Death Cab for Cutie

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This article is about the band. For the 1967 song, see Death Cab for Cutie (song).
Death Cab for Cutie
Death Cab for Cutie at Manchester Academy, 4 July 2011.jpg
Death Cab for Cutie performing "Transatlanticism" on their Codes and Keys European tour, at Manchester Academy on July 4, 2011. Left to right: Harmer, McGerr, Gibbard, Walla.
Background information
Origin Bellingham, Washington, United States
Genres Alternative rock,[1][2] emo,[3][4][5][6] indie pop,[2][7][8] indie rock[2][9]
Years active 1997–present
Labels Warner Music, Atlantic, Barsuk, Fierce Panda, Sub Pop, Grand Hotel van Cleef
Associated acts All-Time Quarterback, The Postal Service, Martin Youth Auxiliary, Eureka Farm
Website www.deathcabforcutie.com
Members Ben Gibbard
Nick Harmer
Jason McGerr
Past members Nathan Good
Michael Schorr
Chris Walla

Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997.[10]

The band comprises Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass) and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla, announced that he would be departing from the band after recording their forthcoming eighth studio album.

Originally a solo project of Ben Gibbard, he released the demo album, You Can Play These Songs with Chords, to positive reception, which led to a record deal with Barsuk Records.[11] Gibbard decided to expand the project into a complete band, releasing their debut album, Something About Airplanes in 1998, and their second album, We Have the Facts and We're Voting Yes, in 2000; both records were positively received in the indie community. Their third album, 2001's The Photo Album, gave the band their first charting single, however the release of the group's fourth album, Transatlanticism, in 2003 gained the band mainstream critical and commercial success. After signing with Atlantic Records, Death Cab For Cutie released their fifth album and major-label debut, Plans, in 2005, which received platinum certification from the Recording Industry Association of America. The band released their sixth album, Narrow Stairs, in 2008 served as a stylistic departure for the group, and their seventh album, 2011's Codes and Keys, featured the band's first number one single, "You Are a Tourist".

Death Cab for Cutie's music has been labeled as indie rock, indie pop, emo, and alternative rock, and is noted for its use of unconventional instrumentation, as well as Gibbard's distinctive voice and unique lyrical style. Since their formation, the band has released seven full-length studio albums, four EPs, two live EPs, one live album, and one demo album to date.

History[edit]

Early years (1997–2002)[edit]

Death Cab for Cutie began as a solo project of Ben Gibbard in 1997, while he was the guitar player for the band Pinwheel and was recording under the name All-Time Quarterback. As Death Cab for Cutie, Gibbard released a cassette titled You Can Play These Songs with Chords the same year. The release was surprisingly successful, and Gibbard decided to expand the project into a complete band, recruiting Chris Walla (who had also worked on the cassette) as lead guitarist, Nick Harmer as bass player, and Nathan Good as drummer.[12] Death Cab for Cutie was officially formed at Western Washington University in Bellingham, Washington, and lyrics from early songs include local references that were important to the band's development.[13] Many of the early songs were recorded in the basement of an Ellis Street home Gibbard lived in with several roommates in Bellingham.[14]

The four released their debut full-length studio album, Something About Airplanes, on August 18, 1998. The album was favorably reviewed in the independent music scene. In 1998 the band also met their long-term manager Jordan Kurland. Kurland had heard good things about them, and after a failed attempt to see them play at South By Southwest finally hooked up with them when touring with his then client, the band Crumb.[15]

The band released their follow-up second album, We Have the Facts and We're Voting Yes, in March 2000. Nathan Good left the band at some point during this album's production, and was briefly replaced by Jayson Tolzdorf-Larson. Gibbard played drums on the majority of the album, with Good's playing on “The Employment Pages” and “Company Calls Epilogue” being kept on the final release.[12] Although Tolzdorf-Larson did not contribute to the album, he did appear on the song "Spring Break Broke", from the "Death Cab for Fiver" 7" record, and also joined the band on two tours, including their first full tour of the United States. Tolzdorf-Larson was later replaced by Michael Schorr, who would first appear on The Forbidden Love EP, released on October 24, 2000.

