|Born||Richard W. Sprang
July 28, 1915
|Died||May 17, 2000
Richard W. "Dick" Sprang (July 28, 1915 - May 10, 2000) was an American comic book artist and penciller, best known for his work on the superhero Batman during the period fans and historians call Golden Age of Comic Books. Sprang was responsible for the 1950 redesign of the Batmobile and the original design of the Riddler, who has appeared in film, television and other media adaptations. Sprang's Batman was notable for his square chin, expressive face and barrel chest.
Sprang was also a notable explorer in Arizona, Utah, and Colorado, whose discoveries included the "Defiance House" of the Anasazi ruins, and whose correspondence and records are stored with the Utah Historical Society.
Early life and career
Dick Sprang was born in Fremont, Ohio, and became a professional illustrator at an early age, painting signs and handbills for local advertisers. According to comics historian Jerry Bails, Sprang worked throughout the 1930s for Standard Magazines, "screening scripts" as an editor, as well as contributing artwork to Standard, Columbia Publications and Street and Smith, while still in high school. He joined the staff of "the Scripps-Howard newspaper chain in Toledo, Ohio" shortly after graduating (circa 1934), continuing to produce magazine work concurrently. Sprang described his early career and work ethic, in 1987:
I was in the art department, where we had to meet five deadlines a day. We had five editions on the street that, in part, carried different advertisements for jewelry stores, furniture stores, and so on. We had to draw the items they sold, plus editorial cartoons, and editorial illustrations. I had to work with engravers, and I mastered the technology of printing. I learned the value of meeting a deadline.
From the late 1930s to the early 1940s, Sprang continued to work as a freelance illustrator, primarily for such pulp magazines as Popular Detective, Popular Western, Phantom Detective, G-Men, Detective Novels Magazine, Crack Detective and Black Hood Detective/Hooded Detective, for which last he also wrote some stories. Between 1937 and 1938, Sprang provided assistance on the King Features Syndicate comic strips Secret Agent X-9 (layouts) and The Lone Ranger (pencil assists). In 1938, he also wrote briefly for the Lone Ranger radio series.
Late in the decade, with the pulp magazines in decline, Sprang gravitated toward comic-book illustration. With Norman Fallon and Ed Kressey, he co-founded the studio Fallon-Sprang at "a little studio loft on 42nd Street between Fifth Avenue and Grand Central" Terminal and with a contact address of 230 West 101st Street in Manhattan. A promotional flier advertises the studio as comics packagers for such "supermen" features as "Power Nelson" (introduced in Prize Comics #1, March 1940) and "Shock Gibson"; "human interest" features such as "Speed Martin"; and the "interplanetary" feature "Sky Wizard" and detective feature "K-7" (both introduced in Hillman Periodicals' Miracle Comics #1, Feb. 1940, and attributed to Emile Schurmacher).
DC Comics and Batman
Continuing to seek comic-book work, Sprang submitted art samples to DC Comics editor Whitney Ellsworth, who assigned him a Batman story in 1941. Anticipating that Batman creator Bob Kane would be drafted to serve in World War II, DC inventoried Sprang's work to safeguard against delays. Sprang's first published Batman work was the Batman and Robin figures on the cover of Batman #18 (Aug.-Sept. 1943), reproduced from the art for page 13 of the later-published Detective Comics #84 (Feb. 1944). Sprang's first original published Batman work, and first interior-story work, appeared in Batman #19 (Oct.-Nov. 1943), for which he penciled and inked the cover and the first three Batman stories, and penciled the fourth Batman story, inked by Norm Fallon. Like all Batman artists of the time, Sprang went uncredited as a ghost artist for Kane.
Sprang thereafter worked almost entirely on Batman comics and covers and on the Batman newspaper strip, becoming one of the primary Batman artists in the character's first 20 years. In 1955, Sprang got the chance to draw Superman, when he replaced Curt Swan as the primary artist for the Superman/Batman team-up stories in World's Finest Comics, on which he worked until his retirement in 1963. Sprang also worked on a couple of stories for the main Superman comic, "including the tale that introduced the first, prototype Supergirl".
Sprang's work was first reprinted in 1961, and "nearly all subsequent Batman collections have contained at least one of his efforts." However, his name never appeared on his Batman work during his career, due to stipulations in Bob Kane's contract. These stated that Kane's name would remain on the strip, regardless of whether he drew any particular story, and this restriction remained in place until the mid-1960s. It was subsequently revealed, however, that Sprang was Kane's favorite "ghost".
Comics historian Les Daniels wrote that Sprang's "clean line and bold sense of design" set him apart as "the supreme stylist" of the early Batman artists. Sprang used to study the way children read comics in order to experiment with page layouts and panel to panel transitions, hoping to create "the most suspense and the most fluidity to keep the pages turning". Daniels singles out Sprang's work on the 1948 debut of the Riddler as "a superb example of story breakdown and page design". The tardiness of Sprang's friend and frequent collaborator Bill Finger sometimes produced situations in which he would have to send in pencils for a story before the ending had been written, actions that "required some careful figuring". In Batman #34, "Sprang drew Batman and Robin capering across....Mount Rushmore", over a decade before Alfred Hitchcock filmed a similar scene in North by Northwest. One story drawn by Sprang, "Joker's Millions", was adapted into an episode of Batman: The Animated Series.
