Barry gained a place at University College London[when?]. After his degree, he taught English in Italy and then in 1986 moved to the USA where he did a bewildering array of jobs before embarking on a writing programme at Columbia University. While there, he studied under Booker prize–winner Peter Carey, and worked as Carey’s researcher on his novel Jack Maggs.
When he began writing his own debut novel, The Chivalry of Crime (Jonathan Cape, 2001), Barry did exhaustive research on Jesse James, and decided to study Stanislavski’s method acting in order to get into the heads of James and his cohorts.
From 1999–2001, in the summer months, Barry worked in Tibet as part of a non-governmental organisation. He’s influenced by Tibetan teachings on meditation which he’s practised meditation for over 25 years.
He teaches creative writing at the University of Glamorgan.
The Chivalry of Crime was voted Best First Novel of the Year by the Western Writers of America and was shortlisted for the 2002 Wales Book of the Year Award. A Bloody Good Friday (Jonathan Cape, 2002) is set in his home town in 1977. Cressida’s Bed (Jonathan Cape, 2004) made the 2005 Wales Book of the Year Long List.
His shorter prose has appeared in Granta, The New Yorker, The Big Issue and in the anthologies Wales, Half Welsh (Bloomsbury, 2004), London Noir (Serpent’s Tail, 2006) and Sea Stories (National Maritime Museum, 2007). He won a Creative Wales Award in 2006 for the Far South Project, which is ongoing. His play Jetlag was the Cardiff part of Three Cities, a trilogy of plays written in collaboration with writers from Buenos Aires and Melbourne and performed in Cardiff in 2007 at Chapter Arts Centre. The trilogy will be performed in Buenos Aires in 2009. Barry worked with Uruguayan photographer, Diego Vidart, to produce ’The Falkland Diaries ’, an exhibition at the Wales Millennium Centre in 2007.
The Chivalry of Crime (Jonathan Cape, 2001)
A Bloody Good Friday (Jonathan Cape, 2002)
Cressida’s Bed (Jonathan Cape, 2004)