Dave Couse

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Dave Couse
Born 1965 (age 48–49)
Tallaght, Ireland
Genres Alternative rock
Occupations Singer-songwriter, musician.
Instruments Vocals, guitar, piano
Years active 1985–present
Labels Solo: Beep-Beep, 1969 Records
With A House: Blanco y Negro Records, Setanta Records
Associated acts Last Chance
A House
Lokomotiv
Couse and the Impossible

Dave Couse is a musician, producer, and radio DJ. He was the lead singer and main song writer with Irish band A House and has released three albums as a solo artist. He is recognized for the honesty and cleverness of his lyrics, as well as an often caustic irony, and a tendency sometimes to write songs in the form of lists.

Birth to the Death of A House[edit]

Couse was born in Perrystown in 1965. He met some of his future bandmates while attending school in Templeogue College and formed the band Last Chance.

The disintegration of Last Chance gave birth to A House which consisted of Couse on vocals and guitar, Martin Healy on bass, Dermot Wylie on drums, and Fergal Bunbury on guitar. A House's earliest appearance on record appears to be from the record Live at the Underground (UK, 1986) alongside other up and coming bands such as Something Happens and The Stars of Heaven, while their first single release was "Kick Me Again Jesus" in 1987. These were the beginnings of a band that would endure more than a decade, during all of which time Couse, Healy, and Bunbury would remain as its constant core members. Bunbury, in particular, still frequently collaborates with Couse.

For the entirety of its career, A House maintained a loyal fan base, primarily in Ireland and the UK, while its releases, with Couse always as the main writer, were generally well received by critics. A House had a reputation as a hard-working band with a great deal of stamina, touring regularly and releasing 5 albums, as well as singles and EPs. After their second album (I Want Too Much, released in 1990) the band were dropped by their label, Blanco y Negro Records, only to be picked up by Setanta Records. As well as enabling A House to continue, this signing led to Couse developing a strong collaborative and personal bond with Edwyn Collins, and to an enduring relationship also with The Frank and Walters, all of whom were with Setanta at that time.

Unfortunately, however, A House never experienced more than sporadic commercial success and eventually decided to call it quits in 1997, bowing out with a farewell concert at the Olympia Theatre, Dublin in February.

1997 to 2003[edit]

Not Very Lokomotiv[edit]

After the breakup of A House an apparent hiatus followed for Couse. In fact, he was working on several collaborative projects. The detailed A House and Dave Couse discography at ZOP states that Couse and Bunbury worked on a project together in 2000, under the name Lokomotiv, recording an unreleased album titled the eighteenth Sunday in ordinary time, and that Couse also produced an album's worth of material with Briana Corrigan, formerly of the Beautiful South.[1] However, almost none of Couse's work from this period has ever seen the light of day.[2] The exception is one single by Lokomotiv. This was "Next Time Round" (UK, 2000) which featured Corrigan on backing vocals on the A-Side, and Úna O’Boyle of ambient-trance-dance band Hyper[borea] on lead vocals on the B-Side, "Intercourse with the World".[note 1]

2002, Looking Back[edit]

Otherwise, Couse was not much heard of until 2002 when a retrospective A House compilation (The Way We Were) was released, and the A House/Couse song Here Come the Good Times was successfully rerecorded as a charity single by members of the Irish soccer squad and other Irish celebrities in the run up to the 2002 World Cup. But it would be still another year before any original new material would appear from Couse.