In 2001, Death Cab for Cutie released their third album, The Photo Album. Limited editions of this album contained three bonus tracks, which were later released separately as The Stability EP.[16] The album produced the band's first charting single "A Movie Script Ending", which reached number 123 on the UK Singles Chart, and was the first of three songs by the band to feature on the television show The O.C.. The Photo Album's two other singles, "I Was a Kaleidoscope" and "We Laugh Indoors", also reached numbers 115 and 122 on the UK Singles Chart, respectively.

Transatlanticism (2003)[edit]

In 2003 there was yet another change of drummer with Jason McGerr, who had previously played in the band Eureka Farm with Gibbard and Harmer, joining the band. McGerr debut would be playing drums on Death Cab for Cutie's next release, their fourth album Transatlanticism,[12] which was released in October 2003.[12] The album was received to critical acclaim, and launched the band into mainstream commercial success, with the two singles "The Sound of Settling" and "Title and Registration", appearing in the soundtracks of the television shows The O.C.,[13] Six Feet Under, CSI: Miami and Californication, and the films Wedding Crashers, Easy A, and Mean Creek.

Signing to Atlantic and Plans (2004–2006)[edit]

Ben Gibbard performing at the Street Scene music festival in San Diego.

In early 2004 the band recorded a live EP, entitled The John Byrd EP, named for their sound engineer was released on Barsuk Records in March.[12]

Death Cab for Cutie had been contacted by major labels on-and-off for several years, but it was only after proven success of Transatlanticism that they decided to start talking to labels about a potential deal as having already achieved considerable success allowed the band to be able to negotiate a lot of creative freedom.[15] According to their manager Jordan Kurland, the band had spoke to "pretty much all of them", and then decided they were most satisfied by their offer from Atlantic Records.[15] In November 2004, the band signed a “long-term worldwide deal” with Atlantic, leaving their long-time label Barsuk Records.[17] Gibbard stated on the band's official website that nothing would change, except that "next to the picture of Barsuk holding a 7", there will be the letter "A" on both the spine and back of our upcoming albums."[18] After signing to Atlantic, the band was still nervous about corporate economics, and encouraged fans to download its songs from the Internet.[19]

The band released their fifth studio album and debut major-label release, Plans, on August 30, 2005, to critical and commercial success.[20][21] Two singles from the album, “Soul Meets Body” and “Crooked Teeth”, reached the top ten of the US Billboard Alternative Songs chart, while the single "I Will Follow You into the Dark" became the band's best-selling single to date. Death Cab for Cutie performed "Crooked Teeth" live on Saturday Night Live on January 14, 2006.[22] Plans received a nomination for the Grammy Award for Best Alternative Album of 2005, as well as achieving gold certification in 2006 after being featured on the Billboard Album chart for 47 consecutive weeks, and later was certified platinum by the Recording Industry Association of America in early May 2008.[23]

The band released a touring DVD, Drive Well, Sleep Carefully, in 2005. Copies of the DVD were given away to promote animal rights, and the band are supporters of the activist group PETA.[24] In early 2006, the band announced the upcoming release of Directions: The Plans Video Album, which features eleven short films inspired by songs from the Plans album, each directed by a different person. The videos were posted one at a time at the band's website, and the DVD went on sale April 11, 2006. The iTunes Store began selling the videos (formatted for iPod) early on March 28, 2006. Lance Bangs, P.R. Brown, Ace Norton, Jeffrey Brown, Lightborne, Autumn de Wilde, Rob Schrab, Laurent Briet and Monkmus, as well as Aaron Stewart-Ahn, are among directors that have contributed to the project. An episode of MTV2's Subterranean played these videos for the whole hour, plus discussion with members of the band.[25] Death Cab for Cutie made their first appearance at Neil Young's annual Bridge School Benefit, and completed their lengthy 2006 tour of the United States on December 10, 2006, finishing with a show at the KeyArena in Seattle, Washington.[26]

Narrow Stairs and The Open Door EP (2007–2009)[edit]

Main article: Narrow Stairs

Walla claimed on October 18, 2007, that a new album was "in full swing" and that they had six songs completed.[27] He went on to call the new music "weird," "spectacular," and "creepy," saying that it contained "lots of blood."[27] He noted that the album had a "Can jam" that lasted 10 minutes, which Walla said that he would have never imagined doing in 1998.[27] In a Billboard piece in January 2008, the band promised the album to be a "curve ball" and said that although it would have slower songs, there would be some surprises. Walla said, "I'm really excited about it. It's really got some teeth. The landscape of the thing is way, way more lunar than the urban meadow sort of thing that has been happening for the last couple of records."[28] Walla added that the album was "louder and more dissonant and ... abrasive." They claimed that they were influenced by "synth-punk band Brainiac."[28]

