Description

For other uses, see Description (disambiguation).

For the Hasidic musician, see DeScribe.

Description is one of four rhetorical modes (also known as modes of discourse), along with exposition, argumentation, and narration. Each of the rhetorical modes is present in a variety of forms and each has its own purpose and conventions.

Description is also the fiction-writing mode for transmitting a mental image of the particulars of a story.

Description as a fiction-writing mode

Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Agent and author Evan Marshall (agent) identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background (Marshall 1988, pp. 143–165). Author and writing-instructor Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition (Morrell 2006, p. 127). Author Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description (Selgin 2007, p. 38). Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses.

Description is the fiction-writing mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, description is one of the most widely recognized of the fiction-writing modes. As stated in Writing from A to Z, edited by Kirk Polking, description is more than the amassing of details; it is bringing something to life by carefully choosing and arranging words and phrases to produce the desired effect. (Polking, p. 106) The most appropriate and effective techniques for presenting description are a matter of ongoing discussion among writers and writing coaches.

[[File: ]]==Purple prose== Purple prose is a term of literary criticism used to describe passages, or sometimes entire literary works, written in prose so overly extravagant, ornate, or flowery as to break the flow and draw attention to itself. Purple prose is sensually evocative beyond the requirements of its context. It also refers to writing that employs certain rhetorical effects such as exaggerated sentiment or pathos in an attempt to manipulate a reader's response.

Philosophy

In philosophy, the nature of description has been an important question since Bertrand Russels classical texts (cf. Ludlow, 2007).

Physics

The word description can be used interchangeably with the word theory

References

• Rozakis, Laurie (2003). The Complete Idiot's Guide to Grammar and Style, 2nd Edition. Alpha. ISBN 978-1-59257-115-4
• Marshall, Evan (1998). The Marshall Plan for Novel Writing. Cincinnati, OH: Writer's Digest Books. pp. 143–165. ISBN 1582970629. 
• Morrell, Jessica Page (2006). Between the Lines: Master the Subtle Elements of Fiction Writing. Cincinnati, OH: Writer's Digest Books. p. 127. ISBN 9781582973937. 
• Polking, Kirk (1990). Writing A to Z. Cincinnati, OH: Writer’s Digest Books. ISBN 0898794358. 
• Selgin, Peter (2007). By Cunning & Craft: Sound Advice and Practical Wisdom for fiction writers. Cincinnati, OH: Writer's Digest Books. p. 38. ISBN 9781582974910. 

See also

• Anthropomorphism
• Cliché
• Diction
• Grammatical modifier
• Grammatical voice
• Helium.com
• Metaphors
• Narrative mode
• Nouns
• Objectification
• Personification
• Relevance
• Rhetorical devices
• Simile
• Verisimilitude
• Word choice

References

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