Along Came Jones (1945) trailer
January 23, 1907|
White Plains, New York, USA
|Died||June 7, 1968
Los Angeles, California
|Cause of death||Cancer|
|Resting place||Forest Lawn Memorial Park Cemetery in Hollywood Hills, California|
|Occupation||Stage, film, television actor|
|Spouse(s)||Helen Bryan (married 1932–1967, her death)|
|Children||Peter Duryea (born 1939)
Dan Duryea (January 23, 1907–June 7, 1968) was an American actor, known for roles in film, stage and television. Known for portraying a vast range of character roles as a villain, he nonetheless had a long career in leading and secondary roles.
Born and raised in White Plains, New York, Duryea graduated from White Plains High School in 1924 and Cornell University in 1928. While at Cornell, Duryea was elected into the prestigious Sphinx Head Society, Cornell's oldest senior honor society. He majored in English with a strong interest in drama, and in his senior year succeeded Franchot Tone as president of the college drama society.
As his parents did not approve of his choice to pursue an acting career, Duryea became an advertising executive but after six stress-filled years, had a heart attack that sidelined him for a year.
Returning to his earlier love of acting and the stage, Duryea made his name on Broadway in the play Dead End, followed by The Little Foxes, in which he portrayed Leo Hubbard. In 1940, Duryea moved to Hollywood to appear in the film version of The Little Foxes. He continued to establish himself with supporting and secondary roles in films such as The Pride of the Yankees and None But the Lonely Heart. As the 1940s progressed, he found his niche as the "sniveling, deliberately taunting" antagonist in a number of film noir subjects: (Scarlet Street, The Woman in the Window, Criss Cross, Too Late for Tears) and westerns such as Winchester '73, although he was sometimes cast in more sympathetic roles (Black Angel, Ministry of Fear, One Way Street). In 1946, exhibitors voted him the eighth most promising "star of tomorrow".
When interviewed by Hedda Hopper in the early 1950s, Duryea spoke of career goals and his preparation for roles: "Well, first of all, let's set the stage or goal I set for myself when I decided to become an actor ... not just 'an actor', but a successful one. I looked in the mirror and knew with my "puss" and 155-pound weakling body, I couldn't pass for a leading man, and I had to be different. And I sure had to be courageous, so I chose to be the meanest s.o.b. in the movies ... strictly against my mild nature, as I'm an ordinary, peace-loving husband and father. Inasmuch, as I admired fine actors like Richard Widmark, Victor Mature, Robert Mitchum, and others who had made their early marks in the dark, sordid, and guilt-ridden world of film noir; here, indeed, was a market for my talents. I thought the meaner I presented myself, the tougher I was with women, slapping them around in well produced films where evil and death seem to lurk in every nightmare alley and behind every venetian blind in every seedy apartment, I could find a market for my screen characters."
"At first it was very hard as I am a very even-tempered guy, but I used my past life experiences to motivate me as I thought about some of the people I hated in my early as well as later life ... like the school bully who used to try and beat the hell out of me at least once a week ... a sadistic family doctor that believed feeling pain when he treated you was the birthright of every man inasmuch as women suffered giving birth ... little incidents with trade-people who enjoyed acting superior because they owned their business, overcharging you. Then the one I used when I had to slap a woman around was easy! I was slapping the over-bearing teacher who would fail you in their 'holier-than-thou' class and enjoy it! And especially the experiences I had dealing with the unbelievable pompous 'know-it-all-experts' that I dealt with during my advertising agency days ... almost going 'nuts' trying to please these 'corporate heads' until I finally got out of that racket!"
In his last years, Duryea worked in overseas film productions including the Italian Western, The Hills Run Red (1966) and the spy thriller Five Golden Dragons (1967) in West Germany while continuing to find roles on American television. He also appeared twice on the big screen with his son, character actor Peter Duryea, in the low-budget Westerns Taggart (1964) and The Bounty Killer (1965).
Duryea guest starred as Roy Budinger, the self-educated mastermind of a criminal ring dealing in silver bullion, in the episode "Terror Town" on October 18, 1958 of NBC's western series Cimarron City.
In 1959, Duryea appeared as an alcoholic gunfighter in third episode of The Twilight Zone, "Mr. Denton on Doomsday". He guest starred on NBC's anthology series The Barbara Stanwyck Show and appeared in an episode of Rawhide in 1959, "Incident Of The Executioner." On September 15, 1959, Duryea guest starred as the outlaw Bud Carlin in the episode "Stage Stop", the premiere of NBC's Laramie western series. Duryea appeared again as Luke Gregg on Laramie on October 25, 1960, in the episode "The Long Riders". \
Three weeks later, on November 16, 1960, Duryea played a mentally unstable pioneer obsessed by demons and superstitions in "The Bleymier Story" of NBC's Wagon Train. Duryea was cast twice in 1960 as Captain Brad Turner in consecutive episodes of the NBC western series Riverboat.
