Diary of a Mad Black Woman (film)

Diary of a Mad Black Woman
Theatrical release poster
Directed by	Darren Grant
Produced by	Reuben Cannon
Written by	Tyler Perry
Based on	Diary of a Mad Black Woman by Tyler Perry
Starring	Kimberly Elise Steve Harris Shemar Moore Tamara Taylor Tiffany Evans Cicely Tyson Tyler Perry
Music by	Camara Kambon
Cinematography	David Claessen
Editing by	Terilyn A. Shropshire
Studio	Lionsgate BET Pictures
Distributed by	Lionsgate
Release date(s)	February 25, 2005 (2005-02-25)
Running time	116 minutes
Country	United States
Language	English
Budget	$5.5 million
Box office	$50,652,203

Diary of a Mad Black Woman is a 2005 romantic comedy-drama film written by and starring Tyler Perry, which was inspired by the play of the same name. It is the first film in the Tyler Perry "Madea" film franchise. Directed by Darren Grant, the film was released in the US on February 25, 2005. The sequel, Madea's Family Reunion, was released on February 24, 2006.

Plot

Helen McCarter (Kimberly Elise) and her husband Charles (Steve Harris), an attorney, had it all: money, success, and a fine home. Their lives were perfect--but they only looked perfect to the public. Helen is unemployed and Charles has been having multiple affairs. On their 18th anniversary, Helen awakens to find all of her belongings packed in a U-Haul truck with Charles kicking her out of the house in the presence of Brenda (Lisa Marcos), his young mistress, the mother of his two children. Helen kicks the U-Haul driver, Orlando (Shemar Moore) out of his truck and heads off to see her loud, sassy grandmother Madea (Tyler Perry), who takes her in and helps her get back on her feet. Madea's nephew Brian (Tyler Perry) acts as Madea and Helen's attorney at when Charles and Brenda catch the women breaking into and vandalizing the mansion (Madea rammed her car into the security gate, took a chainsaw to some of the furniture, and helped Helen tear up Brenda's clothes).

Since Madea is a repeat offender, Judge Mablean Ephriam places her under house arrest and sets a $5,000 bond for Helen; meanwhile, Brian gets to the last straw with his drug-addicted wife Debrah (Tamara Taylor) and kicks her out of their home. Helen learns to grow through her pain and is eventually ready to move on. Despite their rocky first encounter, she explores a second chance at love with Orlando (who was only driving that U-Haul as a favor for a friend). Their relationship blooms over the course of many months. Meanwhile, Jamison Milton Jackson (Gary Sturgis) coerces Charles to be his attorney at his upcoming travel for shooting an undercover cop during a drug deal--and possibly bribe the judge in his favor. This forces the revelation that Charles received his money through drug deals and by buying off judges.

During their divorce-court session, Helen decides to let Charles keep all the money and property provided that he pays Brian's attorney fees. She also wants Charles to pay for her mother's stay in the nursing home, since he was the one who forced her to put her mother there. Charles happily agrees. But Charles loses the shooting case; the jurors find Jamison guilty. As the bailiff leads the disgruntled Jamison out of the courtroom, Jamison snatches up the bailiff's gun and shoots Charles for failing to get him acquitted. Later, Orlando proposes to Helen, promising to take care of love her forever. But before Helen can responde, she sees the shooting on the news and races to the hospital with Brian, where they run into Brenda. The doctor informs them that Charles was shot in the spine and could be paralyzed for life. When he asks if they should resuscitate him, Brenda quickly chooses to let him die but Helen, who is still Charles' legal wife, tells the doctors to do everything they can.

Charles recovers, returns home with Helen, and resumes his verbal abuse of her. But Helen has had enough and retaliates for years of abuse in a few days. It is revealed that during Charles' hospital stay, Brenda cleaned out his bank account and left him, taking the children. The maid, Christina, left when Brenda didn't pay her, and all of Charles' friends turned their backs on him. Helen meets with Orland and they argue when he learns she has moved back in with Charles and is looking after him; he angrily storms out of the diner. Charles finally realizes his mistakes and understands that Helen was the only one who truly cared about him, and he apologizes sincerely to her. She tends him through the grueling process of his recovery, and eventually he begins to walk again....during an emotional scene in church, in which Debrah, now clean-and-sober, reconciles with Brian and rejoins her family.

