Deathmate

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Deathmate Prologue, art by Jim Lee and Bob Layton

Deathmate was a six-part comic book crossover between Valiant Comics and Image Comics published in 1993 and 1994. Designated by color rather than issue numbers (namely Yellow, Blue, Black, and Red) plus two book-end issues, Deathmate Prologue and Deathmate Epilogue, as well as Preview issues collected with comic products, the four main issues were written so they could be read in any order. Created at the peak of the comic book speculator boom, the project was heavily promoted and sold hundreds of thousands of copies, but was beset with production delays. The Image half (Black, Red, and Epilogue) came out severely behind schedule and out of sequence. Deathmate Red shipped after the epilogue issue, and despite cover dates of September 1993 to February 1994, the actual publication lag was far longer than six months.

The plot evolved around a chance interdimensional meeting of two characters, Solar from Valiant and Void from Image's WildC.A.T.s. The two became lovers, but their joining would mean the destruction of both comic book universes.

It is notable that only half of the Image founding members chose to take part. Erik Larsen, Jim Valentino, and Todd McFarlane were not involved, although Al Simmons makes a brief character appearance in Deathmate Red.

The books[edit]

Preview Issues
Green sold with Comic Defense comic bags or Advance Comics magazine
Same story and cover, but with the logo of the sponsor in the corner
Story: Solar and Prophet battle Erica Pierce

Orange and Pink
sold with Previews magazine
Same story, but different covers
Story: Archer chases Shadowman while Grifter chases Archer
Books from Valiant

  • Deathmate Prologue

"A Love to End All Time"
Story: Bob Layton
Pencils: Barry Windsor-Smith
Inks: Jim Lee

"Universal Truth"
Story: Bob Layton
Pencils: Rob Liefeld
Inks: Bob Layton with Danny Miki and Dan Panosian

  • Deathmate Yellow

"Jerked Through Time" (featuring characters from Archer & Armstrong and WildC.A.T.s)
Story: Mike Baron
Pencils: Bernard Chang
Inks: Rodney Ramos

"Cat and Mouse" (featuring characters from Ninjak and WildC.A.T.s)
Story: Jorge Gonzalez.
Pencils: Don Perlin
Inks: Mike Manley

"The Dying Game" (featuring characters from H.A.R.D. Corps and WildC.A.T.s)
Story: David Michelinie and Bob Layton
Pencils: Mike Leeke
Inks: Tom Ryder

"Revelations and Recruitments" (featuring characters from Shadowman and WildC.A.T.s)
Story: Bob Hall
Pencils: Mark Moretti
Inks: John Dixon

  • Deathmate Blue

"Battlestone vs. Magnus Outlaw!" (featuring characters from Brigade and Magnus: Robot Fighter)
Story: John Ostrander
Pencils: Jim Calafiore
Inks: Ralph Reese

"Secret Forces" (featuring characters from Secret Weapons and Cyberforce)
Story: Joe St. Pierre
Pencils: Sean Chen
Inks: Kathryn Bolinger

"Sacrifices" (featuring characters from Harbinger, Brigade, and Cyberforce)
Story: Maurice Fontenot
Pencils: Howard Simpson
Inker: Gonzalo Mayo

"Supremely Darque" (featuring characters from Solar and Supreme)
Story: Kevin VanHook
Pencils: Peter Grau
Inker: Jimmy Palmiotti

Books from Image

  • Deathmate Black (featuring characters from Gen¹³, WildC.A.T.s, Turok: Dinosaur Hunter, Cyberforce, and X-O Manowar)

Story: Brandon Choi and Eric Silvestri
Pencils: Brandon Peterson, Brett Booth, Marc Silvestri, J. Scott Campbell (as Jeffrey Scott),
Scott Clark, Greg Capullo, Jim Lee, and Whilce Portacio
Inks: Scott Williams, Sal Regla, Alex Garner, and Trevor Scott

Story and Pencils: Rob Liefeld
Script: Eric Stephenson
Additional pencils: Jeff Matsuda, Rich Horie, Dan Fraga, Cedric Nocon, Dan Pacella, Anthony Winn, Marat Mychaels
Inks: Danny Miki, Jon Sibal, Marlo Alquiza

  • Deathmate Epilogue

Story: Bob Layton
Pencils: Marc Silvestri and Joe Quesada
Inks: Bob Layton and Scott Williams

Aftermath[edit]

Although the issues of Deathmate produced by Valiant shipped on schedule, those produced by Image Comics did not, a problem that Image faced with many of its publications in its early years. The books were pre-ordered in heavy quantities by retailers, and when shipping dates were not met, distributors cancelled the original orders and required re-orders. By the time the last issues did arrive, some fans had lost interest, leaving retailers with unsold copies.[citation needed]

As a cross-promotion, two trading card companies also did a cross-over, Upper Deck and Topps. But, because of the deadline problems with Image Comics, Topps ended up backing out of the contract.[citation needed]

In a retrospective interview on the rise and fall of Valiant, Bob Layton (former editor in chief) lambasted the whole affair, regarding it as an "unmitigated disaster."[1] Valiant Editor in Chief Bob Layton, who says he had to fly to Los Angeles and literally sit on Liefeld's doorstep until Liefeld finished his penciled art for the Deathmate Prologue, and who then inked the artwork himself in an Anaheim hotel room. Layton stated, "What a pain in the ass that was! There I was, with my own company to manage, and I was in California, managing someone else's people. I look back at it and can't believe some of the shit I had to put up with as E.I.C. of Valiant. As far as failures, Deathmate and [Valiant promotion] Birthquake were unmitigated disasters. Not necessarily in the numbers, but in the consequences of their release...I think that Deathmate sounded the beginning of the problems, and when Image couldn't get their side of the cross-over out on time, it hurt everyone. I think [Valiant crossover] Chaos Effect the next summer was a decent idea, but there wasn't anything new to capture the audience's imagination. We made a specific mistake in choosing not to advertise during the summer of '93. Our books were almost too hot and we wanted to get more realistic numbers. Remember, we were the collectible company. That meant wealthier speculators buying cases of the stuff, hoping to sell it for ten times what they paid for it within a year. In some cases, they did! That's why there's so much of our output from that era on the market."[1]

"I literally had nothing to do with most of those projects," Layton revealed, "Deathmate was thrust upon us because (Steve) Massarsky and Jim Lee were best buddies at the time and had privately arranged the crossover."[1]

For retailers, Deathmate was harmful, due to the tying up of cash flow with books arriving late, especially given the $4.95 USD cover price (at the time, the average comic book cover price was less than half of that). Also due to waning fan interest, the re-orders were lower than initial orders. The Valiant Deathmate books (Prologue, Blue, and Yellow) had print runs of over 700,000 copies, but by the time Deathmate Red was released, it had a print run of 250,000, although retailers were nonetheless left with many unsold copies. At the time, comic book distributors would only allow unsold books to be returned if they were six months late. Retailers dealt constantly with late books from Image, which indirectly caused some comic book shops to close. Partially due to the lateness of Image publications, the window was eventually decreased to two months.[1]

References[edit]

  1. ^ a b c d McLelland, Ryan. "Valiant Days, Valiant Nights - A Look Back at the Rise and Fall of Valiant". Newsarama. September 24, 2003. Archived at ValiantFans.com. Retrieved August 21, 2013.

External links[edit]