Diary of a Country Priest

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Diary of a Country Priest
Diary of a Country Priest.jpg
Film poster
Directed by Robert Bresson
Produced by Léon Carré
Robert Sussfeld
Written by Georges Bernanos (novel)
Robert Bresson
Starring Claude Laydu
Jean Riveyre
André Guibert
Music by Jean-Jacques Grünenwald
Cinematography Léonce-Henri Burel
Edited by Paulette Robert
Distributed by Brandon Films Inc.
Release dates
  • 7 February 1951 (1951-02-07)
Running time
115 minutes
Country France
Language French

Diary of a Country Priest (original French title: Journal d'un curé de campagne) is a 1951 French film written and directed by Robert Bresson, and starring Claude Laydu. It was closely based on the novel of the same name by Georges Bernanos. Published in 1936, the novel received the Grand prix du roman de l'Académie française. It tells the story of a young, sickly priest, who has been assigned to his first parish, a village in northern France.

The film was lauded for the debut performance by Laydu, called one of the greatest in the history of film. It won numerous awards, including the Grand Prize at the Venice International Film Festival, and the Prix Louis Delluc.[1]

Plot[edit]

A young priest arrives at Ambricourt, his new parish. He is not welcome. The girls of the catechism class laugh at him in a prank, whereby only one of them pretends to know the Scriptural basis of the Eucharist so that the rest of them can laugh at their private conversation. His colleagues criticize his diet of bread and wine, and his ascetic lifestyle. Concerned about Chantal, the daughter of the Countess, the priest visits the Countess at the family chateau, and appears to help her resume communion with God after a period of doubt. The Countess dies during the following night, and her daughter spreads false rumors that the priest's harsh words had tormented her to death. Refusing confession, Chantal had previously spoken to the priest about her hatred of her parents.

The older priest from Torcy talks to his younger colleague about his poor diet and lack of prayer, but the younger man seems unable to make changes. After his health worsens, the young priest goes to the city to visit a doctor, who diagnoses him with stomach cancer. The priest goes for refuge to a former colleague, who has lapsed and now works as an apothecary, while living with a woman outside wedlock. The priest dies in the house of his colleague after being absolved by him.

Two famous lines from the film include "God is not a torturer" (Martin Scorsese's favorite line[2]) and "All is grace."

Cast[edit]

Production[edit]

Two other French scriptwriters, Jean Aurenche and Pierre Bost, had wanted to make film adaptations of the novel. Bernanos rejected Aurenche's first draft. By the time Bresson worked on the screenplay, Bernanos had died. Bresson said he "would have taken more liberties," if Bernanos were still alive.[3]

This film marked a transition period for Bresson, as he began using non-professional actors (with the exception of the Countess). It was also the first film in which Bresson utilized a complex soundtrack and voice-over narration, stating that "an ice-cold commentary can warm, by contrast, tepid dialogues in a film. Phenomenon analogues to that of hot and cold in painting."[4]

Reception[edit]

Diary of a Country Priest was a financial success in France and established Bresson's international reputation as a major film director. Film critic Andre Bazin wrote an entire essay on the film, calling it a masterpiece "because of its power to stir the emotions, rather than the intelligence."[5] Claude Laydu's debut performance in the title role has been described as one of the greatest in the history of film. Jean Tulard, in his Dictionary of Film, wrote of him in this work, "No other actor deserves to go to heaven as much as Laydu."[6]

The American film director Martin Scorsese said this film influenced his own Taxi Driver.[7]

Awards[edit]

The film won eight international awards, including the Grand Prize at the Venice International Film Festival, and the Prix Louis Delluc.[8]

References[edit]

  1. ^ Wakeman. pp. 57.
  2. ^ Robert Castillo, Gangster Priest: The Italian American Cinema of Martin Scorsese. Toronto: University of Toronto Press (2006): 389. "'God is not a torturer,' to quote Scorsese's favourite line from Bresson's The Diary of a Country Priest."
  3. ^ François Truffaut, "A Certain Tendency of the French Cinema" Film Theory: Critical Concepts in Media and Cultural Studies ed. Philip Simpson. New York: Taylor & Francis (2004): 11
  4. ^ Wakeman, John. World Film Directors, Volume 1. The H. W. Wilson Company. 1987. pp. 57.
  5. ^ Wakeman. pp. 57.
  6. ^ Robert Bergan, "Claude Laydu obituary", The Guardian, 7 August 2011, accessed 15 June 2014
  7. ^ Martin Scorsese: Interviews, ed. Peter Brunette. Jackson, Mississippi: University Press of Mississippi (1999): 67. "Don't forget that is what the priest is doing in Diary of a Country Priest."
  8. ^ Wakeman. pp. 57.

External links[edit]