Duryea was quite different from the unsavoury characters he often portrayed. He was married for 35 years to his wife, Helen, until her death in January 1967. The couple had two sons: Peter (who worked for a time as an actor), and Richard, a talent agent. At home, Duryea lived a quiet life at his house in the San Fernando Valley, devoting himself to gardening, boating and community activities that included, at various times, active membership in the local parent-teacher association and command of a Boy Scout troop.
On June 6, 1968, Duryea died of cancer at the age of 61. The New York Times tellingly noted the passing of a "heel with sex appeal". His remains are interred in Forest Lawn - Hollywood Hills Cemetery in Los Angeles, California.
- El tango en Broadway (1934)
- The Little Foxes (1941)
- Ball of Fire (1941)
- That Other Woman (1942)
- The Pride of the Yankees (1942)
- Sahara (1943)
- Man from Frisco (1944)
- None But the Lonely Heart (1944)
- The Woman in the Window (1944)
- Mrs. Parkington (1944)
- Ministry of Fear (1944)
- Main Street After Dark (1945)
- The Great Flamarion (1945)
- The Valley of Decision (1945)
- Along Came Jones (1945)
- Lady on a Train (1945)
- Scarlet Street (1945)
- Black Angel (1946)
- White Tie and Tails (1946)
- Black Bart (1948)
- Another Part of the Forest (1948)
- River Lady (film) (1948)
- Larceny (1948)
- Criss Cross (1949)
- Manhandled (1949)
- Too Late for Tears (1949) rereleased as Killer Bait in 1955
- Johnny Stool Pigeon (1949)
- One Way Street (1950)
- Winchester '73 (1950)
- The Underworld Story (1950)
- Al Jennings of Oklahoma (1951)
- China Smith (1952–1956)
- Schlitz Playhouse of Stars (1952–1956)
- Chicago Calling (1952)
- The New Adventures of China Smith (1953–1954)
- Thunder Bay (1953)
- Sky Commando (1953)
- Terror Street (1953)
- World for Ransom (1954)
- Ride Clear of Diablo (1954)
- Rails Into Laramie (1954)
- Silver Lode (1954)
- This Is My Love (1954)
- Foxfire (1955)
- The Marauders (1955)
- Storm Fear (1955)
- Battle Hymn (1956)
- Wagon Train (1957–1964)
- The Burglar (1957)
- Night Passage (1957)
- Slaughter on Tenth Avenue (1957)
- Kathy O' (1958)
- Gundown at Sandoval (1959)
- Platinum High School (1960)
- Six Black Horses (1962)
- The Alfred Hitchcock Hour - "Bonfire" (1962)
- Naked City (TV series) (Daughter, Am I In My Father's House?) (1962)
- Route 66 (TV series) (A Cage in Search of a Bird) (1963)
- Going My Way as Harold Harrison in "Mr. Second Chance" (1963)
- The Alfred Hitchcock Hour - "Three Wives Too Many" (1964)
- He Rides Tall (1964)
- Do You Know This Voice? (1964)
- Bonanza "Logan's Treasures?" (1964)
- Taggart (1964)
- Walk a Tightrope (1965)
- The Bounty Killer (1965)
- The Flight of the Phoenix (1965)
- Un fiume di dollari (1966)
- Incident at Phantom Hill (1966)
- The Hills Run Red (1966)
- Five Golden Dragons (1967)
- Peyton Place (1967–1968)
- The Bamboo Saucer (1968)
- Gaita, Paul. Dan Duryea Biography." Tunrer Classic Movies. Retrieved: May 14, 2013.
- "Obituary." Dan Duryea Central. Retrieved: May 14, 2013.
- "Dan Duryea." ReelZ TV about Movies, 2013. Retrieved: May 14, 2013.
- "Dan Duryea: Biography." Fandango.Retrieved: May 14, 2013.
- Maltin 1994, p. 252.
- "The Stars of To-morrow." Sydney Morning Herald , September 10, 1946, p. 17. Retrieved: April 24, 2012.
- "Dan Duryea Biography." IMDb.Retrieved: May 14, 2013.
- " 'Terror Town', Cimarron City:, October 18, 1958." IMDb. Retrieved: May 14, 2013.
- "Laramie": Stage Stop, September 15, 1959." IMDb. Retrieved: May 14, 2013.
- "Laramie: "The Long Riders", October 25, 1960." IMDb. Retrieved: May 14, 2013.
- "The Bleymier Story." IMDb. Retrieved: May 14, 2013.
- " 'The Wichita Arrows', Riverboat, February 29, 1960." IMDb. Retrieved: May 14, 2013.
- " 'Fort Epitaph', Riverboat, March 7, 1960." IMDb. Retrieved: May 14, 2013.
- "Dan Duryea." TV.com. Retrieved: 14 May 2013.]
- Maltin, Leonard. "Dan Duryea". Leonard Maltin's Movie Encyclopedia. New York: Dutton, 1994. ISBN 0-525-93635-1.
|Wikimedia Commons has media related to: Dan Duryea|
- Dan Duryea at the Internet Movie Database
- Dan Duryea at the Internet Broadway Database
- Duryea interview
- Dan Duryea at Find a Grave
- Photographs and literature on Dan Duryea