This respectable citizen of Dubrovnik, the uncle of the greatest Croatian playwright Marin Držić, the rector of the Church of All Saints, the chancellor of the Dubrovnik chapter, a contemporary of the poet Marko Marulić, created a poetic opus that became a primal expression of the linguistic form that would become the official Croatian language.
His poetry proves that his humanist roots had a beneficial effect on his poetic diction and other qualities, such as discreetness and spirituality. It makes his love poems much different than those of his older contemporary and eternal rival, Šiško Menčetić. Držić's Pjesni ljuvene (Love Poems) must have been very popular in Dubrovnik. By the time the noble Nikša Ranjina started filling his famous manuscript collection with love poems composed by young citizens of Dubrovnik for their ladies, Džore Držić was six years dead, but Ranjina included his poems. It means they were recited and remembered.
In fact, they are easy to remember. Some of his poems go beyond the conventional rhetorical style of Petrarchist poetry. Their graceful and warm verses, remindful of folk songs, are above almost everything else in the Ranjina's Miscellany, the oldest collection of Croatian Petrarchist lyric. Today's favorite is the refined and graceful poem Odiljam se (I Am Going Away), in verses of sixteen syllables, simple and warm, with a hint of bugarštica, a kind of a ballad.
His eclogueRadmio and Ljubmir, found only recently, was written in the late 15th century. It is the first Croatian play with a secular theme, opening a new period of the Croatian theater, which is reason enough to hail its writer as the initiator of the modern Croatian theater.