During the time that Dick Sprang began illustrating Batman, he taught his wife — Laura A. Sprang — to letter, and she subsequently lettered most (and colored some) of his subsequent work under the pen name "Pat Gordon". In addition to lettering (and coloring) her husband's artwork, Laura Sprang also worked freelance as a photographer for Film Fun magazine, "hand-lettered titles for industrial films," worked on the titles of Navy training films during World War II, and produced theatrical posters for 20th Century Fox.
During the 1950s, "Gordon" continued to letter for DC on stories featuring Superman, Batman, Superboy and others, before leaving the company circa 1961.
Later life and recognition
Sprang moved to Sedona, Arizona in 1946, where he became interested in western pioneer trails. He spent much of his spare time between 1946 and 1956 surveying the northern Arizona and southern Utah area, especially Glen Canyon (before it was flooded). In 1952, along with Harry Aleson and wife Dudy Thomas, Sprang discovered the "Defiance House," an Anasazi ruin believed to have been previously unseen by non-natives. He was also interested in photography and became a noted expert in the field of western pioneer trails; Sprang's voice can be heard on several National Park Service oral history tapes. In 1956, he moved to Wayne County, Utah, where he ran cattle on a 150-acre (0.6 km2) ranch.
In 1963, Sprang retired from full-time comics illustrating. He relocated from Utah to Prescott, Arizona in 1972, where he remained until his death.
Mostly unknown to comics readers during his career — uncredited on Batman and Superman, Sprang placed his name only on the handful of other stories he drew, such as in Real Fact Comics — Sprang began to receive notice from comics fandom in the 1970s, when he became a regular attendee at comic conventions and later began drawing and selling reproductions of his Golden Age comics covers. During the 1980s (circa 1984-87) he devoted some of his time to recreating comic-book material for the burgeoning collector's market, before returning to comics in 1987 for "occasional assignments". In 1990 he did the covers for Detective Comics #622-624. In 1995 and 1996, he produced two limited-edition lithographs depicting the Batcave ("Secrets of the Batcave") and the Batman cast of characters ("Guardians of Gotham City").
- "United States Social Security Death Index," index, FamilySearch (https://familysearch.org/pal:/MM9.1.1/V957-8YF : accessed 04 Mar 2013), Richard Sprang, 10 May 2000.
- Social Security Death Index: Richard Sprang, SSN 527-40-9109
- Middle initial per Koppany, Bob, ed. The Art of Richard W. Sprang (Striking Impressions, 1998) ISBN 0-9639422-4-7, ISBN 978-0-9639422-4-1
- Michael Uslan (2001), Batman in the Fifties, DC Comics, pg. 5: "Batman rocketed into the new decade with "The Batmobile of 1950," a sleek, high-tech design that Sprang from Sprang--artist Dick Sprang, that is. There is probably no icon more connected to the image of Batman than this version of the Batmobile."
- Koppany, Bob. "Spotlight on Dick Sprang, Part Three: The Greatest Batman Artist Who Ever Lived!" Alter Ego #19 (Dec. 2002) p. 19
- "Dick Sprang (1915-2000)". AskArt. Archived from the original on June 29, 2011.
- Who's Who in American Comics: Dick Sprang. Accessed May 9, 2008
- Sprang, Dick, interview, August 12, 1987. CFA-APA #13 (Sept. 1988). Reprinted in "Spotlight on Dick Sprang, Part One: An Interview with One of the Greatest of Golden Age 'Batman' Illustrators" Alter Ego #19 (December 2002), p. 4
- Desris, Joe. Biography in Batman Archives, Volume 3 (DC Comics, 1994), p. 223 ISBN 1-56389-099-2
- *Dick Sprang at the Lambiek Comiclopedia. Accessed May 9, 2008
- "Spotlight on Dick Sprang, Part One: An Interview with One of the Greatest of Golden Age 'Batman' Illustrators" Alter Ego #19 (Dec. 2002), p. 5
- Miracle Comics #1 (Feb. 1940) at the Grand Comics Database
- Verified by Sprang at Batman #18 (Aug.-Sept. 1943) and Detective Comics #84 (Feb. 1944) at the Grand Comics Database
- Verified by Sprang at Batman #19 (Oct.-Nov. 1943) at the Grand Comics Database
- Memorial essay by Mark Evanier, June 9, 2000. Accessed May 9, 2008
- Daniels, Les (2004). Batman: The Complete History. Chronicle Books. p. 47. ISBN 978-0811842327.
- Daniels, p. 50
- Daniels, p. 56.
- Daniels, p. 69.
- Daniels, p. 65.
- Desris, p. 222
- Canyon Surveys (1952–53) FilmPreservation.org. Retrieved on 5-29-09. WebCitation archive.
- CFA-APA #13, reprinted Alter Ego #19, p. 12