Detective Story (1951 film)
Theatrical release poster
|Directed by||William Wyler|
|Produced by||William Wyler|
|Screenplay by||Robert Wyler
|Based on||the play Detective Story
by Sidney Kingsley
John F. Seitz
|Editing by||Robert Swink|
|Distributed by||Paramount Pictures|
|Running time||103 minutes|
|Box office||$2.8 million (US rentals)|
Detective Story is a 1951 film noir which tells the story of one day in the lives of the various people who populate a police detective squad. It features Kirk Douglas, George Macready, Eleanor Parker, William Bendix, and Cathy O'Donnell. Both Lee Grant and Joseph Wiseman perform in their film debuts. The movie was adapted by Robert Wyler and Philip Yordan from the 1949 play of the same name by Sidney Kingsley. Nominated for four Academy Awards, it was directed by William Wyler.
An embittered cop, Det. Jim McLeod (Douglas), leads a precinct of characters in their grim daily battle with the city's lowlife. Little does he realize that his obsessive pursuit of an abortionist (Macready) is leading him to discover his wife had an abortion. The characters who pass through the precinct over the course of the day include a young petty embezzler, a pair of burglars, and a naive shoplifter.
The film begins with the arrest of a shoplifter (Lee Grant) and her booking at the 21st police precinct in New York City. Outside, Det. Jim McLeod (Kirk Douglas) is sharing a romantic moment with his wife Mary (Eleanor Parker), and they discuss the children they are planning to have. He returns to the precinct to process a young embezzler named Arthur Kindred (Craig Hill).
McLeod then encounters Endicott Sims (Warner Anderson), lawyer of "Dutchman" Karl Schneider (George Macready), a New Jersey doctor who has had his license revoked and is now wanted on murder charges. Sims informs Lieutenant Monahan (Horace McMahon) that Schneider wants to turn himself in to avoid the wrath of McLeod, who has apparently been conducting an ongoing hate campaign against the doctor, who is known to perform abortions. McLeod professes his hatred of Schneider, and in fact all criminals, lamenting that the law merely "coddles them."
Two burglars, Charley Gennini (Joseph Wiseman), and Lewis Abbott (Michael Strong), are brought in. With the help of his partner Brody (William Bendix, best known as Riley in the TV series Life Of Riley), McLeod interrogates the men and manages to turn Abbott against Gennini. Further investigation proves that Gennini essentially makes a living out of thievery. When his record comes in it turns out that he has done far worse than stealing.
When Schneider arrives with Sims, McLeod informs him that his assistant, Miss Hatch (Gladys George), has implicated him and will pick him out of a line-up. To McLeod's disgust, Schneider has bribed Hatch with a fur stole, and she fails to identify him. McLeod explodes and calls Hatch a liar before dismissing her. He admits to reporter Joe Feinson (Luis Van Rooten) that his hatred for his father and "his criminal mind" (who drove his wife to a lunatic asylum) is what fuels his crusade against evil-doers.
McLeod then takes Schneider to Bellevue Hospital where a young victim of Schneider's work is being treated. However, McLeod learns that the woman has died, and without her identification, there is no case against Schneider. As they head back to the precinct, Schneider threatens McLeod with information he apparently has on the detective, taunting him that he has a lot of pull in high places. McLeod responds by slapping and punching Schneider until he suddenly collapses. As an ambulance is called Schneider mentions the name "Giacoppetti" and a woman to Monahan, which presumably has something to do with McLeod. When Sims comes by to berate McLeod and Monahan he inadvertently reveals - only in the presence of Monahan - that the woman is Mary McLeod.
Arthur's boss, Albert R. Pritchett (James Maloney), comes to the precinct to file charges against Arthur. His old family friend Susan (Cathy O'Donnell) arrives and gives Pritchett $120 she scraped together hoping no charges are filed against her friend. McLeod calls Arthur a thief and tries to dissuade Susan, but she pleads with Pritchett, swearing that the funds will be repaid the next day. In truth, Arthur stole the money to pay for a dinner date with an old flame, in a vain attempt to rekindle her interest in him. Brody sympathizes with Arthur because he had served with distinction in the US Navy during the war, and was about the same age as Brody's son who died on the USS Juneau in 1942. Brody talks Pritchett into accepting Susan's money but McLeod, who is angered by Brody's interference, essentially bullies Pritchett into filing charges, stating that a first offender always becomes a repeat offender (using Gennini as an example), and no mercy should be shown to them.
Mary McLeod arrives at the station and talks with Lt. Monahan about knowing Giacoppetti - a racketeer who used to date Mary - and Schneider. She denies knowing them, but when Giacoppetti walks in and greets her, she bursts into tears. Giacoppetti, pressured by Monahan, admits that Mary had gotten pregnant while they dated and gone to Dr. Schneider for an abortion.
Mary confesses to her husband, and once alone with him she asks his forgiveness, but he brutally responds that he'd rather die than find out his wife is "a tramp," and asks if her infertility was caused by Schneider's abortion. Stunned and severely hurt by Jim's reaction, Mary leaves in tears.
Later, she comes to the station to say goodbye to McLeod and he pleads with her to stay. Mary relents, but after a snide comment made by Sims about Mary's love life, McLeod falls back on his anger and asks how many men there were before he met her, admitting he cannot wash away the "dirty pictures" in his mind. Calling him cruel and vengeful, she leaves McLeod for good, not wanting be "driven to a lunatic asylum." She vows never to see him again.
