|Born||Dianne E. Wiest
March 28, 1948
Kansas City, Missouri, U.S.A
Dianne E. Wiest (//; born March 28, 1948) is an American actress on stage, television and film. She has won two Academy Awards, two Emmy Awards and a Golden Globe Award. Wiest has also been nominated for a BAFTA Award.
Wiest was born in Kansas City, Missouri. Her mother, Anne Stewart (née Keddie), was born in Auchtermuchty, Scotland, and worked as a nurse. Her father, Bernard John Wiest, was a college dean and former psychiatric social worker for the U.S. Army; he was American-born, of German and Austrian descent. Wiest's parents met in Algiers. She has two brothers: Greg and Don Wiest. Wiest's original ambition was to be a ballerina, but in her senior year at Nurnberg American High School she switched her goal to theatre.
Wiest studied theatre at the University of Maryland, leaving after her third term to tour with a Shakespearean troupe. Later, she had a supporting role in a New York Shakespeare Festival production of Ashes. She also acted at the Yale Repertory Theatre in New Haven, CT, playing the title role in Henrik Ibsen's Hedda Gabler. She was an understudy both off-Broadway and on Broadway, in Kurt Vonnegut's Happy Birthday, Wanda June in 1970.
She made her Broadway debut in Robert Anderson's Solitaire/Double Solitaire, taking over in the role of the daughter in 1971. She landed a four-year job as a member of the Arena Stage in Washington, D.C., in such roles as Emily in Our Town, Honey in Who's Afraid of Virginia Woolf?, and leading roles in S. Ansky's The Dybbuk, Maxim Gorky's The Lower Depths and George Bernard Shaw's Heartbreak House. She toured the USSR with the Arena Stage.
In 1976, Wiest attended the Eugene O'Neill National Playwrights Conference and starred in leading roles in Amlin Gray's Pirates and Christopher Durang's A History of the American Film. At Joe Papp's Public Theater she took over the lead in Ashes, and played Cassandra in Agamemnon, directed by Andrei Şerban.
She appeared in two plays by Tina Howe: Museum and The Art of Dining. In the latter, Wiest's performance as the shy and awkward author Elizabeth Barrow Colt won three off-Broadway theatre awards: an Obie Award (1980), a Theatre World Award (1979–1980), and the Clarence Derwent Award (1980), given yearly for the most promising performance in New York theatre.
On Broadway she appeared in Frankenstein (1981), directed by Tom Moore, portrayed Desdemona in Othello (1982) opposite James Earl Jones and Christopher Plummer and co-starred with John Lithgow in Christopher Durang's romantic screwball comedy Beyond Therapy (1982), directed by John Madden. (She played opposite Lithgow again in the Herbert Ross film Footloose.)
During the 1980s, she also performed in Hedda Gabler, directed by Lloyd Richards at Yale Repertory Theatre, and in Harold Pinter's A Kind of Alaska (1984, Manhattan Theatre Club), Lanford Wilson's Serenading Louie (1984), and Janusz Glowacki's Hunting Cockroaches (1987, Manhattan Theater Club).
As Wiest became established as a film actress through her work in Woody Allen's films, she was less frequently available for stage roles. However, she did appear onstage the 1990s, in In the Summer House, Square One, Cynthia Ozick's The Shawl, and Naomi Wallace's One Flea Spare.
In 2003, she appeared with Al Pacino and Marisa Tomei in Oscar Wilde's Salome. In 2005, she starred in Kathleen Tolan's Memory House. She also starred in a production of Wendy Wasserstein's final play Third (directed by Daniel Sullivan) at Lincoln Center.
Recent New York theater roles include performances as Arkadina in an off-Broadway revival of The Seagull (opposite Alan Cumming's Trigorin) and as Kate Keller in a Broadway revival of Arthur Miller's All My Sons, opposite John Lithgow, Patrick Wilson, and Katie Holmes. In 2009, Wiest appeared in the National Memorial Day Concert on the Mall in Washington, D.C. in a dialogue with Katie Holmes celebrating the life of an American veteran seriously wounded in Iraq, José Pequeño.
Wiest spent September 2010 as a visiting teacher at Columbia University's Graduate Acting Program, working with a group of 18 first-year MFA Acting students on selected plays by Anton Chekhov and Arthur Miller.
Film and television
Under Woody Allen's direction, Wiest won an Academy Award for Best Supporting Actress for Hannah and Her Sisters in 1987 and Bullets over Broadway in 1995. She also appeared in three other Woody Allen films: The Purple Rose of Cairo (1985), Radio Days (1987) and September (1987).
She followed her first Oscar success with performances in The Lost Boys (1987) and Bright Lights, Big City (1988). She also starred with Steve Martin, Mary Steenburgen, Jason Robards, Keanu Reeves and Martha Plimpton in Ron Howard's Parenthood, for which she received her second Oscar nomination.
On television, her performance on the series Road to Avonlea in 1989 brought her her first Emmy Award for Outstanding Guest Actress in a Dramatic Series. She received another nomination for her performance in the 1999 telefilm The Simple Life of Noah Dearborn, co-starring Sidney Poitier. She starred in the television mini-series The 10th Kingdom in 2000.
From 2000 to 2002, Wiest portrayed interim District Attorney Nora Lewin in the long-running NBC crime drama Law & Order. She also played the character in two episodes of Law & Order: Special Victims Unit and the pilot episode of Law & Order: Criminal Intent.
In 2008, she appeared as Gabriel Byrne's therapist, Gina Toll, on the HBO television series In Treatment, for which she received her second Emmy Award, for Outstanding Supporting Actress in a Drama Series. She received another nomination (in the same category) for the second season, in 2009, but did not win.
She starred alongside Nicole Kidman in Rabbit Hole (2010), which debuted at the Toronto International Film Festival. Wiest also co-starred in Lawrence Kasdan's 2012 comedy Darling Companion, alongside Kevin Kline and Diane Keaton.
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