Solo Musical Career[edit]

Genes[edit]

Finally, in 2003, it was a solo record that came out. This was Genes, which appeared on Couse's own label, Beep-Beep. Recorded with production help from Edwyn Collins, as much an old friend as a musical aid, the record is self-described as a "somewhat introspective affair",[3] and was noted for being a rather stern listen (one Irish music blogger said it was like listening to someone crying[4]). The production received some criticism, especially for losing Couse's lyrics in its murky sound, but the album's real difficulty lay in its thematic focus on the death of Couse's father,[2] leading to a morose atmosphere that wasn't always musically successful. Couse said later that he hadn't been fully ready to deal with his fresh grief while working on the album,[2] so it is perhaps not surprising that the record's highlight for many is a powerful version of someone else's song about attachment and loss, John Cale's Close Watch. The album artwork features photos of Couse and of his father (and its title is self-evident). Despite its problematic nature, there were positive reviews for Genes in Ireland, some even commenting on Couse's continuing ability to write perkily askew, breezy pop songs.[5] In live performances at this time Couse was usually accompanied by Simon Quigley on keyboards.[6]

Genes did not sell very well and Couse was dispirited, as his live gigging had not been particularly successful either. He had thought that as a solo artist he would pick up something of an instant audience from the body of A House fans, but this didn't work out because of the apparently fallow period before 2003, although he had received a fillip through the 2002 releases of The Way We Were and Here Come the Good Times. Then Genes was a record defined by Couse's personal need to deal with depression stemming from career uncertainty and his father's death, as well as more optimistic but overwhelming events, like the birth of his daughter.[2] However, by 2005 Couse was ready to meet the world again, and in October he released The World Should Know.

The World Should Know[edit]

Recorded with a band, The World Should Know is officially credited to Couse and The Impossible. More user-friendly and with a bigger, catchier sound than Genes, it was nominated for "Best Album" at the 2006 Meteor Awards and Couse was nominated for "Best Irish Male".[7] The record went on to a get full UK release and spawned a number of singles. The line up of Couse and The Impossible was Couse on vocals and guitar with Simon Quigley (keyboards), Mike O'Dowd (drums), Pete Meighan (guitar), and Dave Flynn (Bass Guitar); the group had broken up by 2007.[6]

One of the singles from The World Should Know was "A Celebration". Released in 2006, the single also included an updated version of the A House classic "Endless Art", which replaced the names of the deceased artists in the original with some of those who had passed since the song's original appearance in 1990. This limited edition CD is now highly sought after on the Dublin music trading scene.[citation needed]

In 2007 on the 10th anniversary of the final A House concert, Couse and Fergal Bunbury reunited once more for a well-received gig at Dublin's Sugar Club. Joined by Rike Soeller on cello, Couse displayed newly honed piano skills whilst treating the audience to a selection of A House/Couse classics in a style that foreshadowed the style eventually to be showcased on the record Alonewalk.

Alonewalk[edit]

On April 2, 2010 Couse released his album Alonewalk on Dublin label 1969 Records. One of the songs on Alonewalk is titled "Good Friday" which is why the release date of April 2 (Good Friday in 2010) was chosen. The Irish Times described the album as unlikely to appeal to a younger generation because Couse is a "middle-aged maker of music the polar opposite of what passes for pop these days" but because of the lyrical sophistcation and honesty of this singular and brave song writer the record is "so affecting and so good".[8] Musically it is based in a palette of piano and cello, Couse being again helped out by Bunbury and Soeller. There is also a guest contribution from Cathal Coughlan of The Fatima Mansions,[9] who sings "Good Friday". Alonewalk was mastered by Bob Ludwig.

Other activities[edit]

Producer[edit]

Couse also works as a producer, mainly (apart from his own and A House's records) for The Frank and Walters, from their album The Frank and Walters in 1991, when A House and The Frank and Walters were label mates on Setanta Records, through their 2006 record A Renewed Interest in Happiness.

Radio DJ[edit]

Couse presents his own radio show 'The Lighthouse' on Irish radio station Today FM every Sunday evening. He tries to approach his "little" show with the excitement of a music fan being allowed to play music to other music fans.[10] He also regularly fills in on Paul McCloone's well-regarded Monday–Thursday evening music show "Paul McLoone", known for its focus on alternative and indie rock. (Couse's role as supersub for this show began when the slot was occupied by Tom Dunne's version of the show. Once upon a time in the 1980s, Dunne and Couse occupied very similar roles in the Dublin and Irish music scenes, Dunne with Something Happens, and Couse with A House. McLoone has a different place in Irish music history: he began working in radio, but nowadays is also lead singer for The Undertones.