Charles hopes he and Helen can start over, but during a family dinner she hands him the signed divorce papers and tells him she will always be his friend. She goes in search of Orlando, asks him to propose to her again, and when he does, she accepts. Orlando picks Helen up and carries her out of the factory as the screen fades to black.

Cast

• Kimberly Elise as Helen Simmons-McCarter
• Steve Harris as Charles McCarter
• Shemar Moore as Orlando
• Cicely Tyson as Myrtle Jean-Simmons
• Lisa Marcos as Brenda
• Tamara Taylor as Debrah Simmons
• Tiffany Evans as Tiffany Simmons
• Tyler Perry as Madea Simmons / Joe Simmons / Brian Simmons
• Gary Anthony Sturgis as Jamison Milton Jackson
• Tamela Mann (cameo) as Cora Simmons
• Judge Mablean Ephriam (cameo) as herself

Music

The soundtrack was released by Motown Records on April 19, 2005.

1. "Purify Me" - India.Arie
2. "Sick and Tired" - Monica
3. "Different Directions" - Angie Stone
4. "Things I Collected" - Tamia
5. "I Wanna Swing" - Cheryl Pepsii Riley
6. "I Wanna Love Again" - Natalie Cole
7. "Fallen in Love" - Darlene McCoy
8. "Ain't It Funny" - Heather Headley
9. "One of Us" - Cheryl Pepsii Riley
10. "I Wanna Be Free" - Patti Labelle
11. "Father, Can You Hear Me" - Cheryl Pepsii Riley, Tamela J. Mann, Terrell Carter, Tiffany Evans
12. "Take It to Jesus" - Tamela J. Mann

Reception

Critical reception

Diary of a Mad Black Woman received a metascore of 36 out of 100 ("generally unfavorable") on the critic-aggregation website Metacritic and 16% on Rotten Tomatoes.

Box office

On its opening weekend, the film arrived at #1 with $21,905,089. The film grossed a total of $50,633,099 in the United States and Canada while it grossed $19,104 in foreign countries adding to a worldwide total of $50,652,203.

Controversy

In early 2008, playwright Donna West filed suit against Perry, contending that he stole material from her 1991 play, Fantasy of a Black Woman. Veronica Lewis, Perry's attorney, has suggested there was no need for her client to appropriate the work of others.

On December 9, 2008, the case was tried before Judge Leonard Davis in the United States District Court for the Eastern District of Texas. The jury returned an 8-0 verdict in favor of Perry.

Difference from the Play

• Helen and Charles have been married for 18 years in the movie, but in the play they were married for 20 years.
• In the play, during their divorce, Helen keeps the house and $12,000 a month, but in the movie he throws her out of the house with no money for herself.
• When Charles got paralyzed in the play, Helen didn't want to see him and said that he got what he deserved but in the movie, she and Brian went to see him.
• The characters in the play, Angelo, Willie, and Daddy Charles don't exist. Daddy Charles may exist but was put in a home prior to the movie. Joe and Miltred acted similarly.
• In the movie, Myrtle was put in a home prior to the movie, but in the play she hasn't been put in a home and she visits Helen now and then (due to her being played by Tamela Mann in the play version)
• In the play, Charles and Helen got back together in the end, but in the movie even though she forgave him, she still divorced him and married Orlando (even though he didn't ask her to marry him in the play).

External links

• Official website
• Diary of a Mad Black Woman at the Internet Movie Database
• Diary of a Mad Black Woman at Box Office Mojo
• Diary of a Mad Black Woman at Rotten Tomatoes
• Diary of a Mad Black Woman at Metacritic