Dead Can Dance (album)
|This article needs additional citations for verification. (March 2013)|
|Dead Can Dance|
|Studio album by Dead Can Dance|
|Released||27 February 1984|
|Genre||Post-punk, gothic rock, darkwave, ethereal wave|
|Producer||Dead Can Dance|
|Dead Can Dance chronology|
Dead Can Dance is the debut studio album by Australian musical act Dead Can Dance. It was released on 27 February 1984 by record label 4AD. This album differs greatly from later Dead Can Dance releases in its incorporation of post-punk and gothic rock musical styles.
On the name of the album—and indeed the band—the band states on their official website:
To understand why we chose the name, think of the transformation of inanimacy to animacy. Think of the processes concerning life from death and death into life. So many people missed the inherent symbolic intention of the work, and assumed that we must be "morbid gothic types".
The album, according to the sleeve notes, was recorded at "Vineyard".
The instrumentation on the album consists of guitars, bass guitar and drums, with added percussion and the very distinct sound of the yangqin, as played by Lisa Gerrard. The musicians who performed on the album were Brendan Perry, Lisa Gerrard, Paul Erikson, James Pinker, Scott Rodger and Peter Ulrich. Erikson returned to Australia and was replaced by Rodger.
AllMusic commented on the album's sound: "Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and The Cure than to the later fusions of music that would come to characterize the duo's sound, Dead Can Dance is as goth as it gets in many places."
The beginning of "The Fatal Impact" is taken from the 1964 film Zulu, and was recorded off of a television broadcast onto a cassette player. The drum machine used was built into the same cassette player. The percussion featured in the track consisted of three upturned, empty five-gallon paint tins tied together. One of the main reasons this song was not performed live at the time is due to the unorthodox instrumentation.
The album was not released in North America for some time because 4AD wanted to have a proper label deal rather than licensing the artists individually. Modern English and Cocteau Twins were the exceptions at that time.
Some editions include Dead Can Dance's next release, the EP Garden of the Arcane Delights, added onto the end of the album.
In its retrospective review, AllMusic wrote that, with the album, "Perry and Gerrard created a striking, dour landmark in early-'80s atmospherics".
The band's touring was limited to Europe during this period, because the album was not readily available. Their early live shows were incredibly dynamic, and very soon the band gained a dedicated live following. In these early days, the band was run in a very democratic way, something which would change as the years progressed.[dubious ]
|1.||"The Fatal Impact"|
|1.||"East of Eden"|
|3.||"A Passage in Time"|
|4.||"Wild in the Woods"|
|Australia||27 February 1984|
|United States||22 March 1994|
- Raggett, Ned. "Dead Can Dance – Dead Can Dance : Songs, Reviews, Credits, Awards : AllMusic". AllMusic. Retrieved 21 October 2012.
- "dead-can-dance.com". dead-can-dance.com. Retrieved 21 October 2012.
- Dead Can Dance at the band's official website
- Dead Can Dance at Discogs (list of releases)
- Dead Can Dance at MusicBrainz (list of releases)