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A Cyborg Manifesto is an essay by Donna Haraway that criticizes traditional notions of feminism—particularly its strong emphasis on identity, rather than affinity. She uses the metaphor of a cyborg to urge feminists to move beyond the limitations of traditional gender, feminism, and politics. Marisa Olson summarized Haraway's thoughts as a belief that there is no distinction between natural life and artificial man-made machines. Olson notes the word "cyborg" has a "stale whiff" in today's internet age and also applies to a boys internet art club that is centered on exploring and reproducing a series of constantly upgraded machines.
Haraway suggests that feminists should move beyond naturalism and essentialism. It criticizes feminist tactics as "identity politic" that victimizes those excluded, and she proposes that it is better strategically to confuse identities.
Donna Haraway's essay is an attempt to break away from Oedipal narratives and Christian origin doctrines like Genesis; the concept of the cyborg is a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." In the A Cyborg Manifesto, she writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
Haraway’s cyborg called for a non-essentialized, material-semiotic metaphor capable of uniting diffuse political coalitions along the lines of affinity rather than identity. Following Lacanian feminists such as Luce Irigaray, Haraway’s work addresses the chasm between feminist discourses and the dominant language of Western patriarchy. As Haraway explains, “grammar is politics by other means,” and effective politics require speaking in the language of domination. To counteract the essentializing, and anachronistic, rhetoric of spiritual ecofeminists who were fighting patriarchy with modernist constructions of female-as-nature and earth mothers, Haraway employs the cyborg to refigure feminism into cybernetic code. As she details in a chart of the paradigmatic shifts from modern to postmodern epistemology within the Manifesto, the unified human subject of identity has shifted to the hybridized posthuman of technoscience, from “representation” to “simulation,” “bourgeois novel” to “science fiction,” “reproduction” to “replication,” and “white capitalist patriarchy” to “informatics of domination.” While Haraway’s “ironic dream of a common language” is inspired by Irigaray’s argument for a discourse other than patriarchy, she rejects Irigaray’s essentializing construction of woman-as-not-male to argue for a linguistic community of situated, partial knowledges in which no one is innocent.
See also 
- ^ a b c d Full text of the article Cyborg Manifesto (an archived copy, in the Wayback Machine). It is the full text of the article: Haraway, Donna Jeanne (1991). "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century". Simians, Cyborgs and Women: The Reinvention of Nature. Routledge. ISBN 0415903866.
- ^ Olson, Marisa (November 21, 2008). "Viva Cyborg Theory - Editorial". Rizome. Retrieved 20 March 2013.
- ^ "Research Article: Cyborgs". BookRags. Retrieved 20 March 2013.