The Demoiselle Crane, Anthropoides virgo, is a species of crane found in central Eurasia, ranging from the Black Sea to Mongolia and North Eastern China. There is also a small breeding population in Turkey. These cranes are migratory birds. Birds from western Eurasia will spend the winter in Africa whilst the birds from Asia, Mongolia and China will spend the winter in the Indian subcontinent. The bird is symbolically significant in the culture of North India and Pakistan, where it is known as the koonj.
The Demoiselle is 85–100 cm (34–39 in) long, 76 cm (30 in) tall and has a 155–180 cm (61–71 in) wingspan. It weighs 2–3 kg (4.4–6.6 lbs). It is the smallest species of crane. The Demoiselle Crane is slightly smaller than the Common Crane but has similar plumage. It has a long white neck stripe and the black on the foreneck extends down over the chest in a plume.
It has a loud trumpeting call, higher-pitched than the Common Crane. Like other cranes it has a dancing display, more balletic than the Common Crane, with less leaping.
The Demoiselle Crane lives in a variety of different environments, including desert areas and numerous types of grasslands (flooded, mountain, temperate and tropical grassland) which are often within a few hundred metres of streams or lakes. However, when nesting, they prefer patchy areas of vegetation which is tall enough to conceal them and their nests, yet short enough to allow them look out for predators whilst incubating their eggs.
Demoiselle Cranes have to take one of the toughest migrations in the world. In late August through September, they gather in flocks of up to 400 individuals and prepare for their flight to their winter range. During their migratory flight south, Demoiselles fly like all cranes, with their head and neck straight forward and their feet and legs straight behind, reaching altitudes of 16,000-26,000 feet (4,875-7,925 m). Along their arduous journey they have to cross the Himalayan mountains to get to their over-wintering grounds in India. Many die from fatigue, hunger and predation from birds such as eagles. Simpler, lower routes are possible, such as crossing the range via the Khyber Pass. However, their presently preferred route has been hard-wired by countless cycles of migration. At their wintering grounds, Demoiselles have been observed flocking with Common Cranes, their combined totals reaching up to 20,000 individuals. Demoiselles maintain separate social groups within the larger flock. In March and April, they begin their long spring journey back to their northern nesting grounds.
The Demoiselle Crane is evaluated as Least Concern on the IUCN Red List of Threatened Species. It is one of the species to which the Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA) applies.
Rajeev1956 (talk) 20:48, 30 April 2013 (UTC)==Symbolism in North Indian and Pakistani culture== The Demoiselle Crane is known as the Koonj (कूंज, کونج, ਕੂੰਜ) in the languages of North India and Pakistan, and figure prominently in the literature, poetry and idiom of the region. Beautiful women are often compared to the koonj because its long and thin shape is considered graceful. Metaphorical references are also often made to the koonj for people who have ventured far from home or undertaken hazardous journeys.
The name koonj is derived from the Sanskrit word kraunch, which is a cognate Indo-European term for crane itself. In the mythology of Valmiki, the composer of the Hindu epic Ramayana, it is claimed that his first verse was inspired by the sight of a hunter kill the male of a pair of Demoiselle Cranes that were courting. Observing the lovelorn female circling and crying in grief, he cursed the hunter in verse. Since tradition held that all poetry prior to this moment had been revealed rather than created by man, this verse concerning the Demoiselle Cranes is regarded as the first human-composed meter.
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The flying formation of the koonj during migrations also inspired infantry formations in ancient India. The Mahabharata epic describes both warring sides adopting the koonj formation on the second day of the Kurukshetra War.
Identification of Demoselle crane with "krauncha" bird mentioned in Hindu epic Valmiki Ramayan. This identification is incorrect since the particular mention in the epic states that "krauncha" had a copper colored crest or head. See verse 1.2.12 of the epic in translation at http://valmiki.iitk.ac.in/index.php?id=translation . Identification of "krauncha" bird with Sarus crane is a better fit.
Photo gallery 
Demoiselle Crane at the Maryland Zoo in Baltimore
- R. K. Gaur, Indian birds, Brijbasi Printers, 1994, "... The smallest member of the crane family, the demoiselle crane (Anthropoides virgo ) is a distinctive looking bird, with ashy grey ... The local name for this crane — koonj — is onomatopoeic, deriving from the Sanskrit 'kraunch', the origin of the word crane itself ..."
- Ali, S. (1993). The Book of Indian Birds. Bombay: Bombay Natural History Society. ISBN 0-149-563731-3 Check
- Department of English, University of Delhi, The Individual and Society, Pearson Education India, 2005, ISBN 978-81-317-0417-2, "... kunj: more properly koonj is a demoiselle crane. The word is used metaphorically for a young bride far from her home ..."
- Dinkar Joshi, Yogesh Patel, Glimpses of Indian Culture, Star Publications, 2005, ISBN 978-81-7650-190-3, "... Valmiki saw a pair of kraunch (cranes) birds making love. Suddenly, a hunter killed the male kraunch with an arrow. Valmiki was moved by the cries of the female ... Valmiki's pain was expressed through a shloka ... The first man-composed meter ..."
- Ramesh Menon, The Mahabharata: A Modern Rendering, iUniverse, 2006, ISBN 978-0-595-40188-8, "... The second day: Two kraunchas ... Yudhishtira decides to form his legions in the vyuha called the krauncha, after the crane ..."
|Wikimedia Commons has media related to: Anthropoides virgo|
- BirdLife Species Factsheet
- "IUCN Red List". Retrieved 2009-MAR-30.
- Demoiselle Crane at Animal Diversity Web
- Demoiselle Crane (Anthropoides virgo) from Cranes of the World (1983) by Paul Johnsgard