Their sixth full-length album, Narrow Stairs, was released on May 12, 2008. The first single, "I Will Possess Your Heart", was released on March 18, 2008.[29] The album version of the song is over eight minutes in length, leading radio and promotional edits to remove the extended intro to shorten the song to four minutes. The second single, "Cath...", was released on July 21, 2008, and the third single "Grapevine Fires", was released on March 3, 2009. The two singles "I Will Possess Your Heart" and "Cath..." both reached the top ten of the Alternative Songs chart, while "Grapevine Fires" reached number 21. In an album review, MTV writer James Montgomery said "Narrow Stairs is a great album, one that could make them very famous, but could very well also kill their careers," and although "Death Cab for Cutie had gone insane," he believed the LP could be "an early contender for the best album of 2008."[30] Indeed, Narrow Stairs was nominated for "Best Alternative Music Album" and "I Will Possess Your Heart" received a nomination for "Best Rock Song" at the 51st Grammy Awards. The band lost in both categories, but prompted debate after appearing at the ceremony sporting blue ribbons to protest against what they view as the excessive use of Auto-Tune in the music industry.[31] Narrow Stairs was their first album to reach No.1 on the Billboard 200 chart on May 31, 2008. Though the album achieved strong success, Gibbard went on to call it the band's most "depressing record".[32]

On March 31, 2009, the band released The Open Door EP, containing tracks left off Narrow Stairs as well as a demo for "Talking Bird".[33] The Open Door EP was nominated for Best Alternative Music Album at the 52nd Grammy Awards.[34] In 2009 the band wrote the song, "Meet Me on the Equinox" for the The Twilight Saga: New Moon soundtrack. "Meet Me on the Equinox" was not the first song that Death Cab for Cutie contributed to a soundtrack, as they contributed "Soul Meets Body" to the soundtrack for Catch and Release in 2006.[35]

Codes and Keys (2010–2012)[edit]

Main article: Codes and Keys

The band's seventh album, Codes and Keys, was released on May 31, 2011.[36] Ben Gibbard and Nick Harmer have both been quoted as saying that the album was "a much less guitar-centric album than we’ve ever made before".[37]

In March 2011, Ben Gibbard had performed a new Death Cab for Cutie at a solo concert in San Francisco, which would later be revealed as the title track from Codes and Keys, and the tracklist for the album was released on Death Cab for Cutie's website on March 15, 2011.[38]

The first single from the album, "You Are a Tourist", was released on March 29, 2011. The song is notable for it's music video being first ever live, scripted, one-take music video shoot ever: the group streamed a live performance of the music video as it was being recorded on April 5, 2011. The video was accomplished in a single take, using multiple cameras, and no edits or re-takes. The innovative and artistic production employed dancers, actors, and projected images.[39] "You Are a Tourist" is also notable as Death Cab for Cutie's first (and to date, only) single to reach number one, topping the Billboard US Alternative Songs, US Adult Alternative Songs, and Bubbling Under Hot 100 Singles charts, as well as reaching number three on the US Rock Songs chart. The band released the video for the song "Home is a Fire" on May 9, 2011, featuring street artist Shepard Fairey plastering lyrics from the song around Los Angeles. "Stay Young, Go Dancing" was released as the second single on September 26, 2011, reaching number 31 on the Alternative Songs chart. "Underneath the Sycamore" was released as the third single on January 10, 2012, but did not chart. Codes and Keys was nominated for Best Alternative Music Album at the 54th Grammy Awards in 2012.

The band was due to play at the Ottawa Bluesfest on July 17, 2011, but the outdoor stage collapsed earlier in the evening after sudden severe weather hit the area.[40] On their website, the band posted: "Our hearts go out to those that were injured and we are so thankful that no one was killed."[41]

In 2012 the band toured across the globe, starting in Australia, New Zealand, Southeast Asia.[42] In April and May, the band toured in the United States with members of the Magik*Magik Orchestra, who collaborated on tracks on Codes and Keys.[43] After headlining the inaugural Bunbury Music Festival in Cincinnati, the band played summer festivals in Europe.

