Dave D. Taylor
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He worked for id Software between 1993 and 1996, and was during the time involved with the development of Doom and Quake. He created ports of both games to IRIX, AIX, Solaris and Linux, and helped program the Atari Jaguar ports of Doom and Wolfenstein 3D. He also considers himself to have been the "spackle coder" on Doom, for adding things such as the status bar, sound library integration, the automap, level transitions, cheat codes, and the network chat system. On Quake, he wrote the original sound engine, the DOS TCP/IP network library, and added VESA 2.0 support. One of the musical themes in Doom II, "Dave D. Taylor Blues", was named after him by Robert Prince.
His work for id caused him to be mentioned several times in the book Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture. Specifically mentioned was his habit of passing out after prolonged playing of Doom, and how the other employees would, after such incidents, sketch a body outline of his unconscious form with masking tape. After the success of the game, they eventually bought him a couch to pass out on. His attempts to "talk up" Quake on-line, his purchase of an Acura NSX with Doom money, his friendship with American McGee, and his eventual departure from the company are also mentioned.
He founded and worked as president of the small game company Crack dot Com from 1996 to 1998. Between 1998 and 2001 he worked for Transmeta. He was president of Carbon6 from 2001 to 2002, there also working as lead designer and producer for the Game Boy Advance game Spy Kids Challenger. Since 2002 he has been vice president of Naked Sky Entertainment and since 2003 also an advisor and freelance game designer. He is also willing to act as a Linux game porter for pay projects.
In 2009, he produced Abuse Classic for the Apple iPhone and Beakiez for the PC.
- Interview dated 1999
- Dave D. Taylor interview about Crack.Com from LinuxGames
- Dave Taylor's Official Website
- Interview between Dave Taylor and Dave Taylor
- Abuse Classic