churches were mostly simple basilicas, but some with side apses. By the 5th century the typical cupola cone in the center had become widely used. By the 7th century, centrally-planned churches had been built and a more complicated niched buttress and radiating Hrip'simé style had formed. By the time of the Arab invasion, most of what we now know as classical Armenian architecture had formed.
Though women historically dominated carpet-weaving in Armenian communities, several prominent carpet-weavers in Karabakh are known to have been men, and in some cases whole families took up the art. The oldest extant Armenian carpet from the region, referred to as Artsakh during the medieval era, is from the village of Banants (near Gandzak) and dates to the early 13th century. The first time that the Armenian word for carpet, gorg, was used in historical sources was in a 1242-1243 Armenian inscription on the wall of the Kaptavan Church in Artsakh.
Art historian Hravard Hakobyan notes that "Artsakh carpets occupy a special place in the history of Armenian carpet-making. Common themes and patterns found on Armenian carpets were the depiction of dragons and eagles. They were diverse in style, rich in color and ornamental motifs, and were even separated in categories depending on what sort of animals were depicted on them, such as artsvagorgs (eagle-carpets), vishapagorgs (dragon-carpets) and otsagorgs (serpent-carpets). The rug mentioned in the Kaptavan inscriptions is composed of three arches, "covered with vegatative ornaments", and bears an artistic resemblance to the illuminated manuscripts produced in Artsakh.
The art of carpet weaving was in addition intimately connected to the making of curtains as evidenced in a passage by Kirakos Gandzaketsi, a 13th century Armenian historian from Artsakh, who praised Arzu-Khatun, the wife of regional prince Vakhtang Khachenatsi, and her daughters for their expertise and skill in weaving.
Armenian carpet was also renowned by foreigners who traveled to Artsakh; the Arab geographer and historian Al-Masudi noted that, among other works of art, he had never seen such carpets elsewhere in his life.
The National Art Gallery in Yerevan has more than 16,000 works that date back to the Middle Ages, which indicate Armenia's rich tales and stories of the times. It houses paintings by many European masters as well. The Modern Art Museum, the Children’s Picture Gallery, and the Martiros Saryan Museum are only a few of the other noteworthy collections of fine art on display in Yerevan. Moreover, many private galleries are in operation, with many more opening every year, featuring rotating exhibitions and sales.
Like Lacis Armenian needlelace seems to be an obvious descendant of netmaking. Where lacis adds decorative stitches to a net ground, Armenian needlelace involves making the net itself decorative. There is some archaeological evidence suggesting the use of lace in prehistoric Armenia and the prevalence of pre-Christian symbology in traditional designs would certainly suggest a pre-Christian root for this art form. In contrast to Europe where lace was the preserve of the nobility, in Armenia it decorated everything from traditional headscarves to lingerie. Thus lacemaking was part of many women's lives.
|This section requires expansion. (March 2012)|
One of the most important parts of Armenian culture is the music, which has in recent years brought new forms of music, while maintaining traditional styles too. This is evidenced by the world-class Armenian Philharmonic Orchestra that performs at the beautifully refurbished Aram Khachaturian Concert Hall in the Yerevan Opera House, where one can also attend a full season of opera. In addition, several chamber ensembles are highly regarded for their musicianship, including the Komitas Quartet, Hover Chamber Choir, National Chamber Orchestra of Armenia and the Serenade Orchestra. Classical music can also be heard at one of several smaller venues, including the Yerevan State Musical Conservatory and the Komitas Chamber Music Hall. Jazz is popular in Armenia, especially in the summer when live performances are a regular occurrence at one of the city’s many outdoor cafés and parks. Armenian rock has made its input to the rock culture. The most known Armenian traditional instrument is the duduk (pronounced [duˈduk] or doo-dook).
Soviet Armenia (1924) was the first Armenian documentary film. Namus was the first Armenian silent black and white film (1926, Namus at the Internet Movie Database), directed by Hamo Beknazarian and based on a play of Alexander Shirvanzade describing the ill fate of two lovers, who were engaged by their families to each other since childhood, but because of violations of namus (a tradition of honor), the girl was married by her father. In 1968, Sergei Parajanov created The Color of Pomegranates.
The Armenian language dates to the early period of Indo-European differentiation and dispersion some 5000 years ago, or perhaps as early as 7,800 years ago according to some recent research. Trade and conquest forced the language to change, adding new words into the people's vocabulary. Literature and books written in Armenian appeared by the 4th century. The written language of that time, called classical Armenian or Grabar Craper, remained the Armenian literary language, with various changes, until the 19th century. Meanwhile, spoken Armenian developed independently of the written language. Many dialects appeared when Armenian communities became separated by geography or politics, and not all of these dialects are mutually intelligible. English is a popular language in the business world.
Armenian cuisine is as ancient as the history of Armenia, a combination of different tastes and aromas. The food often has quite a distinct smell. Closely related to eastern and Mediterranean cuisine, various spices, vegetables, fish, and fruits combine to present unique dishes. Armenia is also famous for its wine and brandy. In particular, Armenian cognac is renowned worldwide (winner of several awards), and was considered by the late British Prime Minister, Sir Winston Churchill, as his favourite. It has often been referred to as the food of today.
The pomegranate, with its symbolic association with fertility represents that nation. The apricot is the national fruit.
A wide array of sports are played in Armenia. Football is the most popular sport in Armenia. Other popular sports are wrestling, weightlifting, judo, chess, and boxing. Armenia's mountainous terrain provides great opportunities for the practice of sports like skiing and rock climbing. Being a landlocked country, water sports can only be practiced on lakes, notably Lake Sevan. Competitively, Armenia has been very successful at chess, weightlifting, and wrestling at the international level. Armenia is also an active member of the international sports community, with full membership in the Union of European Football Associations (UEFA), Federation of International Bandy (FIB), and International Ice Hockey Federation (IIHF). It also hosts the Pan-Armenian Games.
See also 
- Hakobyan. Medieval Art of Artsakh, p. 84.
- Hakobyan, Hravard H (1990). The Medieval Art of Artsakh. Yerevan, Armenian SSR: Parberakan. p. 84. ISBN 5-8079-0195-9.
- Hakobyan. Medieval Art of Artsakh, p. 84.
- Hakobyan. Medieval Art of Artsakh, p. 84.
- (Armenian) Kirakos Gandzaketsi. Պատմություն Հայոց (History of Armenia). Yerevan, Armenian SSR: Armenian Academy of Sciences, 1961, p. 216, as cited in Hakobyan. Medieval Art of Artsakh, p. 84, note 18.
- (Armenian) Ulubabyan, Bagrat A (1975). Խաչենի իշխանությունը, X-XVI դարերում (The Principality of Khachen, From the 10th to 16th Centuries). Yerevan, Armenian SSR: Armenian Academy of Sciences. p. 267.
- Nicholas Wade, "Biological dig for the roots of language," International Herald Tribune, (March 18, 2004) 10; Gray & Atkinson, "Anatolian Theory of Indo-European origin," 437.