Eighth studio album and departure of Walla (2013–present)[edit]

On October 11, 2013, the band reportedly began working on their eighth studio album.[44] This was then confirmed by the group's official Instagram profile in which an image was uploaded with the caption "DCFC LP8 begins".[45] The new album will be produced by Rich Costey and is expected to be released in early 2015.[46] In an interview with Stereogum, Gibbard said of the new album, "I do think from start to finish it's a much better record than Codes And Keys. If that record turned anybody off, I feel pretty strongly that this one could win them back. There are threads in this one that connect back to our earliest stuff that people love."[47]

On October 29, 2013, the band released a remastered tenth-anniversary version of their 2003 album Transatlanticism. The new album included a vinyl LP and MP3 download, with demos for all the songs from the album.[48]

As part of the 2014 Record Store Day, the band released its first live album, a vinyl-only double LP recorded during various 2012 tour dates with Magik*Magik Orchestra. Included within the packaging was a code for a digital download of the recording.[49]

On August 13, 2014, after 17 years as a member of Death Cab for Cutie, guitarist and songwriter Chris Walla decided to part ways with the band, with his last performance occurring on September 13, 2014 at the Rifflandia Music Festival in Victoria, British Columbia.[50] Walla states that he plans to "...continue making music, producing records, and erring on the side of benevolence and beauty whenever possible."[46] When asked in an interview about Walla's involvement in the eighth album, McGerr confirmed that Walla "played on everything and has been involved all the way through, even in the mixing. Even though he's played his last show with us, he's still been involved in everything involving this record."[47]

An October 2014 Rolling Stone interview with Gibbard revealed new songs entitled "No Room In Frame", "Black Sun", "Beverly Drive", and "Good Help" will feature alongside seven further tracks on the still to be named record.[51]

Musical style[edit]

Death Cab for Cutie's music has been labeled indie rock,[2][9][52] indie pop,[2][7][8] emo,[3][4][5][6] and alternative rock.[1][2] Death Cab for Cutie's early work on You Can Play These Songs with Chords was described by Rolling Stone as "emotion through its lack of emotion".[53] Pitchfork Media also remarked that the work on the cassette was "ultra-lo-fi".[54] On Something About Airplanes the band's style remained similar, with some new instrumental work introduced; "flute, synth, or cello" were noted by Allmusic's Nitsuh Abebe.[55] On We Have the Facts and We're Voting Yes the band again expanded their use of unorthodox instruments, including organ and glockenspiel. Pitchfork Media called them a "gentle niche" in the current rock climate, compared with bands such as Modest Mouse and Built to Spill.[56]

Rolling Stone reviewed Transatlanticism and commented that it contained "melodic, melancholy songs about feeling both smart and confused, hopelessly romantic but wary of love."[57] Gibbard's voice was described as "plaintive boy-next-door"[57] Entertainment Weekly commented on the music on Plans, saying "The lush arrangements are long on hothouse organs and pianos, but short on the squirmy guitars and squirrelly beats that, on Gibbard's best work, offset his sweet voice and borderline-maudlin poetics with a sense of emotional danger."[21] The band's music on Plans was described by the Dallas Morning News as "a literate, whispery style, the kind of stuff that normally sounds better in headphones than in large venues".[58]

In an interview with Shave Magazine, Ben Gibbard commented on his song writing saying that he "never sit[s] down to write an album number one. I just kind of sit down and write songs and the theme kind of makes itself apparent. But I would never say I was writing about searching for something as much as just trying to document with every song where I am in that moment when I’m writing that song. If a theme kind of makes itself apparent in a record, it has more to do with the fact that just what’s been on my mind recently. So I guess clearly I have been and was and am, but it was never a conscious decision."[59]

Band name[edit]

Gibbard took the band name from the title of the song written by Neil Innes and Vivian Stanshall and performed by their group, the Bonzo Dog Doo-Dah Band. The song's name was in turn taken from an invented pulp fiction crime magazine The Uses of Literacy, devised by Richard Hoggart as part of his 1957 study of working class culture. In a 2011 interview, Gibbard stated, "The name was never supposed to be something that someone was going to reference 15 years on. So yeah, I would absolutely go back and give it a more obvious name."[60]

Members[edit]

Discography[edit]

Studio albums

References[edit]

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External links[edit]