|Directed by||John Waters|
|Produced by||John Waters|
|Written by||John Waters|
Mary Vivian Pearce
|Music by||Chris Lobingier
|Editing by||Charles Roggero|
|Distributed by||New Line Cinema|
|Running time||90 minutes|
Peggy Gravel, a neurotic, delusional, suburban housewife, and her overweight maid, Grizelda Brown, go on the lam after Grizelda smothers Peggy's husband, Bosley, to death. The two are arrested by a cross-dressing policeman who gives them an ultimatum: go to jail or be exiled to Mortville, a filthy shantytown ruled by the evil Queen Carlotta and her treasonous daughter, Princess Coo-Coo.
Peggy and Grizelda choose Mortville, but still engage in lesbian prison sex. They become associates of self-hating lesbian wrestler Mole McHenry, who wants a sex change to please her lover, Muffy St. Jacques. Most of Mortville's social outcasts—criminals, nudists, and sexual deviants—conspire to overthrow Queen Carlotta, who banishes her daughter, Coo-Coo, after she elopes with a garbage collector, who is later shot to death by the guards. Coo-Coo hides in Peggy and Grizelda's house with her dead lover. When Peggy betrays Coo-Coo to the Queen's guards, Grizelda fights them, and dies when the house collapses on her. Peggy, however, joins the queen in terrorizing her subjects, even infecting them (and Princess Coo-Coo) with rabies.
Eventually, Mortville's denizens, led by Mole, overthrow Queen Carlotta and execute Peggy by shooting a gun up her anus. To celebrate their freedom, the townsfolk roast Carlotta on a spit and serve her, pig-like, on a platter with an apple in her mouth.
- Mink Stole as Peggy Gravel
- Jean Hill as Grizelda Brown
- Edith Massey as Queen Carlotta
- Mary Vivian Pearce as Princess Coo-Coo
- Liz Renay as Muffy St. Jacques
- Susan Lowe as Mole McHenry
- George Stover as Bosley Gravel
- Turkey Joe as Sheriff Shitface
- Cookie Mueller as Flipper
- Channing Wilroy as Lt. Wilson
- Ed Peranio as Lt. Williams
- Paul Swift as Mr. Paul
- George Figgs as Herbert
- Al Strapelli as Dr. Evans
- Brook Blake as Bosley Gravel, Jr.
- Karen Gerwig as Beth Gravel
The set of Mortville was built on the grounds of two of Waters' friends in Hampstead, Maryland; it was built by art director Vincent Peranio after he and Waters went around collecting various large pieces of garbage to construct with. Queen Carlotta's castle was an exterior wall with nothing behind, built with plywood. All Mortville interiors were filmed in a rented warehouse in Baltimore.[page needed]
Desperate Living was edited for ten weeks in the basement of editor Charles Roggero's home. It was Waters' first film with original music, by Chris Lobingier and Allen Yanus to provide a "cheesy Doctor Zhivago-type score".[page needed]
This is the only feature film Waters made without Divine prior to the actor's death in 1988. Divine was committed to appearing in The Neon Woman and had to reluctantly back away from the film. Susan Lowe, who had appeared in small or supporting roles in Waters previous films, was chosen to take over for the role of Mole McHenry. This was also Waters' first film without David Lochary, the reason of which being Lochary's addiction to drugs. Waters said "The reason that David wasn't in Desperate Living is because of PCP. That's all that's to it. I know that's why he wasn't in the film, and he knows it too." Lochary would later die of a drug overdose during production of the film.
Waters had received a copy of Liz Renay's autobiography My Face for the World to See and wanted to offer Renay a role in the film. He went to see Renay in a burlesque show in Boston, then travelled to Los Angeles to offer her the role of Muffy St. Jacques, offering her only a brief outline of the story and not the entire script out of fear that she would refuse. She accepted, and flew to Baltimore for three weeks of shooting (the amount the production could afford her for).[page needed]
As with Waters' previous films, the premiere was held in the auditorium of the University of Baltimore. There was a brief controversy when lesbian groups attacked the film for its depiction of lesbianism, and for taking the title of a defunct pro-lesbian magazine. New Line Cinema blew the film up from 16mm to 35mm and opened it at midnight in Manhattan, though the original poster (featuring a cooked rat on a plate) was rejected by The New York Times to run, forcing a new poster to be created three days before the opening. The new poster featured Liz Renay in a screaming pose, fashioned from a production still.
Critics from Good Housekeeping walked out of the film after ten minutes. Otherwise, Playboy enjoyed the film, stating it had to be "seen to be believed". David Chute of The Boston Phoenix said of the film: "In Desperate Living, Waters comes close to creating a work of true trash art." The film currently holds a 70% rating on Rotten Tomatoes.
- The musician Marilyn Manson and band of the same name include a tribute to Desperate Living on their 1994 album, Portrait of an American Family. The last track on the album has a recording of Mink Stole's character, Peggy Gravel, shouting at children playing baseball (having just broken her window). The line is spoken as follows:
"Go home to your mother! Doesn't she ever watch you? Tell her this isn't some communist daycare center! Tell your mother I hate her! Tell your mother I hate you!"
- The sound of a ringing telephone is then heard on a loop before, at the very end of the track, a message from the Marilyn Manson Family Intervention Hotline answering machine is heard, specifically a mother asking for her son's name to be removed from the band's mailing list.
- The musical Miss Saigon features a musical scene with the first words being "Coo-Coo Princess".
- Horse the Band's 2009 album was titled Desperate Living after the film.
- Japanese director Tomoaki Hosoyama's early pink film Lesbian Harem (1987) is an homage to Desperate Living.
- "DESPERATE LIVING (18) (!)". British Board of Film Classification. 1990-09-07. Retrieved 2013-01-28.
- "Desperate Living". Allmovie. Retrieved September 27, 2012.
- Shock Value, Waters, 1981
- Waters, 1981
- Shock Value, Waters, 1981
- Desperate Living at Rotten Tomatoes
- Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 241. ISBN 1-889288-52-7.
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