Dark Carnival (Insane Clown Posse)

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The Dark Carnival is the fictional mythology of the concept album series used in much of Insane Clown Posse's discography. It is a concept of the afterlife in which souls are sent to a form of limbo while waiting to be sent to heaven or hell based on their individual actions. These concepts are related by Insane Clown Posse in a series of albums called the six Joker's Cards. Other artists within the Psychopathic Records label have also contributed to the mythology through various songs and albums.

Contents

[edit] Creation

The concept of the Dark Carnival was inspired by a dream Joseph Bruce had after the foundation of Insane Clown Posse, in which spirits in a traveling carnival appeared to him.[1] The group decided to incorporate the dream into their newly created persona.[1] The spirits, they decided, would be revealed in a series of albums called the six Joker's Cards, each relaying a message or moral story.[2] In 2009, the character Bang! Pow! Boom! was created as an entity separate from the Joker's Cards.[2] The group discussed the character's creation and relation to the Dark Carnival with Robert Bruce before its release.[3]

[edit] Overview

"The way I see the Dark Carnival is it's a place where you have all the evil souls that are going to be going to hell. Some of them may ride the "Murder Go Round" [or] the "Tilt A Whirl." Some of them may ride the "Terror Wheel" [or] the "Tunnel of Love." There are all different shows and rides at the Dark Carnival which will take you to hell."
—Joseph Bruce[2]

Bruce describes the Dark Carnival as "a place where you have all the evil souls that are going to be going to hell."[2] It features multiple rides and attractions which assist in this purpose, which are the focus of multiple albums and songs within the group's discography.[2] Each of the six Joker's Cards relate to a specific character — an entity of the Dark Carnival — that tries to "save the human soul" by showing the wicked inside of one's self.[1][2] Bang! Pow! Boom! was introduced in 2009 as a rarely used entity, separate from the six Joker's Cards. It is a continuous explosion used to clear the carnival grounds when they become too crowded with evil souls.[2]

[edit] Joker's Cards

The first Joker's Card, Carnival of Carnage, is a representation of the ghettos and the violence that occurs within them.[4][5] It takes the form of a traveling carnival which releases the same brutality on those who have ignored the inner cities' cries for help.[5] The Card issues a warning against the upper-class and government's negligence toward the lower classes.[4][5] The Ringmaster, the second Joker's Card, is the overseer of the Carnival of Carnage.[6] He leads "the phantoms of the dead" that take the form of the Carnival.[6] The creatures fiercely tear doomed souls from their living bodies and drag them down into Hell.[6] The Ringmaster himself is created through one's own sins, and is one of several who will judge whether a soul is worthy to enter heaven or doomed to eternal hell.[6][2]

The third Joker's Card, the Riddle Box, is another entity used to determine fate.[7][2][4] Upon death, a soul enters a dark chamber containing a jack-in-the-box on an old wooden table. The front of the box has a "painted question mark faded with time," representing the mystery of your own afterlife.[7][2] As the handle is turned, a melodic tune begins to play, and when the music stops, the choice is made. The pure see a vision of God, warming their souls as they enter eternal peace.[7] The evil see an immense fog seeping from the box, "stripping their sanity, as they witness an image of hell, spawned and formed from their own evil; a hideous reflection of their demented souls."[7] The floor falls from underneath them, casting the doomed into the bottomless pit of Hell.[7] The fate determined by the Riddle Box can found by looking deep within yourself, and can be changed with righteous actions.[7][4]

The Great Milenko, the fourth Joker's Card, is an Illusionist and a Necromancer, though acting on dead minds rather than dead spirits.[8][4] His purpose is to try and trick individuals into greed and other such sins.[8] He takes out the worst in an individual and creates powerful illusions in an attempt to cause them to become hedonistic and greedy.[8] The Great Milenko is present within every person, and an honorable individual must fight his magic in order to make it to heaven.[8] The fifth Joker's Card, The Amazing Jeckel Brothers, focuses on the 19 circles of hell, and the morality of man as he is torn between righteousness and evil.[9] Jack "the sinister" and Jake "the just" emerge from the smoke of a candle to determine the fate of the dead.[10] The Jeckel Brothers juggle pulsating blood-covered balls representing the mortal life of the dead.[10] For every sin committed, another ball is added.[10] Jack throws Jake curves in an attempt to see a ball drop, and if a soul witnesses Jake drop one of the balls, he will be damned to hell. Souls who see Jake successfully complete the act ascend to heaven.[10]