Discography[edit]

Albums[edit]

  • Genes (Beep-Beep, RoI, 2003)
    • Tracks: Satisfaction / At The End Of The Day / Will It Ever Stop Raining / Familiar Feeling / I Almost Touched You / For Sale / If This Is Where Love Is / Self Obsessed / You Don't Know What Love Is / Everybody's Got Their Own Troubles / Intoxicating / Close Watch (John Cale) / Peaceful...
  • The World Should Know (1969 Records, RoI, 2005, and UK, 2006) - as Couse and The Impossible
  • Alonewalk (1969 Records, RoI, 2010)
    • Tracks: Black and White / Dark Blue / Don't Say a Word / Good Friday / Habitual / What Will Become of Us / All Tomorrows / Time

Singles and EPs[edit]

  • "Next Time Round" (Shifty Disco, UK, 2000) - with Fergal Bunbury, as Lokomotiv
    • Tracks: Next Time Round / Intercourse with the World
    • Released by the Shifty Disco Singles Club: "Next Time Around" is included on the compilation 0-60 In Five Years - The Complete Shifty Disco Singles Club Collection.
    • "Next Time Round" features Briana Corrigan on backing vocals, and Úna O’Boyle takes lead vocals on "Intercourse with the World"
  • For a time (circa 2009), five further tracks (as if an EP) by Lokomotiv were available for free download from www.davecouse.com (now defunct). They were: Beautiful Music / Catalyst / Faith Avenue / Story / Visions of Karla.
  • "Familiar Feeling" (promo single) (RoI, 2003)
    • Tracks: Familiar Feeling / Close Watch (John Cale)
  • "Satisfaction" (promo single) (RoI, 2003)
  • "Batman and Robin" (1969 Records, RoI, 2005) - as Couse and The Impossible
  • "Beauty Is" (EP) (promo single) (RoI, 2006) - as Couse and The Impossible
    • Tracks: Beauty Is (version) / Small Talk (live) / Twist And Squeeze (live) / I Am Afraid (live)
  • "A Celebration / Endless Art 06" (1969 Records, RoI 2006) - as Couse and The Impossible

Appearances on Compilations[edit]

Notes[edit]

  1. ^ Some more tracks by Lokomotiv would eventually show up as free downloads on Couse's (now defunct) website www.davecouse.com - see the singles discography.

References[edit]

  1. ^ ZOP: A House discography and lyrics, retrieved 2010-03-21 
  2. ^ a b c d Heaney, Mick (2005-10-16), "Pop: Couse shows his light side", The Times, retrieved 2010-04-02 
  3. ^ About Dave Couse (background article on Dave Couse myspace page), retrieved 2010-04-02 
  4. ^ No, not a wikipedia-reliable source, but it's consonant with the Times article above and happens to be at http://headacheheadphones.blogspot.com/ (accessed 2010-04-02).
  5. ^ Kelly, Brian (2003), Dave Couse: a review of his album 'Genes', cluas.com, retrieved 2010-04-02 
  6. ^ a b Dave Couse navigator, IrishMusicDB, retrieved 2010-04-03 
  7. ^ Meteor Award nominations announced, RTÉ.ie, 2005-11-23, retrieved 2010-04-02 
  8. ^ Clayton-Lea, Tony (2010-04-02), "Dave Couse Alonewalk Review", The Irish Times, retrieved 2010-04-02 
  9. ^ "Cathal Coughlan guests on Dave Couse Album", Hot Press, 2010-03-29, retrieved 2010-04-02 
  10. ^ Kenny, Padraig (2008-11-23), "Airwaves to Heaven", The Sunday Tribune, retrieved 2010-04-14 

External links[edit]