Cursive
From Wikipedia, the free encyclopedia
|
|
This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (March 2008) |
- For the rock band, see Cursive (band).
Cursive is any style of handwriting that is designed for writing notes and letters quickly by hand. In the Arabic, Latin, and Cyrillic writing systems, the letters in a word are connected, making a word one single complex stroke. In fact, the word comes from the Latin cursivus, meaning "flowing".[1]
In the United Kingdom, the phrase "joined up writing" or "joint writing" is far more commonly used, while the term "running writing" or "handwriting" is most commonly used in Australia. Cursive is also commonly known as simply "handwriting" in Canada and New Zealand. Cursive is considered distinct from the so-called "printing" or "block letter" style of handwriting, in which the letters of a word are unconnected, and from "print-writing", which is a cross between cursive and printing, with some unconnected letters and some connected. In the Hebrew cursive and Roman cursive, the letters are not connected. In the research domain of handwriting recognition, this writing style is called "connected cursive", to indicate the difference between the phenomenon of italic script and sloppy appearance of individual letters ("cursive") and the phenomenon of connecting strokes between letters, i.e., a letter-to-letter transition without a pen lift ("connected cursive"). The origin of the cursive style is associated with practical advantages (writing speed, sparse pen lifting avoids ink smudges with the quill) and the individuality of the provenance of a document, as opposed to machine font.[2]
Contents |
[edit] Roman Cursive
Roman cursive is a form of handwriting (or a script) used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old (or ancient) cursive, and new cursive. Old Roman cursive, also called majuscule cursive and capitalis cursive, was the everyday form of handwriting used for writing letters, by merchants writing business accounts, by schoolchildren learning the Roman alphabet, and even emperors issuing commands, but never by peasants. New Roman cursive, also called minuscule cursive or later Roman cursive, developed from old Roman cursive. It was used from approximately the 3rd century to the 7th century, and uses letter forms that are more recognizable to modern eyes; "a", "b", "d", and "e" have taken a more familiar shape, and the other letters are proportionate to each other rather than varying wildly in size and placement on a line.
[edit] Cursive Greek
The Greek alphabet has had several cursive forms in the course of its development. In antiquity, a cursive form of handwriting was used in writing on papyrus. It employed slanted and partly connected letter forms as well as many ligatures. Some features of this handwriting were later adopted into Greek minuscule, the dominant form of handwriting in the medieval and early modern era. In the 19th and 20th centuries, an entirely new form of cursive Greek, more similar to contemporary Western European cursive scripts, was developed.
[edit] Cursive English
Joined up writing was used in English before the Norman conquest. Anglo-Saxon Charters typically include a boundary clause written in Old English in a cursive script. A cursive handwriting style—secretary hand—was widely used for both personal correspondence and official documents in England from early in the sixteenth century. However, in the handwriting of William Bradford, in the early seventeenth century, most of the letters were separate, but a few were joined as in a cursive hand. By the late eighteenth century, a century and a half later, the situation had reversed; in Thomas Jefferson's draft of the United States Declaration of Independence most but not all of the letters were joined. The presentation copy of the Declaration, written professionally a few days later by Timothy Matlack, was written in a fully cursive hand. Eighty-seven years later, in the middle of the nineteenth century, Abraham Lincoln drafted the Gettysburg Address in a cursive hand that would not look out of place today.
In the eighteenth and nineteenth centuries, before the typewriter, professional correspondence was written in cursive. This was called a "fair hand", meaning it looked good, and clerks in a firm were trained to write in the exact same script.
In the mid-nineteenth century, comparatively few children were not taught cursive, and, as it was an important skill, more emphasis could be placed on learning it; there was no pervasive striving for efficiency in the classroom. Few simplifications appeared as the middle of the twentieth century was reached. An example of the timeframe in which cursive came to be taught is that in the United States, it would usually be taught in second or third grade (around ages seven to nine).
After the 1960s, it was argued that the teaching of cursive writing was more difficult than it needed to be. Forms of simply slanted characters, termed italic, were considered by some to be easier and traditional cursive unnecessary. Because of this, a number of various new forms of cursive appeared in the late twentieth century; D'Nealian, Getty-Dubay, and among them, these models lacked the craftsmanship of earlier styles such as Spencerian Script and the Palmer Method, but were less demanding, because the aesthetics were no longer as valued. With the range of options available, handwriting became nonstandardized across different school systems in different English-speaking countries.
With the advent of typewriters and computers, cursive as a way of formalizing correspondence has fallen out of favor. Most tasks which would have once required a "fair hand" are now done using word processing and a printer. There exists a backlash against this with some advocating the use of personal notes written in longhand, to provide the sense that a real person is involved in the correspondence, (e.g.) thank you notes. The teaching of cursive has been de-emphasized in some schools, but is still used for situations such as timed tests with large writing portions, where it is considered faster. Also being able to write in a fair-hand is still looked as a sign of literacy in many countries.
[edit] Cursive Hebrew
Cursive Hebrew script is a style of Hebrew calligraphy that is very popular for writing Modern Hebrew by hand, since it is easier to learn and faster to write than the traditional Hebrew script. It features round letter shapes as opposed to the standard "square" Hebrew script. Like other cursive systems, it was designed to make writing down notes easier.
[edit] Cursive Russian
The Russian cursive Cyrillic alphabet is used (instead of the block letters) when handwriting the modern Russian Language. Some letters look much like Latin or Roman cursive alphabet letters but most have different sounds.[citation needed] Most handwritten Russian, especially personal letters and schoolwork, uses the cursive Russian (Cyrillic) alphabet. Most children in Russian schools are taught by 1st grade how to write using this Cyrillic script.
[edit] Cursive Chinese
Cursive forms of Chinese characters are used in calligraphy; "running script" is the semi-cursive form and "grass script" is the cursive. The running aspect of this script has more to do with the formation and connectedness of strokes within an individual character than with connections between characters as in Western connected cursive. The latter are rare in Hanzi and the derived Japanese Kanji characters which are usually well separated by the writer.
[edit] See also
- Cursive script (East Asia) (Grass script)
- Sütterlin and Kurrent - German Cursive
- Paper
- Pen
- Penmanship
- Spencerian Script
- Palmer Method
- Emphasis (typography)
- Shorthand
[edit] References
- ^ http://dictionary.reference.com/search?q=cursive
- ^ Georges Jean (1997). Writing: The story of alphabets and scripts, London: Thames and Hudson Ltd. [New Horizons]
- ^ Cardenio, Or, the Second Maiden's Tragedy, pp. 131-3: By William Shakespeare, Charles Hamilton, John Fletcher (Glenbridge Publishing Ltd., 1994) ISBN 0944435246
[edit] External links
- Lessons in Calligraphy and Penmanship, including scans of classic nineteenth-century and early twentieth-century manuals and examples
- The Golden Age of American Penmanship, including scans of the January 1932 issue of Austin Norman Palmer's American Penman
- Download Normal and Bold Victorian Modern Cursive electronic fonts
- Mourning the Death of Handwriting, a TIME Magazine article on the demise of cursive handwriting