Power electronics (music)

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Power electronics was originally coined by William Bennett as part of the sleevenotes to the Whitehouse album Psychopathia Sexualis, and is related to the early Industrial Records scene but later became more identified with noise music.[1] It consists of screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds, and screamed, distorted, often hateful and offensive lyrics. Deeply atonal, there are no conventional melodies or rhythms.[2] Artists include Philip Best, Ramleh, Sutcliffe Jügend, and Genocide Organ.

Tellus Audio Cassette Magazine produced a compilation compact cassette tape called Power Electronics in 1986 that was curated by Joseph Nechvatal.[3]

Whitehouse (William Bennett & Philip Best) live at Consumer Electronics Festival, 2006

Death industrial[edit]

Death industrial is an industrial sub-genre typified by a dense atmosphere, low-end drones and screamed or distorted vocals. It can be differentiated from power electronics by a slower, more atmospheric sound reminiscent of dark or ritual ambient, and a less abrasive sound.[4] Artists described at death industrial include Brighter Death Now, Anenzephalia, Atrax Morgue, Aelia Capitolina, Hieronymus Bosch, Stratvm Terror and Dead Man's Hill.

See also[edit]

References[edit]

  1. ^ Whitehouse, Allmusic bio. [1] Access date: March 15, 2009.
  2. ^ Emily Benjamin, "Whitehouse Asceticists Susan Lawly". The Johns Hopkins News-Letter. February 14, 2006. [2] Access date: March 15, 2009.
  3. ^ [3] Tellus #13 - Power Electronics (1986)
  4. ^ "Death Industrial (aka Dark Noise)". Rateyourmusic.com. Retrieved October 20, 2011.[unreliable source?]