Gennini, taking advantage of the commotion started when a victim runs into the station yelling she's been robbed, grabs a gun from a policeman's holster and shoots McLeod several times. McLeod, in his dying words, asks for his wife's forgiveness and requests that his colleagues go easy on Arthur Kindred. McLeod then begins an Act of Contrition, which Brody finishes after McLeod dies. A distressed Brody then releases Arthur while admonishing him "not to make a monkey out of me." Arthur and Susan (who earlier professed her love for him) leave as Monahan calls for a priest and Joe calls his newspaper to inform them of McLeod's death.
The film version omits details from the play pertaining to the criminal underworld and the dangers of a police state.
During production, the film had some trouble with the Production Code Authority. The Production Code did not allow the killing of police officers or references to abortion. Joseph Breen suggested that explicit references to abortion would be altered to "baby farming". However, when the film was released, film critics still interpreted Dr. Schneider as an illicit abortionist. Breen and William Wyler suggested to the MPAA Production Code Committee that the code be amended to allow the killing of police officers if it was absolutely necessary for the plot. They agreed and the code was amended, lifting the previous ban on cop killing. Another noteworthy factor regarding the passing of this film is that at the time that this film was made, the Production Code Administration's primary concern about cop killing was in regards to "Gangster" films, in that there is conflict between the criminal and the police officer. The killing was not premeditated, which again, helped allow the Production Code Administration to pass the film. 
When the film was released, Bosley Crowther, film critic for The New York Times, lauded the film and the casting, writing, "Sidney Kingsley's play, Detective Story, has been made into a brisk, absorbing film by Producer-Director William Wyler, with the help of a fine, responsive cast. Long on graphic demonstration of the sort of raffish traffic that flows through a squad-room of plainclothes detectives in a New York police station-house and considerably short on penetration into the lives of anyone on display...In the performance of this business, every member of the cast rates a hand, with the possible exception of Eleanor Parker as the hero's wife, and she is really not to blame. Kirk Douglas is so forceful and aggressive as the detective with a kink in his brain that the sweet and conventional distractions of Miss Parker as his wife appear quite tame. In the role of the mate of such a tiger—and of a woman who has had the troubled past that is harshly revealed in this picture—Mr. Wyler might have cast a sharper dame."
Critic James Steffen appreciated the direction of the film and the cinematography of Lee Garmes, writing "While Detective Story remains essentially a filmed play, Wyler manages to use the inherent constraints of such an approach as an artistic advantage. The confined set of the police precinct is not simply a space where various characters observe each other and interact; it also contributes to the underlying thematic thrust and ultimately to the film’s emotional power. The staging of the individual scenes, which often plays on foreground-background relationships, is also augmented by Lee Garmes’ deep focus photography. (Wyler, of course, used deep focus photography extensively in the films he shot with Gregg Toland.)"
|1951||Best Actress in a Leading Role||Eleanor Parker||Nominated|
|1951||Best Actress in a Supporting Role||Lee Grant||Nominated|
|1951||Best Director||William Wyler||Nominated|
|1951||Best Writing, Screenplay||Philip Yordan, Robert Wyler||Nominated|
|British Academy of Film and Television Arts|
|1952||BAFTA Film Award||Best Film from any Source USA||Nominated|
|1952 Cannes Film Festival|
|1952||Best Actress||Lee Grant||Won|
|1952||Grand Prize of the Festival||William Wyler||Nominated|
|Directors Guild of America|
|1952||DGA Award||Outstanding Directorial Achievement in Motion Pictures - William Wyler||Nominated|
|1952||Best Motion Picture Screenplay||Sidney Kingsley, Robert Wyler, Philip Yordan||Won|
|1952||Best Motion Picture - Drama||Nominated|
|1952||Best Motion Picture Actor - Drama||Kirk Douglas||Nominated|
|1952||Best Supporting Actress||Lee Grant||Nominated|
|Writers Guild of America|
|1952||WGA Award (Screen) Best Written American Drama||Philip Yordan, Robert Wyler||Nominated|
Video and DVD
In a DVD review of the film, technology critic Gary W. Tooze, wrote, "Absolutely stunning image. One of the best I have seen for a black and white film this year. Superb sharpness, shadow details and contrast. Standard Paramount bare bones release with no extras and a price tag for the frugal minded. The image and price make it a must own for Noir fans and everyone else too. Wyler direction sends the film to upper tier to join the DVD."
- 'The Top Box Office Hits of 1951', Variety, January 2, 1952
- Detective Story at the Internet Movie Database
- Prince, S. (2003). Classical film violence: Designing and regulating brutality in hollywood cinema, 1930-1968. (pp. 128-129). Piscataway, NJ: Rutgers University Press.
- Crowther, Bosley. The New York Times, film review, November 7, 1951. Last accessed: December 26, 2007.
- Steffen, James. Turner Classic Movies, film review and analysis, 2007. Last accessed: February 1, 2008.
- "Cinema: The New Pictures, Oct. 29, 1951"
- "Festival de Cannes: Detective Story". festival-cannes.com. Retrieved 2009-01-17.
- Tooze, Gary W. DVD Beaver, review, 2007. Last accessed: December 26, 2007.
- Detective Story at the Internet Movie Database
- Detective Story at allmovie
- Detective Story at the TCM Movie Database
- Detective Story film trailer at YouTube