The face of the sixth Joker's Card is "The Wraith"—or simply, Death. The card featured two "exhibits", Shangri-La and Hell's Pit, which were each be given its own album.[11] The Wraith: Shangri-La revealed that the hidden message of Insane Clown Posse's music was always to follow God and make it to Heaven.[11] Hell's Pit toured where those who do not atone for their sins nor follow the ways of Shangri-La are sent, illustrating the horrors of hell itself.[12] According to Bruce, "The ending of the Joker Cards, the way we looked at it, was death. Heaven and hell. That's up to each and every juggalo [to decide]. We're not an ultra religious group. I don't go to church or anything. I like to believe in God."[13]

[edit] Themes

The Dark Carnival acts as a way to remind people of the repercussions of their individual actions "in a language that today's world will understand and listen to."[1][14] It denounces actions that members Bruce and Joseph Utsler stand against, including pedophilia, racism, bigotry, domestic violence, and sexual abuse.[14][15] The themes of the Dark Carnival focus on death, morality, heaven, and hell.[2]

[edit] References

  1. ^ a b c d Bruce, Joseph; Hobey Echlin. "The Dark Carnival". in Nathan Fostey. ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 174–185. ISBN 09741846083. 
  2. ^ a b c d e f g h i j k Friedman, David (November 2009). "Juggalos". Murder Dog. pp. 192–198. http://my.texterity.com/murderdogmagazine/volume16#pg192. 
  3. ^ Joseph Bruce (2009-08-31). "EXCLUSIVE Violent J Interview!!!". Psychopathic Records. http://www.insaneclownposse.com/carnival/iframe.php?page_id=icp_news&month=8&year=2009#a1. Retrieved 2009-11-25. 
  4. ^ a b c d e Phoebus Apollo (2004-01-22). "An Intelligent Look at the Insane Clown Posse". phoebus apollo. http://www.paoracle.com/?archive=77. Retrieved 2009-11-25. 
  5. ^ a b c "Who R ICP > Joker's Cards > Carnival of Carnage". Psychopathic Records. http://insaneclownposse.com/carnival/iframe.php?page_id=icp_carnival_of_carnage. Retrieved 2009-11-25. 
  6. ^ a b c d "Who R ICP > Joker's Cards > The Ringmaster". Psychopathic Records. http://insaneclownposse.com/carnival/iframe.php?page_id=icp_ringmaster. Retrieved 2009-11-25. 
  7. ^ a b c d e f "Who R ICP > Joker's Cards > Riddle Box". Psychopathic Records. http://insaneclownposse.com/carnival/iframe.php?page_id=icp_riddlebox. Retrieved 2009-11-25. 
  8. ^ a b c d "Who R ICP > Joker's Cards > Great Milenko". Psychopathic Records. http://insaneclownposse.com/carnival/iframe.php?page_id=icp_great_milenko. Retrieved 2009-11-25. 
  9. ^ Erlewine, Stephen Thomas. "Review of The Amazing Jeckel Brothers". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:f9ftxqrkldje~T1. Retrieved 2008-05-08. 
  10. ^ a b c d "Who R ICP > Joker's Cards > The Amazing Jeckel Brothers". Psychopathic Records. http://www.insaneclownposse.com/carnival/iframe.php?page_id=icp_jeckel_brothers. Retrieved 2009-05-22. 
  11. ^ a b Bruce, Joseph; Hobey Echlin. "Diamond Rain". in Nathan Fostey. ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 504–519. ISBN 09741846083. 
  12. ^ Bruce, Joseph (June 25, 2004). "Weekly Freekly: Number 669". Psychopathic Records. Archived from the original on 2004-04-26. http://web.archive.org/web/20040820062709/http://www.insaneclownposse.com/page.php?page_id=icp_wf_20040426. Retrieved 2008-08-17. 
  13. ^ Dominic, Serene (October 29, 2008). "(Not) just a juggalo". Metro Times. http://www.metrotimes.com/music/story.asp?id=13394. Retrieved 2008-10-30. 
  14. ^ a b Black Dog Bone. "Interview with Violent J". Murder Dog. http://www.murderdog.com/april_2009/violent_j.html. Retrieved 2009-11-25. 
  15. ^ Bruce, Joseph; Hobey Echlin. "Rude Boy and the Magical Land of Toxic Waste". in Nathan Fostey. ICP: Behind the Paint (2nd Edition ed.). Royal Oak, Michigan: Psychopathic Records. pp. 106–119. ISBN 09741846083.